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Empowerment of North American Indian Girls is an examination of coming-of-age-ceremonies for American Indian girls past and present, featuring an in-depth look at Native ideas about human development and puberty. Many North American Indian cultures regard the transition from childhood to adulthood as a pivotal and potentially vulnerable phase of life and have accordingly devised coming-of-age rituals to affirm traditional values and community support for its members. Such rituals are a positive and enabling social force in many modern Native communities whose younger generations are wrestling with substance abuse, mental health problems, suicide, and school dropout. Developmental psychologist Carol A. Markstrom reviews indigenous, historical, and anthropological literatures and conveys the results of her fieldwork to provide descriptive accounts of North American Indian coming-of-age rituals. She gives special attention to the female puberty rituals in four communities: Apache, Navajo, Lakota, and Ojibwa. Of particular interest is the distinctive Apache Sunrise Dance, which is described and analyzed in detail. Also included are American Indian feminist interpretations of menstruation and menstrual taboos, the feminine in cosmology, and the significance of puberty customs and rites for the development of young women.
On a summer night in 2014, Padma and Lalli went missing from Katra Sadatganj, an eye-blink of a village in western Uttar Pradesh. Hours later they were found hanging in the orchard behind their home. Who they were, and what had happened to them, was already less important than what their disappearance meant to the people left behind. Slipping deftly behind political maneuvering, caste systems and codes of honor in a village in northern India, The Good Girls returns to the scene of their short lives and shameful deaths, and dares to ask: What is the human cost of shame?
In twelve startling and vividly imagined stories, Ranbir Singh Sidhu overturns the lives of ordinary Indians living in America to bring us a bold debut collection, Good Indian Girls. A woman attends a de-cluttering class in search of love. A low-level, drunkard diplomat finds himself mysteriously transferred to the Consulate in San Francisco, where everyone believes he is a great, lost poet. An anthropological expedition searching for early human fossils goes disastrously wrong and the leader turns to searching for the very first sounds made by humans. The wife of a retiring Consul pays tribute to her pet python by preparing to serve him to her dinner guests. A strange skull discovered outside an orphanage results in the creation of a cult around one of the charismatic young residents. Unsettling, moving, insightful, humorous — these beautifully written stories travel between despair and redemption as they illuminate the lives of often deeply flawed characters, and mark the emergence of a major new voice in American fiction.
The wise soul Wayne Dyer said, ‘Don’t die with your music still in you.’ For Bina Patel, the many tunes of her life, always changing as she grew, created narratives that shaped her worldview and brought her into relationship with her Cultural Parent, a term coined by the psychotherapist Pearl Drego (1983). This parent shapes us as potently as our biological parents, and lies at the core of our behaviours and social conscience. Coming from an Indian (South Asian) background, the author found herself unconsciously locked into an ancestral framework of duty, obligation and sacrifice promoting suffocating tribalism (‘we’) rather than individual expression (‘I’). Inauthentic living led to food addiction, dysfunctional relationships and chronic stress until she stumbled upon the healing power of talk therapy, reflective practice and the written word. Amazingly, profound psychic shifts occurred as the ‘verbal detox’ from her inner world progressed. Bina had stuffed her feelings into layers of fat for years. Somewhere in this reflective process, her emotional body resurrected and demanded compassion, love and forgiveness, rather than self-criticism, shame, guilt, samosas and chocolate. Surprisingly, the fat started dissolving away and fabulous insights paved the journey from Fat to Fab. Good Little Indian Girls and Stuff is author Bina Patel’s honest, moving and inspiring memoir offering a new framework for twenty-first century living. Patriarchal domination and distorted feminism are rejected whilst compassion, connection and co-creation are embraced. Beyond the toxicity of power struggles, limiting beliefs and labels, the potential for immense societal cohesion and well-being exist. The author explores how the ‘I’ can harmoniously dance with ‘We’ to create a better world for all. How can we be healthy Homo sapiens rather than depleted Homo burnouts?
Best Book of the Year: The Washington Post, NPR, Shelf Awareness, Paste, LitHub, Real Simple 2018 Goodreads Choice Awards Finalist: Best Fiction Longlisted for the 2018 Center for Fiction First Novel Prize “Incandescent...A searing portrait of what feminism looks like in much of the world.” —Vogue “A treat for Ferrante fans, exploring the bonds of friendship and how female ambition beats against the strictures of poverty and patriarchal societies.” —The Huffington Post An electrifying debut novel about the extraordinary bond between two girls driven apart by circumstance but relentless in their search for one another. Poornima and Savitha have three strikes against them: they are poor, they are ambitious, and they are girls. After her mother’s death, Poornima has very little kindness in her life. She is left to care for her siblings until her father can find her a suitable match. So when Savitha enters their household, Poornima is intrigued by the joyful, independent-minded girl. Suddenly their Indian village doesn't feel quite so claustrophobic, and Poornima begins to imagine a life beyond arranged marriage. But when a devastating act of cruelty drives Savitha away, Poornima leaves behind everything she has ever known to find her friend. Her journey takes her into the darkest corners of India's underworld, on a harrowing cross-continental journey, and eventually to an apartment complex in Seattle. Alternating between the girls’ perspectives as they face ruthless obstacles, Shobha Rao's Girls Burn Brighter introduces two heroines who never lose the hope that burns within.
Discover 50 inspirational stories of South Asian women and their INCREDIBLE achievements. Featuring stories of success from award-winning entertainers Jameela Jamil and Mindy Kaling, as well as pioneering business leaders Indra Nooyi, Anjali Sud and Ruchi Sanghvi. South Asian Supergirls also features equally remarkable yet less well known figures, such as the British Muslim spy, Noor Inayat Khan. Perfect for fans of Goodnight Stories for Rebel Girls, this heartwarming read is the ideal gift for young readers. Each profile has been paired with a delightful illustration from one of ten South Asian artists, this is a book for all ages - treasured by parents and children alike. Praise for South Asian Supergirls: One of the most beautiful and visually stimulating books I've seen for a long time - The Morning Star This call to courage celebrates warrior queens of Bangladeshi, Indian, Nepalese and Pakistani heritage - The Guardian Heartwarmingly full of the power, resilience and ingenuity of South Asian women - Book Trust
At what age do girls gain the maturity to make sexual choices? This question provokes especially vexed debates in India, where early marriage is a widespread practice. India has served as a focal problem site in NGO campaigns and intergovernmental conferences setting age standards for sexual maturity. Over the last century, the country shifted the legal age of marriage from twelve, among the lowest in the world, to eighteen, at the high end of the global spectrum. Ashwini Tambe illuminates the ideas that shaped such shifts: how the concept of adolescence as a sheltered phase led to delaying both marriage and legal adulthood; how the imperative of population control influenced laws on marriage age; and how imperial moral hierarchies between nations provoked defensive postures within India. Tambe takes a transnational feminist approach to legal history, showing how intergovernmental debates influenced Indian laws and how expert discourses in India changed UN terminology about girls. Ultimately, Tambe argues, the well-meaning focus on child marriage has been tethered less to the interests of girls themselves and more to parents’ interests, achieving population control targets, and preserving national reputation.
Chetan Bhagaot is author of one blockbuster book, "One Indian Girl." The New York times did not call him anything yet, USA detains him in airport every time he visits USA, Bhagaot got fired from an "Investment Bank" and trying to make a living out of writing books, Chetan Bhagaot is currently double timing his two Half Girlfriends Panusha and Ranusha. Please buy his book to support him maintaining his two half girlfriends. Here is one paragraph excerpt from the book "One Indian Girl." Sonja is a divorced and attractive Indian girl. She is working as a software engineer in an investment bank, USA. She has money ($$$$), she can afford sex outside marriage. She also has opinion on everything. She is dating various marriage prospects, will she get her dream guy?
Coping with the customs and expectations in the countries where they are now living, the mainly female characters in these tales have to choose whether to cling to their Indian culture, discard it completely, or learn how to adjust and compromise. It's a challenge! Themes of courtship, marriage and betrayal - of losing and re-forming one's identity while trying to live up to Indian ideals of behaviour in an alien environment - contain all the vibrancy of India herself. And amidst the fragrance, colour and beloved familiarity of the rituals that accompany the characters, many varied and sometimes disturbing dramas are played out in these stories by: Va Naidu, Achala Sharma, Anil Prabha Kumar, Anshu Johri, Archana Penuli, Aruna Sabharwal, Chaand Chazelle, Divya Mathur, Ila Prasad, Kadambari Mehra, Neena Paul, Purnima Varman Pushpa Saxena, Shail Agrawal, Sneh Thakore and Sudershen Priyadershini.