Download Free Indian Cotton Textiles Book in PDF and EPUB Free Download. You can read online Indian Cotton Textiles and write the review.

This book focuses on the significant role of West African consumers in the development of the global economy. It explores their demand for Indian cotton textiles and how their consumption shaped patterns of global trade, influencing economies and businesses from Western Europe to South Asia. In turn, the book examines how cotton textile production in southern India responded to this demand. Through this perspective of a south-south economic history, the study foregrounds African agency and considers the lasting impact on production and exports in South Asia. It also considers how European commercial and imperial expansion provided a complex web of networks, linking West African consumers and Indian weavers. Crucially, it demonstrates the emergence of the modern global economy.
India has been at the heart of the global trade in textiles since ancient times, and cotton has been at the heart of the Subcontinent's economy for millennia. Indian dyed and painted cottons were admired in and traded to the Far East and the Mediterranean world for many generations before European interest in chintz created a new market. The trade in Indian cloth flourished due to the ability of its craftsmen to create a multitude of detailed and expressive patterns with strong and fast colors. Such textiles gained high esteem among the elite at home and abroad, ultimately acquiring heirloom status. Karun Thakar has been collecting textile art for more than 30 years, and has one of the world's leading private collections from the Indian Subcontinent, with costume and fabrics from the 14th century through to the early 20th. Aspects of the Thakar Collection have been exhibited in the Victoria & Albert Museum in London and at the Metropolitan Museum of Art in New York. The Indian dyed and painted cotton cloths in the Thakar Collection are perhaps the best in private hands. Many have never previously been published. Dating from the 15th century onwards, the collection illustrates the trade in textiles across the Indian Ocean with the Malay-Indonesian world, with Sri Lanka, Armenia and Europe, as well as within the Indian domestic market.
"Published to accompany the exhibition The Fabric of India at the Victoria and Albert Museum, London, from 3 October 2015 to 10 January 2016"--Title page verso.
The traditional textiles of Central Asia are unknown treasures. Straddling the legendary Silk Road, this vast region stretches from Russia in the west to China in the east. Whether nomadic or sedentary, its peoples created textiles for every aspect of their way of life, from ceremonial objects marking rites of passage, to everyday garments, to practical items for the home. There were suzanis for the marriage bed; prayer mats; patchwork quilts; bridal ensembles; bags for tea, scissors, and mirrors; lovingly embroidered hats and bibs; and robes of every color and pattern. Author Susan Meller has spent years assembling the 590 textiles illustrated in this book. She documents their history, use, and meaning through archival photographs and fascinating travelers’ narratives spanning many centuries. Her book will be a revelation to designers, collectors, students of Central Asia, and travelers to the region. Silk and Cotton is destined to become a classic.
This collection of essays examines the history of cotton textiles at a global level over the period 1200-1850. It provides new answers to two questions: what is it about cotton that made it the paradigmatic first global commodity? And second, why did cotton industries in different parts of the world follow different paths of development?
In the past hundred years or so, 'chintz' has come to mean any floral printed furnishing fabric. Its origins as a hand-drawn and dyed fabric from India are often forgotten, but it is with these rare earlier chintzes that this book is concerned. It explores in detail the background and development of this beautiful technique and looks at the use of chintzes in Europe from the early 17th century to the mid-19th century, first as bed-curtains and wall-hangings and later for popular men's and women's dress. The V&A's collection, published for the first time in glorious colour and including close-up details, will interest interior designers, textiles students and those involved in fashion.
Today's world textile and garment trade is valued at a staggering $425 billion. We are told that under the pressure of increasing globalisation, it is India and China that are the new world manufacturing powerhouses. However, this is not a new phenomenon: until the industrial revolution, Asia manufactured great quantities of colourful printed cottons that were sold to places as far afield as Japan, West Africa and Europe. Cotton explores this earlier globalised economy and its transformation after 1750 as cotton led the way in the industrialisation of Europe. By the early nineteenth century, India, China and the Ottoman Empire switched from world producers to buyers of European cotton textiles, a position that they retained for over two hundred years. This is a fascinating and insightful story which ranges from Asian and European technologies and African slavery to cotton plantations in the Americas and consumer desires across the globe.
Published in conjunction with the exhibition originally scheduled to be held at the Royal Ontario Museum from April 4, 2020 to September 27, 2020.
This dazzling array of Indian textiles from one of the world's most important and eclectic private collections contains many images never before published. Anyone interested in textiles, Indian and Asian art, interior design, or cultural history will find inspiration in this beautiful volume.
"[A] handsome digest of commercial, tribal, and folk textiles." —Fiberarts The production of textiles in India continues to flourish just as it has for many centuries. The interactions of indigenous tribes, invaders, traders, and explorers throughout history has built a culture legendary for its variety and color. From the Rann of Kutch to the Coromandel coast, handloom weavers, block printers, painters, dyers, and embroiderers are creating the most extraordinary textiles. This all-encompassing survey of textiles from every region of the Indian subcontinent runs the gamut of commercial, tribal, and folk textiles. The authors first place them in context by examining the cultural background: the history, the materials, and the techniques—weaving, printing, painting, and tie-dye. They then give a detailed region-by-region account of traditional textiles production, including chapters on Pakistan, Bangladesh, and Sri Lanka. A dazzling array of images provides an unsurpassed visual representation of the textiles, while a detailed reference section with further reading, museums, and information on technical terms completes this essential guide.