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'From deep woods to civilization' continues Eastman's captivating autobiographical work after Indian boyhood, telling the story of his years during school and into his life as a doctor. One of the highest educated Indians of his time, through his social work and his writings he was one of the best-known Indians of the early 20th century.
"Indian Boyhood" (1902) was the literary debut of Charles A. Eastman (Ohiyesa), a Santee Sioux whose eleven books aimed at bringing whites and Indians closer together. The favorable reception of the autobiographical Indian Boyhood would lead him to write such classic works as "Old Indian Days" (1907), "Wig warn Evenings: Sioux Folk Tales Retold" (with Elaine Goodale Eastman, 1909), "The Soul of the Indian" (1911), "From the Deep Woods to Civilization" (1916), and "Indian Heroes and Great Chieftains" (1918), all reprinted as Bison Books. At the beginning of "Indian Boyhood" Eastman recalls the 1862 Sioux Uprising in Minnesota that sent his family into exile in Canada. He describes his childhood there, which ended when his father, who had been presumed dead, appeared to take him back to the United States. An Indian boy's training, child-hood games, harvesting and feasts, legends told around a campfire--Eastman relates all aspects of the rich traditional life of the Santee Sioux, which had already passed away by the time this book was published.
The importance of Eastman's life story was reiterated for a new generation when the 2007 HBO film entitled Bury My Heart at Wounded Knee used Eastman, played by Adam Beach, as its leading hero. This book presents an account of the American Indian experience as seen through the eyes of the author.
In reminiscing about his early years on Minnesota’s White Earth Reservation at the turn of the century, John Rogers reveals much about the life and customs of the Chippewas. He tells of food-gathering, fashioning bark canoes and wigwams, curing deerskin, playing games, and participating in sacred rituals. These customs were to be cast aside, however, when he was taken to a white school in an effort to assimilate him into white society. In the foreword to this new edition, Melissa L. Meyer places Roger’s memoirs within the story of the White Earth Reservation.
In the sequel to Indian Boyhood, Eastman tells of his departure from the reservation at age 15 to receive his education among whites, his experiences as a reservation physician at the Wounded Knee massacre, and of his time in Washington, D.C., where he held a succession of government positions.
Chosen by a renowned folklorist who was raised among the Sioux, these 27 entertaining and instructive tales include creation myths, animal fables, and other adventures that will charm young readers.
The Essential Writings of Charles Eastman is a collection of insightful and thought-provoking works by the renowned Native American author. Eastman's writing style is characterized by its clarity, rich detail, and deep introspection. His works delve into themes of cultural identity, spirituality, and the interconnectedness of all living beings, making them relevant even in today's society. The book provides a glimpse into the life and experiences of a man straddling two worlds, offering a unique perspective on Native American history and culture. Eastman's literary contributions play a crucial role in reshaping the narrative surrounding Native Americans and their place in American society. The Essential Writings of Charles Eastman is a must-read for anyone interested in Native American literature, history, or spirituality, as it offers valuable insights and a profound understanding of the human experience.
In the CHARLES EASTMAN Premium Collection, readers are presented with an insightful exploration of Native American culture and history through the works of Charles A. Eastman. Through his literary style, Eastman brilliantly captures the essence of Indian life, paying tribute to the heroes and chieftains of Native American tribes while delving into the spiritual beliefs and traditions of his people. His rich descriptions and vivid storytelling bring to life the struggle and resilience of the Native American experience, offering readers a glimpse into a world often overlooked in mainstream literature. With a mix of autobiography, history, and philosophy, Eastman's works provide a comprehensive look at the complexities of Native American identity and heritage. Charles A. Eastman, also known as Ohiyesa, was a Santee Dakota physician and writer who dedicated his life to bridging the gap between Native American and mainstream American culture. Born into a traditional Dakota family but later immersed in white society, Eastman's unique background lends authenticity and depth to his portrayal of Native American life. His personal experiences and deep connection to his heritage shine through in his writings, making him a respected voice in Native American literature. I highly recommend the CHARLES EASTMAN Premium Collection to readers interested in exploring the rich tapestry of Native American culture and history through the eyes of a knowledgeable and passionate storyteller.
"Indian Boyhood" (1902) was the literary debut of Charles A. Eastman (Ohiyesa), a Santee Sioux whose eleven books aimed at bringing whites and Indians closer together. The favorable reception of the autobiographical Indian Boyhood would lead him to write such classic works as "Old Indian Days" (1907), "Wig warn Evenings: Sioux Folk Tales Retold" (with Elaine Goodale Eastman, 1909), "The Soul of the Indian" (1911), "From the Deep Woods to Civilization" (1916), and "Indian Heroes and Great Chieftains" (1918), all reprinted as Bison Books. At the beginning of "Indian Boyhood" Eastman recalls the 1862 Sioux Uprising in Minnesota that sent his family into exile in Canada. He describes his childhood there, which ended when his father, who had been presumed dead, appeared to take him back to the United States. An Indian boy's training, child-hood games, harvesting and feasts, legends told around a campfire--Eastman relates all aspects of the rich traditional life of the Santee Sioux, which had already passed away by the time this book was published.