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Excerpt from Indian Blankets and Their Makers HE art development of the human race is a fascinating study, and one that has long engaged the attention of some of our most pro found philosophers. Whence springs the love of beauty, and the desire for its reproduction or imitation in the work of human hands? The answer seems obvious, whether it is regarded from a standpoint interior or exterior to man. If interior, man is a spiritual being with power to dis cern all beauty, and Nature, with her multiform manifestations of beauty, is but the complement of that spiritual nature, given to him to afford exercise for the faculties of his soul. On the other hand if the subject is regarded as exterior to man then the beauty of Nature must be regarded as the exterior objects that develop within him a love for the beautiful. Once a sunrise, a sunset, a flower, strikes man's inner vision and awakens a love for its rare appearance, he experiences the dawn of the art instinct, and its development is merely a question of time. The instinct once aroused and development begun it becomes as natural to seek to imitate as it is to observe. The power of the artist transfixes the beauty of the moment and makes it a permanent joy. He carries over the glory of today into all the tomorrows. But it is essential that the artist be a good and faithful worshiper at the shrine of Nature. Morning, noon, evening, and through the silent watches of the night he must reverently remain at his post. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Originally published in 1979, this volume acts as a reference for the history textiles. It asks questions on the effect of technology on textiles, how did particular historical periods and locations expand or limit the possibilities for the manufacture of fabrics and how the textile history related to politics and economics, sociology and psychology, art and engineering, anthropology and archaeology, chemistry and physics. Addressing these questions, the author surveys the development of the technical components of fabrics and discusses the textiles of selected places and times. She uses prose, drawings and more than 130 photographs to show how each era of textile production reflects its age. This book is designed to serve as a college text and as a reference work for museum researchers. With sections including illustrations and diagrams; key terminology; spinning wool; spinning and raw materials; single ply and cord and fabric construction.
More than 350 full-color and black-and-white photographs highlight this comprehensive guide to the art of Indian trade blankets, tracing the history of this beautiful Native American craft, offering helpful tips on caring for vintage blankets, and providing a helpful catalog of the various makers of trade blankets. 20,000 first printing.