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A stunning photographic extravaganza that highlights the people, history, and culture of India.
With a foreward by Montek Singh Ahluwalia Beautiful Country is a journey towards understanding India. From the rarefied world of the Jalpaiguri tea estates to the crowded bylanes of Varanasi, from the pristine forests of Andamans to the seething valley of Manipur, from the scattered habitations of Ladakh to the flooded villages of Barmer - these are the roads less travelled. A woman and a girl set out to see India, lugging along the baggage of their pasts. On the way, they meet: Maimunisa, the ancillary weaver from Banaras who has only been able to feed her three-year-old son 'sabudane ka paani' (tapioca water); young doctors from AIIMS who have left behind hefty pay packages and the comfort of city life to provide health care to tribals in the hinterlands of Chhattisgarh; village women who have been able to significantly reduce the number of infant deaths in the tribal peripheries of Maharashtra. The duo chance upon the story of Bon Bibi and Shah Jangolee in the swamps of the Sundarbans, as also the natural, historical and cultural wonders that dot the Indian landscape. This book compels you to experience the hope and despair, misery and triumph, failures and innovations of 'real India' - an India that remains invisible to most Indians and does not make it to the front pages of newspapers, and has not been captured by the roving cameras of the 24x7 media channels.
Upon its release several years ago, The Beautiful Tree was instantly embraced and praised by individuals and organizations across the globe. James Tooley's extraordinary ability to braid together personal experience, community action, individual courage, and family devotion, brought readers to the very heart of education. This book follows Tooley in his travels from the largest shanty town in Africa to the mountains of Gansu, China, and of the children, parents, teachers, and entrepreneurs who taught him that the poor are not waiting for educational handouts. They are building their own schools and learning to save themselves. Now in paperback with a new postscript, The Beautiful Tree is not another book lamenting what has gone wrong in some of the world's poorest communities. It is a book about what is going right, and powerfully demonstrates how the entrepreneurial spirit and the love of parents for their children can be found in every corner of the globe.
“Both a tragic monument to the abused bar girls of Bombay and a celebration of their amazing resilience and spirit.”—William Dalrymple, bestselling author of The Anarchy Published in India to great acclaim and named a Time Out Subcontinental Book of the Year and an Observer Book of the Year, Beautiful Thing is a stunning piece of journalism that offers a rare firsthand glimpse into Bombay’s notorious sex industry. Sonia Faleiro was a reporter in search of a story when she met nineteen-year-old Leela, a charismatic exotic dancer with a story to tell. Leela introduced Sonia to the underworld of Bombay’s dance bars: a world of glamorous women; of fierce love, sex, and violence; of gangsters, police, prostitutes, and pimps. When an ambitious politician cashed in on a tide of false morality and had Bombay’s dance bars wiped out, Leela’s proud independence faced its greatest test. In a city where almost everyone is certain that someone, somewhere, is worse off than them, she fights to survive—and to win. In Beautiful Thing, Sonia Faleiro has crafted one of the most original works about India in years, an “intimate and valuable book of literary reportage . . . [that] will break your heart several times over” (The New York Times). “Reporting at its best.”—Junot Díaz, The Rumpus “A glimpse into a frightening subculture . . . In lesser hands, these young people could have come off as clichés, but the author makes sure we care for them and root for them to survive a life that most will never understand. Gritty, gripping, and often heartbreaking—an impressive piece of narrative nonfiction.”—Kirkus Reviews (starred review)
This is the First Hinglish Novel in the World
As life expectancy increases in India, the number of people living with dementia will also rise. Yet little is known about how people in India cope with dementia, how relationships and identities change through illness and loss. In addressing this question, this book offers a rich ethnographic account of how middle-class families in urban India care for their relatives with dementia. From the husband who wakes up at 3 am to feed his wife ice-cream to the daughters who gave up employment for seven years to care for their mother with dementia, this book illuminates the local idioms on dementia and aging, the personal experience of care-giving, the functioning of stigma in daily life, and the social and cultural barriers in accessing support.
"In his new introduction, Khilnani addresses these issues in the new perspectives afforded by events of the recent year in India and in the world."--BOOK JACKET.
This vibrant volume showcases a stunning collection of Indian textiles from the V&A, and explores in depth their history, production techniques, and designs. Textiles have a long and distinguished history on the Indian subcontinent, from the dazzling woven silks worn by royalty to the simple block-printed patterns worn by the masses. Drawing from the Victoria and Albert Museum’s world-class collection, this beautiful and informative reference features breathtaking and varied textile designs, techniques, and colors. Each piece is examined in detail through close-up shots of the fabric and patterns, and demonstrates different weaving techniques, allowing readers to see precisely how the textile was made. Divided into three chapters by pattern style—“Floral,” “Figurative,” and “Geometric”—each chapter comprises an introduction to the style’s history along with its intended use. This authoritative volume overflows with distinctive colors and patterns to inspire and inform the reader about the history of Indian textiles and patterns, their intended use, and the methods by which they were made.