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The Punjab region of India sent more than 600,000 combatants to assist the British war effort during World War I. Their families back home, thousands of miles from the major scenes of battle, were desperate for war news, and newspapers provided daily reports to keep the local population up-to-date with developments on the Western Front. This book presents the first English-language translations of hundreds of articles published during World War I in the newsapers of the Punjab region. They offer a lens into the anxieties and aspirations of Punjabis, a population that committed resources, food, labour as well as combatants to the British war effort. Amidst a steadily growing field of studies on World War I that examine the effects of the war on colonial populations, War News in India makes a unique and timely contribution.
A stiff upper lip, steely eyes and a cold heart is often how the English imperialist is pictured in popular imagination. Drawing from memoirs, commentaries and family letters, Elizabeth Hamilton brings forth an alternative portrayal of her ancestors, Sir Robert Hamilton and Sir William Barton. Their careers in India are set against the momentous events of their times to present a different side of the colonialists of a quiet people, dedicated to the tradition of upholding the law and avoiding conflict. Volume I, The Proud Empire, traces the life of Sir Robert Hamilton, from the beginning of his career under the watchful eye of his father, up until his retirement. Occupying multiple roles such as the Resident of Indore and Agent to the Governor General in the Central Provinces, he is seen interacting with various prominent Indian figures such as the Rani of Jhansi, Tantya Tope and Nana Sahib. The picture of the arrogant imperialist fades away to be replaced by that of someone keen to make a difference to the society he was working in, who encourages good governance, mends ties in the midst of escalating tensions and must recover cities occupied by insurgents, all the while shadowed by the burden of great personal losses. Volume II, The Straight Race, tracks Sir William Barton’s career in the early twentieth century. Starting in the Punjab and the North-West Frontier, he later served as Resident in the well-administered states of Mysore and Hyderabad, where he stood up to the Nizam, doing his best to set the administration on a less corrupt footing. Retirement did not deter Sir William’s close interest in Indian affairs; he returned twice on tour as an advisor to electrical companies and travelled with a Ministry of Supply mission during the Second World War. With three books and many articles for newspapers and journals on the subject, India remained an integral part of his life.
The notion that the British Empire was in any way an 'Irish Empire' is not one that will cut very much ice on the contemporary island of Ireland, north or south. This volume explores aspects of the experience of Ireland and Irish people within the British Empire and addresses a central concern of modern Irish scholarship. The paradox that Ireland was both 'imperial' and 'colonial' lies at the heart of this book. One of the themes which emerges from the studies in this book is the irrelevance of the Empire to some Irish concerns. Popular culture, sport and film are investigated, as well as business history and the military and political 'sinews of Empire'. In cinematic terms, the image of Ireland has been largely in the hands of the British and American film industries. Analogies between Ulster loyalists and zealous British settlers are frequently drawn. The book examines the views of that region's businessmen on the British Empire, including their perception of Empire, the role of Empire as an economic unit and views the status of Northern Ireland within the Empire. The eventual choice of both flags illustrates that pre-partition strands of both loyalism and Unionism continued to survive among leading politicians within Ulster during the 1920s. The British Empire Union of 1915, established to make the Irish more Empire-minded, included the energetic promotion of imperial history in schools and of the idea of Empire Day within the population as a whole.
Eight essays examine the experience and role of the Irish in the British empire during the 19th and 20th centuries, based on the understanding that, Ireland being less integrated, it differed from that of the other Celtic nations submerged in the United Kingdom. They discuss film, sport, India, the Irish military tradition, Irish unionists, Empire Day in Ireland from 1896 to 1962, Northern Irish businessmen, and Ulster resistance and loyalist rebellion. Distributed in the US by St. Martin's Press. Annotation copyright by Book News, Inc., Portland, OR
Allegories of Empire was first published in 1993."Allegories of Empire re-constellates a metropolitan masterpiece, Forster's A Passage to India, within colonial discourse studies. Sharpe, a materialist feminist, is scrupulous in her use of theory to articulate nationalism, historical race-gendering, and contemporary feminist critique." -Gayatri Chakravorty Spivak, Columbia University"Jenny Sharpe has done a great service in opening up the virtually taboo subject of the rape of the white woman by the colored man, and, furthermore, in teaching us theory - making by locating this frenzy of fantasy and reality within a specific crisis of European colonialism in India. ... In showing how a 'wild anthropology' must continuously rework feminism in the face of racism, and vice versa, she shows how the margins of empire were and still are at its center." -Michael Taussig, New York UniversityAllegories of Empire introduces race and colonialism to feminist theories of rape and sexual difference, deploying women's writing to undo the appropriation of English (universal) womanhood for the perpetuation of Empire.Sharpe brings the historical memory of the 1857 Indian Mutiny to bear upon the theme of rape in British adn Anglo-Indian fiction. She argues that the idea of Indian men raping white women was not part of the colonial landscape prior to the revolt that was remembered as the savage attack of mutinous Indian soldiers on defenseless English women.By showing how contemporary theories of female agency are implicated in an imperial past, Sharpe argues that such models are inappropriate, not only for discussion of colonized women, but for European women as well. Ultimately, she insists that feminist theory must begin from difference and dislocation rather than from identity and correspondence if it is to get beyond the race-gender-class impasse.Jenny Sharpe received her Ph.D. in comparative literature at the University of Texas at Austin and is currently a professor of English at the University of California at Los Angeles. She has contributed articles to Modern Fiction Studies, Genders, and boundary 2.
Edward John Thompson -- novelist, poet, journalist, and historian of India -- was a liberal advocate for Indian culture and political self-determination at a time when Indian affairs were of little general interest in England. As a friend of Nehru, Gandhi, and other Congress Party leaders, Thompson had contacts that many English officials did not have and did not know how to get. Thus, he was an excellent channel for interpreting India to England and England to India.
On 13 April 1919, a fateful event took place which was to define the last decades of the British Raj in India. At 5:10pm on that day, Brigadier-General 'Rex' Dyer led a small party of soldiers through the centre of Amritsar into a walled garden known as the Jallianwala Bagh. He had been informed that an illegal political meeting was taking place and had come to disperse it. On entering the garden, Dyer's men immediately lined up in formation. Dyer then gave the order to open fire on the huge crowd that had gathered there. 379 people were killed and at least 1,000 more were wounded in what has became known as the Amritsar Massacre. Nick Lloyd here provides a highly readable, but detailed account of the most infamous British atrocity in the entire history of the Raj. He considers the massacre in its historical context, but also describes its impact in uniting the people of the sub-continent against their colonial rulers. The book dispels common myths and misconceptions surrounding the massacre and offers a new explanation of the decisions taken in 1919. Ultimately, it seeks to examine whether the massacre was an unfortunate and tragic mistake or a case of cold-blooded murder, and one which would fatally weaken the British position in India.
The book addresses the important global role of the Indian Army during the First World War. It is an academic reassessment of the army by both established and early career scholars of the Indian Army, as well as naval historians. It looks at the historiography of the army - taking into account the recent work on the army (particularly on the Western Front in 1914-1915). The edited volume covers the traditional areas of the Indian Army on the Western Front, in Palestine, Mesopotamia and the defence of the Suez Canal; however, there are also chapters on combined operations; Indian prisoners of war in Germany and Turkey; the expansion of the officer corps; and the Sikh experience, as well as the mobilisation of the equine army at the beginning of the war and the demobilisation of the army in the period from 1918 until 1923. Three additional chapters are related to the theme, such as the role of the Royal Indian Marine; the Territorial Army in India; and Churchill’s portrayal of the Indian Army during the Gallipoli campaign in his account The World Crisis.
In this provocative new work, Mark Condos explores the 'dark underside' of the ideologies that sustained British rule in India. Using Punjab as a case study, he argues that India's colonial overlords were obsessively fearful, and plagued by an unreasoning belief in their own vulnerability as rulers. These enduring anxieties precipitated, and justified, an all too frequent recourse to violence, joined with an insistence on untrammelled power placed in the hands of the executive. Examining how the British colonial experience was shaped by a chronic sense of unease, anxiety, and insecurity, this is a timely intervention in debates about the contested project of colonial state-building, the oppressive and violent practices of colonial rule, the nature of imperial sovereignty, law, and policing and the postcolonial legacies of empire.