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Offering a fresh new perspective on the history of the end of Empire, with the Irish and Indian independence movements as its focus, this book details how each country’s nationalist agitators engaged with each other and exchanged ideas. Using previously unpublished sources from the Indian Political Intelligence collection, it chronicles the rise and fall of movements such as the Indian-Irish Independence League and the League Against Imperialism, whose histories have, until now, remained deeply hidden in the archives. O’Malley also highlights opaque aspects of the careers of popular figures from both Irish and Indian history including Subhas Chandra Bose, Jawaharlal Nehru, Eamon de Valera and Maud Gonne McBride at points when their paths crossed. This book encompasses aspects of Irish, Indian, British, Imperial and intelligence history and will be of interest to students, teachers and general history enthusiasts alike.
India in Art in Ireland is the first book to address how the relationship between these two ends of the British Empire played out in the visual arts. It demonstrates that Irish ambivalence about British imperialism in India complicates the assumption that colonialism precluded identifying with an exotic other. Examining a wide range of media, including manuscript illuminations, paintings, prints, architecture, stained glass, and photography, its authors demonstrate the complex nature of empire in India, compare these empires to British imperialism in Ireland, and explore the contemporary relationship between what are now two independent countries through a consideration of works of art in Irish collections, supplemented by a consideration of Irish architecture and of contemporary Irish visual culture. The collection features essays on Rajput and Mughal miniatures, on a portrait of an Indian woman by the Irish painter Thomas Hickey, on the gate lodge to the Dromana estate in County Waterford, and a consideration of the intellectual context of Harry Clarke's Eve of St. Agnes window. This book should appeal not only to those seeking to learn more about some of Ireland's most cherished works of art, but to all those curious about the complex interplay between empire, anti-colonialism, and the visual arts.
Through a consideration of historical memory, commemoration and the 'imagined communities' of nationalism, Ireland and India examines three aspects of Ireland's imperial history: relationships between Irish and Indian nationalists, the construction of Irishmen as imperial heroes, and the commemoration of an Irish regiment's mutiny in India.
Dervla Murphy's epic journey began during the coldest winter in living memory, and took her through Europe, Persia (Iran), Afghanistan, over the Himalayas to Pakistan and into India. A woman travelling alone in these countries was the unusual focus of interest and, even when the weather improved, there were difficulties and dangers enough to satisfy the most dedicated traveller. But although, in a world of vanishing tracks and political chaos, the solitary cyclist was grateful for the revolver in her saddle bag, her journey was enriched by acts of unexpected kindness. Full Tilt was Dervla Murphy's first journey and first book, starting a long and celebrated life of travel writing in the most remote and wildest parts of the world. So for someone who has read one of her books and enjoyed it, or for anyone who would like to get to know the work of one of our greatest and most intrepid travel writers, this is the book to take you back to where it all started.
Offering a fresh new perspective on the history of the end of Empire, with the Irish and Indian independence movements as its focus, this book details how each country s nationalist agitators engaged with each other and exchanged ideas. Using previously unpublished sources from the Indian Political Intelligence collection; it chronicles the rise and fall of movements such as the Indian-Irish Independence League and the League Against Imperialism whose histories have, until now, remained deeply hidden in the archives. The maturation of the Indo-Irish nexus documented in this book eventually culminated with the establishment of diplomatic ties between both independent states in the 1960s, yet the British government initially interpreted these transnational links as a potential threat to the Empire and monitored their development through its security services. O Malley highlights opaque aspects of the careers of popular figures from both Irish and Indian history including Subhas Chandra Bose, Jawaharlal Nehru, Eamon de Valera and Maud Gonne McBride at points when their paths crossed and also looks at how many one-time agitators went on to become international statesmen. This book encompasses aspects of Irish, Indian, British, Imperial and intelligence history and will be of interest to students, teachers and general history enthusiasts alike.
This book includes essays on a number of distinguished civil servants as well as chapters on such topics as law, religion, education, folk tale collecting, and literary connections between India and Ireland.
Excerpt from India and Ireland America in a closer bond of sympathy than ever before, a bond which has endured during the years that have intervened since Washington wrote, a bond whose strength is only being fully realized today.: I trust this mes sage of mine will unite the people of India and the people of Ireland in a similar union of mutual understand ing which will go on strengthening during the years. That message of Washington has been a constant inspiration to the people of Ireland. (it was a message of hope, for Washington's cause had definitely triumphed. It was a mes sage of advice, for he told the secret of success - his secret. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.