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The British Empire, one of the most powerful forces in history, was also one of the most humane. Yet at its twilight, few were willing to defy the anti-colonial reaction that condemned millions to despotism under the regimes that replaced it. Sir Alan Burns was among them. In this lively and provocative work of history, Bruce Gilley vindicates Sir Alan’s view that decolonization was poorly managed and too swiftly executed, a view based not on imperialist nostalgia but on a sober assessment of the ravages of the twentieth century. Gilley demonstrates that Burns understood the benefits of colonial rule and correctly foretold the chaos that accompanied its rapid dissolution. Relying on previously unavailable documentation from Burns’s family, The Last Imperialist dethrones the revisionist historians and shatters their unbalanced accusations against European colonialism. This is history writing at its most courageous.
This book is the first overall survey of the British West Indian press in the early nineteenth century—a critical period in the history of the region. Based on extensive and ground-breaking archival research, this volume provides an in-depth history of early nineteenth-century British West Indian newspapers and potted biographies of the journalists who produced them. The author examines the economics underpinning newspapers, and a political spectrum, unique to the West Indian press, is also posited. Towards one end sat a small group of ‘liberal’ newspapers that outraged white colonists by arguing for civil and political rights to be extended to so-called free coloureds and for the abolition of slavery; scattered at various points towards the other end of the spectrum were newspapers still best collectively described as the ‘planter press’—the traditional term used in the literature. Starting from this basic conceptual framework, the volume shows how the press landscape in the British Caribbean at this time was more volatile and complex than has been previously thought. This volume will be of value to academics, undergraduates and postgraduates studying Caribbean and media history and those interested in modern history.
Legal strictures, she shows, have been used to keep the master class within its own written limits, to check elites' assumptions about the social world, and to push for a "justice" born of the experiences of the powerless.