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When Garret saw the beautiful woman across the bar he knew that she was the only one for him. New to Germany and looking for love, Garrett thought he had found the woman of his dreams. But Irmgard had other ideas. She was not at all tempted by Garrett's immediate request for her hand, and rejected him without a second thought. But over time, his good nature and sweet patience won her over and she leapt at the chance to have the happiness she had missed out on in her childhood. Despite the struggles of finding family approval, moving across continents, giving birth, and raising a family, Garrett and Irmgard found a strength and comfort in each other that they could not have found anywhere else and a love that no amount of trials could destroy. Indefatigable Love is a true story about finding love and living life believing in God's steadfastness that will touch and inspire romantics of all ages. Join Garrett and Irmgard on their journey of love, acceptance, and commitment, and learn what it really means to fall in love at first sight.
What is God like? In a world confused about God's essential character, where can seekers turn to discover his identity? The parables of Jesus reveal aspects of God's nature, according to Lloyd Ogilvie, renowned former chaplain of the U.S. Senate. In taking to heart these "earthly stories with a heavenly meaning," we get to know God revealed in his son, Jesus, and discover and do his will. Ogilvie guides readers through 29 of Jesus' stories, and shows what each one reveals about who God is and who we are meant to be. Throughout, Ogilvie's warm, accessible voice invites believers and nonbelievers alike to get acquainted with God and begin to experience His extravagant love for each and every person.
The stirring debut from the winner of the Cave Canem Poetry Prize, selected and introduced by Chris Abani Heed the Hollow introduces the work of Malcolm Tariq, whose poems explore the concept of “the bottom” across blackness, sexuality, and the American South. These lyrics of queer desire meet the voices of enslaved ancestors to reckon with a lineage of trauma that manifests as silence, pain, and haunting memories, but also as want and love. In bops, lyrics, and erasures, Heed the Hollow tells of a heritage anchored to the landscape of the coastal South, to seawalls shaped by forced labor, and to the people “marked into the bottom / of history where then now / we find no shadow of life.” From that shadow, the voices in these poems make their own brightness, reclaiming their histories from a language that evolved to exclude them.
This volume of The Cambridge History of Arabic Literature covers artistic prose and poetry produced in the heartland and provinces of the 'Abbasid empire during the second great period of Arabic literature, from the mid-eighth to the thirteenth centuries AD. 'Abbasid literature was characterised by the emergence of many new genres and of a scholarly and sophisticated critical consciousness. This volume deals chronologically with the main genres and provides extended studies of major poets, prose-writers and literary theorists. It concludes with a comprehensive survey of the relatively unknown literature of the Yemen to appear in a European language since the manuscript discoveries of recent years. To make the material accessible to non-specialist readers, 'Abbasid authors are quoted in English translation wherever possible, and clear explanations of their literary techniques and conventions are provided. With chapters by leading specialists from the Middle East, Europe and America, the volume represents a wide cross-section of current academic opinion.
Furnishing information no one-volume commentary can provide without the clutter or expense of a multi-volume set, this two-volume commentary expands on the critically acclaimed study notes of the Zondervan KJV Study Bible. Verse-by-verse expositions unlock the meaning of the King James Bible.
A collaborative book project centering the liberative theopoetics practiced by a new generation of scholars of color What is theopoetics? Once a field dominated by white liberals in the ivory tower, this embodied form of theology has flourished in the work of a new generation of scholars of color. In this groundbreaking book edited by Oluwatomisin Olayinka Oredein and Lakisha R. Lockhart-Rusch, a diverse team of theologians shows how theopoetics can be practiced “in color.” Featuring unconventional and artistic forms of religious reflection, this collection demonstrates how theology can become accessible when it reflects the embodied experiences of marginalized people and communities. These creative contributions defy the limitations of the white, Eurocentric academy, including such works as: • an explanation on the use of experimental theater to express theological theses • a guide to spiritual disciplines for metaphorical cyborgs seeking liberation • a meditation on the theological import of Filipino potlucks • a literary reflection on the meaning of religion to Black boys and men Diverse in scope and radical in perspective, this bold volume reclaims the liberative potential of theopoetics. Scholars and students of theology and the arts will discover inspiring new methodologies and fresh ideas in these pages. Contributors: Brian Bantum, Yara González-Justiniano, James Howard Hill Jr., Carolina Hinojosa-Cisneros, Yohana Agra Junker, Peace Pyunghwa Lee, Lakisha R. Lockhart-Rusch, Oluwatomisin Olayinka Oredein, Patrick B. Reyes, Joyce del Rosario, Tiffany U. Trent, Tamisha A. Tyler, Lis Valle-Ruiz