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Inconsequential Tales is a collection of previous uncollected -- and even unpublished -- tales by this highly respected modern practitioner of the weird tale.
In opposition to those who would claim that Christian faith embraces God at the expense of the suffering world, Rollins shows how the true believer embraces God only inasmuch as he fully embraces a needy world.
Originally published in 1936, this classic collection of Canadian yarns harkens to a simpler time, a time when we were closer to the natural world around us. It is a celebration of the pure delight of storytelling, and of the bounty of the land. Grey Owl was both a hearty outdoorsman and a skilled raconteur, and his stories of life in the bush, so beloved by readers then and now, are the perfect companion for a cold winter night or a lazy summer afternoon. In Tales of an Empty Cabin, he offers an eclectic sampling of campfire stories—some are tall tales, while some are drawn directly from the author’s own day-to-day life. All are characterized by Grey Owl’s unique wit, charm, and passion of nature.
This new general introduction emphasises the importance of the short story to an understanding of modern fiction.In twenty succinct chapters, the study paints a complete portrait of the short story - its history, culture, aesthetics and economics. European innovators such as Chekhov, Flaubert and Kafka are compared to Irish, New Zealand and British practitioners such as Joyce, Mansfield and Carter as well as writers in the American tradition, from Hawthorne and Poe to Barthelme and Carver.Fresh attention is paid to experimental, postcolonial and popular fiction alongside developments in Anglo-American, Hispanic and European literature. Critical approaches to the short story are debated and reassessed, while discussion of the short story is related to contemporary critical theory. In what promises to be essential reading for students and academics, the study sets out to prove that the short story remains vital to the emerging culture of the twenty-first century.
This volume contains eight essays that are at the intersection of two important areas within linguistics: conversational analysis, and the use of narrative in the creation, mediation and resolution of conflict. The contributors explore these issues in a variety of cultures and languages.
When Philippe-Richard Marius arrived in Port-au-Prince to begin fieldwork for this monograph, to him and to legions of people worldwide, Haiti was axiomatically the first Black Republic. Descendants of Africans did in fact create the Haitian nation-state on January 1, 1804, as the outcome of a slave uprising that defeated white supremacy in the French colony of Saint-Domingue. Haiti’s Founding Founders, as colonial natives, were nonetheless to varying degrees Latinized subjects of the Atlantic. They envisioned freedom differently than the African-born former slaves, who sought to replicate African nonstate societies. Haiti’s Founders indeed first defeated native Africans’ armies before they defeated the French. Not surprisingly, problematic vestiges of colonialism carried over to the independent nation. Marius recasts the world-historical significance of the Saint-Domingue Revolution to investigate the twinned significance of color/race and class in the reproduction of privilege and inequality in contemporary Haiti. Through his ethnography, class emerges as the principal site of social organization among Haitians, notwithstanding the country’s global prominence as a “Black Republic.” It is class, and not color or race, that primarily produces distinctive Haitian socioeconomic formations. Marius interrogates Haitian Black nationalism without diminishing the colossal achievement of the enslaved people of Saint-Domingue in destroying slavery in the colony, then the Napoleonic army sent to restore it. Providing clarity on the uses of race, color, and nation in sociopolitical and economic organization in Haiti and other postcolonial bourgeois societies, Marius produces a provocative characterization of the Haitian nation-state that rejects the Black Republic paradigm.
James Babb imbues his devastating wit, ornery perspective, and musical language within each of the ribald tales in River Music. This is exemplified in the “Prelude,” his opus about “the occasional laugh, the occasional thought, a bit about fly fishing and a bit about Life, and all of it underpinned by the music of rivers.” The pieces are arranged in a harmonious current that carries us through the seasons, and life itself. He recounts a disastrous--and hilarious--spring canoeing trip with a friend in “The Darling Buds of May,” where the snow accumulated so quickly on their hats that they “looked like Conehead voyageurs from Remulak.” In “The Coriolis Effect,” Babb rhapsodizes about the sights, smells, and culture of what he considers to be the last great place on Earth, where pristine Chilean waters and a native way of life relieve him of an obsession about which direction the water flushes. And in “Little Jewels,” he weaves an exquisite, deeply humorous, and haunting nocturne with peccadillo accompaniment that considers the mating habits of trout and men, mortality, and a thirty-nine-year-long unrequited love. Babb is a maverick whose latest offering is a true departure from conventional essays on fly fishing, or on any subject, and will be relished by the growing circle of Babb fanatics everywhere.
Narrative research is an increasingly popular qualitative method across the social sciences. This book has two purposes: firstly to show students and researchers how to do research on narrative topics, particularly on questions about narrative productions of meaning, and secondly to explain some fundamentals of research methods suitable for exploring these topics. A final part of the book provides empirical examples of how such research is done. These chapters use small amounts of data to examine the analytic tasks of designing research questions, finding appropriate data, sampling decisions, contextualization, data categorization, and communicating study findings.