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Thomas Pfau’s study of images and visual experience is a tour de force linking Platonic metaphysics to modern phenomenology and probing literary, philosophical, and theological accounts of visual experience from Plato to Rilke. Incomprehensible Certainty presents a sustained reflection on the nature of images and the phenomenology of visual experience. Taking the “image” (eikōn) as the essential medium of art and literature and as foundational for the intuitive ways in which we make contact with our “lifeworld,” Thomas Pfau draws in equal measure on Platonic metaphysics and modern phenomenology to advance a series of interlocking claims. First, Pfau shows that, beginning with Plato’s later dialogues, being and appearance came to be understood as ontologically distinct from (but no longer opposed to) one another. Second, in contrast to the idol that is typically gazed at and visually consumed as an object of desire, this study positions the image as a medium whose intrinsic abundance and excess reveal to us its metaphysical function—namely, as the visible analogue of an invisible, numinous reality. Finally, the interpretations unfolded in this book (from Plato, Plotinus, Pseudo-Dionysius, John Damascene via Bernard of Clairvaux, Bonaventure, Julian of Norwich, and Nicholas of Cusa to modern writers and artists such as Goethe, Ruskin, Turner, Hopkins, Cézanne, and Rilke) affirm the essential complementarity of image and word, visual intuition and hermeneutic practice, in theology, philosophy, and literature. Like Pfau’s previous book, Minding the Modern, Incomprehensible Certainty is a major work. With over fifty illustrations, the book will interest students and scholars of philosophy, theology, literature, and art history.
Thomas Pfau's study of images and visual experience is a tour de force linking Platonic metaphysics to modern phenomenology and probing literary, philosophical, and theological accounts of visual experience from Plato to Rilke. Incomprehensible Certainty presents a sustained reflection on the nature of images and the phenomenology of visual experience. Taking the word "image" (eikōn) not only as the essential medium of art and literature but as foundational for the intuitive ways in which we make contact with our "lifeworld," Thomas Pfau draws in equal measure on Platonic metaphysics and modern phenomenology to advance a series of interlocking claims. First, Pfau shows that, beginning with Plato's later dialogues, being and appearance came to be understood as ontologically distinct from (but no longer opposed to) one another. Second, in contrast to the idol that is typically gazed at and visually consumed as an object of desire, this study positions the image (eikōn) as a medium whose intrinsic abundance and excess reveal to us its metaphysical function, namely, as the visible analogue of an invisible, numinous reality. Finally, the interpretations unfolded in this book (from Plato, Plotinus, pseudo-Dionysius, John Damascene via Bernard of Clairvaux, Bonaventure, Julian of Norwich, and Nicholas of Cusa to modern writers and artists such as Goethe, Ruskin, Turner, Hopkins, Cézanne, and Rilke) affirm the essential complementarity of image and word, visual intuition and hermeneutic practice, in theology, philosophy, and literature. Like Pfau's previous book, Minding the Modern, Incomprehensive Certainty is a major work. With over fifty illustrations, the book will interest students and scholars of philosophy, theology, literature, and art history.
Intro -- Contents -- Acknowledgments -- Introduction -- 1. Childhood, Transcendence, and Art -- 2. Spiritual Functions of Art -- 3. Elemental Meaning and Gerard Manley Hopkins -- 4. Emily Dickinson and the Unknown God -- 5. A Pattern of Timeless Moments: T.S. Eliot's Four Quartets -- 6. Art and Spiritual Growth -- Conclusion -- Notes -- Bibliography -- Index.
D-503 is a mathematician and citizen of One State, a totalitarian society whose inhabitants live passionless lives under the all-powerful 'Benefactor'. However, when D-503 discovers that he has an individual soul, everything changes. Set in the twenty-sixth century, “We” is the dystopian science fiction novel that inspired George Orwell's famous “1984” and was the first work to be banned by the Soviet censorship board. A frightfully thought-provoking dystopian novel not to be missed by fans of speculative fiction. Yevgeny Ivanovich Zamyatin (1884–1937) was a Russian author who wrote science fiction and political satire. Other notable works by this author include: “Robert Maier” (1922), “Gerbert Uells” (1922), and “On Literature, Revolution, and Entropy” (1924). Read & Co. is republishing this classic science fiction novel in an affordable, modern, high-quality edition complete with an Introductory Chapter from H. G. Wells' “The Revolution And Famine In Russia”.
This unique collection of "DYSTOPIA Boxed Set: 18 Dystopian Classics in One Edition" has been designed and formatted to the highest digital standards. Contents: 1984 (George Orwell) Brave New World (Aldous Huxley) It Can't Happen Here (Sinclair Lewis) That Hideous Strength (C. S. Lewis) Iron Heel (Jack London) We (Yevgeny Zamyatin) Meccania the Super-State (Owen Gregory) Lord of the World (Hugh Benson) When The Sleeper Wakes (H. G. Wells) The Time Machine (H. G. Wells) The First Men in the Moon (H. G. Wells) Caesar's Column (Ignatius Donnelly) The Secret of the League (Ernest Bramah) City of Endless Night (Milo Hastings) Looking Further Backward (Arthur Dudley Vinton) The Heads of Cerberus (Francis Stevens) The Fixed Period (Anthony Trollope) Animal Farm (George Orwell)
This eBook edition of "We" has been formatted to the highest digital standards and adjusted for readability on all devices. "We" is a dystopian novel which is set in a dystopian future police state. D-503 lives in the One State, an urban nation constructed almost entirely of glass, which allows the secret police/spies to inform on and supervise the public more easily. The structure of the state is analogous to the prison design concept developed by Jeremy Bentham commonly referred to as the Panopticon. Furthermore, life is organized to promote maximum productive efficiency along the lines of the system advocated by the hugely influential F. W. Taylor. People march in step with each other and wear identical clothing. There is no way of referring to people save by their given numbers. Males have odd numbers prefixed by consonants; females have even numbers prefixed by vowels. Along with Jack London's The Iron Heel, We is generally considered to be the grandfather of the satirical futuristic dystopia genre. Yevgeny Zamyatin (1884-1937) was a Russian author of science fiction and political satire. Due to his use of literature to criticize Soviet society, Zamyatin has been referred to as one of the first Soviet dissidents.
The 'Sci-Fi Ultimate Collection: 170+ Space Adventures, Dystopian Novels & Lost World Classics' stands as a testament to the vast and varied universe of science fiction, encapsulating the ingenuity and diversity of thought from the 19th to the early 20th centuries. This anthology spans a range of literary styles from the exploratory whims of Jules Verne to the dark, introspective narratives of H.P. Lovecraft, and the socio-political commentaries of H.G. Wells and George Orwell offering a broad view of the thematic concerns and stylistic evolutions within the genre. Notably, it includes landmark pieces that have defined and expanded the boundaries of speculative fiction, exploring themes of dystopia, utopia, cosmic horror, and science as both salvation and doom, thereby providing a comprehensive overview of the genre's development and its reflection of societal anxieties and aspirations. The contributing authors and editors, each distinguished by their own unique contributions to literature and thought, bring a rich tapestry of background, perspective, and cultural context to the anthology. From the pioneering speculative visions of Mary Shelley, whose 'Frankenstein' laid the groundwork for scientific fiction as a critical mirror to society, to the sophisticated social critiques embedded in the works of Aldous Huxley and Sinclair Lewis, the collection is a convergence of voices that have not only defined but also challenged their contemporary sociopolitical paradigms. By aligning with various historical, cultural, and literary movements, these authors collectively amplify the anthology's exploration of human nature, progress, and the infinitely expanding boundaries of the unknown. 'Readers seeking not just entertainment but also a deep cultural and philosophical engagement with science fiction as a genre will find the 'Sci-Fi Ultimate Collection' an invaluable resource. This anthology affords a unique opportunity to experience the breadth and depth of speculative fiction through the eyes of its most iconic figures. It invites readers to traverse time and space, to challenge their preconceptions, and to engage in a dialogue with the past, understanding how past generations envisioned the future. For anyone interested in the evolution of science fiction and its role in critiquing, reflecting, and shaping societal views, this collection is an indispensable compendium, illuminating the myriad ways in which the genre has captivated the human imagination.
An Examination of Worldview, Worldvision, and the Soul by Dutch Reformed Theologian J. H. Bavinck, Translated into English for the First Time Modern evangelicals differ on their concept of "worldview." Many have varying definitions of it and some even consider it to be a wholly unhelpful term in understanding the world around them. This volume by Johan Herman Bavinck examines the relationship between the soul, each human's unique personality, and worldview—acknowledging the importance of worldview while recognizing the dangers if worldviews are misapplied. Personality and Worldview by J. H. Bavinck, nephew and student of Dutch Reformed theologian Herman Bavinck, creates a distinction between a worldvision (which all people have) and a worldview (which only few have in a mature and wise way). Profoundly influenced by the works of St. Augustine, Bavinck challenges readers to allow the gospel to reshape their worldviews and their personalities as they pursue godly wisdom. Translated into English for the first time by James Eglinton, Bavinck's accessible prose, personal applications, and more will greatly serve pastors, students, and laypeople alike. Foreword by Timothy Keller: Keller writes, "I could not be happier that Johan Herman Bavinck's Personality and Worldview has been made accessible to the English-speaking world. It is an important work, perhaps even what we call a 'game-changer.'" Edited and Translated by James Eglinton: An expert scholar and author on the Dutch neo-Calvinist tradition Introduction by the Editor: Provides an overview of the book and a brief introduction to Johan Herman Bavinck's life For Readers Who Enjoy Herman Bavinck: Works as a follow-up text to Herman Bavinck's Christian Worldview
The Collage of God is for all who find it difficult to reconcile the realities of life with comfortable notions about faith. Following his experiences with suffering as a hospital chaplain, Mark Oakley reconstructs faith as a collage of traditions, texts, and experiences of living, imagination, silence and prayer. A contemporary spiritual classic.