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Vilified by leading architectural modernists and Victorian critics alike, mass-produced architectural ornament in iron has received little sustained study since the 1960s; yet it proliferated in Britain in the half century after the building of the Crystal Palace in 1851 - a time when some architects, engineers, manufacturers, and theorists believed that the fusion of iron and ornament would reconcile art and technology and create a new, modern architectural language. Comprehensively illustrated and richly researched, Iron, Ornament and Architecture in Victorian Britain presents the most sustained study to date of the development of mechanised architectural ornament in iron in nineteenth-century architecture, its reception and theorisation by architects, critics and engineers, and the contexts in which it flourished, including industrial buildings, retail and seaside architecture, railway stations, buildings for export and exhibition, and street furniture. Appealing to architects, conservationists, historians and students of nineteenth-century visual culture and the built environment, this book offers new ways of understanding the notion of modernity in Victorian architecture by questioning and re-evaluating both Victorian and modernist understandings of the ideological split between historicism and functionalism, and ornament and structure.
When we think about Victorian factories, 'Dark Satanic Mills' might spring to mind - images of blackened buildings and exhausted, exploited workers struggling in unhealthy and ungodly conditions. But for some employees this image was far from the truth, and this is the subject of 'The Factory in a Garden' which traces the history of a factory gardens movement from its late-eighteenth century beginnings in Britain to its twenty-first century equivalent in Google's vegetable gardens at their headquarters in California. The book is the first study of its kind examining the development of parks, gardens, and outdoor leisure facilities for factories in Britain and America as a model for the reshaping of the corporate environment in the twenty-first century. This is also the first book to give a comprehensive account of the contribution of gardens, gardening and recreation to the history of responsible capitalism and ethical working practices.
Reprint of the original, first published in 1881.
The peak of architectural ironwork in the 19th Century saw the spread of ornate decorative ironwork across the world. In recent years there has been a significant increase in conservation and restoration projects aiming to protect the artistry of traditional ironwork for future generations. Conservation of Architectural Ironwork is the first book to provide a complete guide to the conservation and maintenance of traditional architectural ironwork. First introducing the contextual history and key material features of architectural ironwork, the book goes on to guide readers through the management and delivery of conservation projects from start to finish, explaining the very latest in conservation technology. At its peak, architectural ironwork was used on a vast global scale in buildings, bridges, street furniture and ornamental structures. With international case studies and detailed illustrations, this book will be an essential reference for heritage professionals and students of architectural conservation around the world.