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This collection of essays explores the representation of heterosexual masculinity embodied in modernist art. It examines such major modernists as Cezanne, Caillebotte, Matisse, Wyndham Lewis and Boccioni, to offer a history of how artists sought to shape their sexuality in their work.
Impossible Presence brings together new work in film studies, critical theory, art history, and anthropology for a multifaceted exploration of the continuing proliferation of visual images in the modern era. It also asks what this proliferation—and the changing technologies that support it—mean for the ways in which images are read today and how they communicate with viewers and spectators. Framed by Terry Smith's introduction, the essays focus on two kinds of strangeness involved in experiencing visual images in the modern era. The first, explored in the book's first half, involves the appearance of oddities or phantasmagoria in early photographs and cinema. The second type of strangeness involves art from marginalized groups and indigenous peoples, and the communicative formations that result from the trafficking of images between people from vastly different cultures. With a stellar list of contributors, Impossible Presence offers a wide-ranging look at the fate of the visual image in modernity, modern art, and popular culture. Contributors: Jean Baudrillard Marshall Berman Jeremy Gilbert-Rolfe Elizabeth Grosz Tom Gunning Peter Hutchings Fred R. Myers Javier Sanjines Richard Shiff Hugh J. Silverman Terry Smith
(Fake Book). An invaluable collection of over 250 of the best rock songs of all time, with nearly 70 new songs added for this spectacular 2nd Edition! For piano, voice, guitar and all C instruments, this fake book includes melody, lyrics and chords for: All Right Now * Amanda * American Woman * Angie * Another One Bites the Dust * Baby, I Love Your Way * Back in the U.S.S.R. * Barracuda * Beast of Burden * Can't You See * Carry On Wayward Son * Centerfold * Cocaine * Come Sail Away * Don't Do Me Like That * Don't Stop * Dream On * Dust in the Wind * Every Breath You Take * Free Ride * Hurts So Good * I Shot the Sheriff * Imagine * I Want You to Want Me * Imagine * It's Still Rock and Roll to Me * Killer Queen * Lay Down Sally * Layla * Lucy in the Sky with Diamonds * Maggie May * My Generation * Nights in White Satin * Owner of a Lonely Heart * Piano Man * Point of Know Return * Refugee * Rhiannon * Rock and Roll All Nite * Roxanne * Something * Summer of '69 * Sunshine of Your Love * Susie-Q * Take the Long Way Home * Tears in Heaven * Walk This Way * We Will Rock You * White Room * Wonderful Tonight * You Ain't Seen Nothin' Yet * and lots more! Features two tables of contents: one by artist, and one alphabetical by song title.
(Fake Book). The Real Book series isn't just for jazzers anymore! This collection features over 200 pop mainstays of modern repertoire laid out in the favored Real Book style. Songs include: Addicted to Love * All She Wants to Do Is Dance * American Pie * Bad Day * Billie Jean * Bohemian Rhapsody * Bridge over Troubled Water * Cat's in the Cradle * Clocks * Dancin' in the Moonlight * Every Breath You Take * Eye of the Tiger * Good Riddance (Time of Your Life) * Hallelujah * Hey Jude * Hey, Soul Sister * Hotel California * I Will Remember You * Imagine * Jar of Hearts * Leaving on a Jet Plane * Let It Go * Losing My Religion * Love Shack * Piano Man * Roar * Rolling in the Deep * Some Nights * Start Me Up * Summer of '69 * Tears in Heaven * You're So Vain * You've Got a Friend * and more!
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Challenging the idea that a writer's work reflects his experiences in time and place, Cooper locates the action of William Blake's major illuminated books in the ahistorical present, an impersonal spirit realm beyond the three-dimensional self. Historicist attempts to place Blake's vision in perspective, Cooper argues, involve a self-contradictory denial of his performativity as a poet-artist of multiple geometrical dimensions.
(Piano/Vocal/Guitar Artist Songbook). This is the ultimate, must-own collection for every Genesis fan! It features 54 classics, including: Abacab * Afterglow * Anything She Does * Blood on the Rooftops * Cinema Show * Duchess * Fading Lights * Follow You, Follow Me * I Can't Dance * Illegal Alien * In Too Deep * Invisible Touch * Keep It Dark * The Lamb Lies Down on Broadway * Land of Confusion * Mad Man Moon * Man on the Corner * Many Too Many * Me and Sarah Jane * Misunderstanding * No Reply at All * No Son of Mine * Paperlate * Squonk * Tell Me Why * That's All * Throwing It All Away * Tonight, Tonight, Tonight * Turn It On Again * and more.
Modernism, Sex, and Gender is an up-to-date and in-depth review of how theories of gender and sexuality have shaped the way modernism has been read and interpreted from its inception to the present day. The volume explores four key aspects of modernist literature and criticism that have contributed to the new modernist studies: women's contributions to modernism; masculinities; sexuality; and the intersection of gender and sexuality with politics and law. Including brief case studies of such writers as May Sinclair and Radclyffe Hall, this book is a valuable guide for those looking to understand the history of critical thought on gender and sexuality in modernist studies today.
Making Art History is a collection of essays by contemporary scholars on the practice and theory of art history as it responds to institutions as diverse as art galleries and museums, publishing houses and universities, school boards and professional organizations, political parties and multinational corporations. The text is split into four thematic sections, each of which begins with a short introduction from the editor, the sections include: Border Patrols, addresses the artistic canon and its relationship to the ongoing 'war on terror', globalization, and the rise of the Belgian nationalist party. The Subjects of Art History, questions whether 'art' and 'history' are really what the discipline seeks to understand. Instituting Art History, concerns art history and its relation to the university and raises questions about the mission, habits, ethics and limits of university today. Old Master, New Institutions, shows how art history and the museum respond to nationalism, corporate management models and the 'culture wars'.