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An absorbing exploration of Soviet-era family photographs that demonstrates the singular power of the photographic image to command attention, resist closure, and complicate the meaning of the past. A faded image of a family gathered at a festively served dinner table, raising their glasses in unison. A group of small children, sitting in orderly rows, with stuffed toys at their feet and a portrait of Lenin looming over their heads. A pensive older woman against a snowy landscape, her gaze directed lovingly at a tombstone. These are a few of the evocative images in In Visible Presence by Oksana Sarkisova and Olga Shevchenko, an exquisitely researched book that brings together photographs from Soviet-era family photo archives and investigates their afterlives in Russia. In Visible Presence explores the photographic images’ singular power to capture a fleeting moment by approaching them as points of contestation and possibility. Drawing on over a decade of fieldwork and interviews, as well as internet ethnography, media analysis, and case studies, In Visible Presence offers a rich account of the role of family photography in creating communities of affect, enabling nostalgic longings, and processing memories of suffering, violence, and hardship. Together these photos evoke youthful aspirations, dashed hopes, and moral compromises, as well as the long legacy of silence that was passed down from grandparents to parents to children. With more than 250 black and white photos, In Visible Presence is an astonishing journey into domestic photography, family memory, and the ongoing debate over the meaning of the Soviet past that is as timely and powerful today as it has ever been.
Current school systems create a generation of students who experience institutional practices that honor other students’ needs—those students who share the values of those with power—and have pathologized other groups, specifically women of color. (In) Visible Presence intends to contribute to existing pedagogy, which empowers students, teachers, administrators, and policy makers to develop participatory membership in schools and among citizens who can begin to create an anti-oppressive society. (In) Visible Presence contains a holistic, thematic approach to exploring young adult (YA) novels written by women of color, while providing cultural and historical contexts for interpreting and analyzing their work through a feminist lens. Unlike other scholarship, (In) Visible Presence uses a feminist theoretical framework to create a space in which select literary works offer counter-narratives that can be analyzed and critically interpreted according to principles and ideas intended to validate women, thus making their triumph over racism, sexism, classism, and heterosexism and equity challenges a visible cause relegating consequential change for both young girls and women of color. (In) Visible Presence maintains current discourse dialogue through a concentration on the intersectionality of gender, race, and class identities and how these identifiers serve as criteria for privilege and marginalization, even in YA literature. (In) Visible Presence aims to explore YA literature written by women of color represented by African American, Asian American, Indian American, and Latina Americans. Our theoretical perspective focuses on the connection of race, gender, and class that is exclusive to women of color. The construction of “voice” and “space” is important for readers to hear from those once silenced.
In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that “America” is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.
Essays on a range of photographic topics by the recently appointed Joel and Anne Ehrenkranz Chief Curator of Photography at MoMA Since 1839... offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020, Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts, newly translated into English and published together in one volume for the first time, reflect the breadth of Chéroux’s thinking, the rigor of his approach, and his endless curiosity about photographs. In this strikingly designed and generously illustrated volume, Chéroux presents unique case studies and untold stories. He discusses ways of sharing images, from the nineteenth century to the digital age; considers the utopian ideals of early photography; and analyzes the duality of amateur photography. Among other things, he describes the appeal of photographs snapped from a speeding train and explains historical value of first-generation prints of photographs. Through an analysis of key photographs taken on 9/11, Chéroux shows that the same six images were seen again and again in the press. Widely ranging, erudite, and engaging, these essays present Chéroux's innovative investigations of the histories of photography.
Light has a fundamental role to play in our perception of the world. Natural or artificial lightscapes orchestrate uses and experiences of space and, in turn, influence how people construct and negotiate their identities, form social relationships, and attribute meaning to (im)material practices. Archaeological practice seeks to analyse the material culture of past societies by examining the interaction between people, things, and spaces. As light is a crucial factor that mediates these relationships, understanding its principles and addressing illumination's impact on sensory experience and perception should be a fundamental pursuit in archaeology. However, in archaeological reasoning, studies of lightscapes have remained largely neglected and understudied. This volume provides a comprehensive and accessible consideration of light in archaeology and beyond by including dedicated and fully illustrated chapters covering diverse aspects of illumination in different spatial and temporal contexts, from prehistory to the present. Written by leading international scholars, it interrogates the qualities and affordances of light in different contexts and (im)material environments, explores its manipulation, and problematises its elusive properties. The result is a synthesis of invaluable insights into sensory experience and perception, demonstrating illumination's vital impact on social, cultural, and artistic contexts.
This is a new edition of the 1963 classic which gave Christological thought a new direction. As far back as his first major book Schillebeeckx propounded an anthropological approach to the sacraments. In Christ the Sacrament of the Encounter with God , he draws on theologically fruitful work by phenomenological anthropologists like Merleau-Ponty, Buytendijk and Binswanger. That makes Schillebeeckx's distinctive idiom and modern approach appealing even today. He rediscovers, as it were from within, the notions forged by scholastic theology, and thus restores to us a theology of the sacraments rooted in the biblical and patristic soil from which they first sprang. Schillebeeckx's speculative synthesis of this quest still has a fresh ring to it. He describes Christ as the primordial sacrament in a reflection on his public ministry, death and resurrection inspired by the universal human search for such a 'sacrament'. He concludes that the church's sacraments have to be an earthly extension of the liberation brought by Christ's story. Schillebeeckx ends by describing sacraments as grace made visible that gives crowning moments in Christian life a mystical quality. Edward Schillebeeckx Collected Works bring together the most important and influential works of the Dutch Dominican and theologian Edward Schillebeeckx (1914-2009) in a reliable edition. All translations have been carefully checked or revised, some texts are presented in English for the first time. The page numbers of earlier editions are included. Each volume carries a foreword by an internationally renowned Schillebeeckx expert. This edition makes Schillebeeckx available for a new generation of scholars and students.
How do we hear God's voice? How can we be sure that what we hear is not our own subconscious? What if what God says to us is not clear? In this Signature Collection edition of a beloved classic, bestselling author Dallas Willard offers rich spiritual insight into how we can hear God's voice clearly and develop an intimate partnership with him in the work of his kingdom.
The authors seek to identify the recurrent tensions, the blatant points of emphasis, the recurring indications of conflict and polemic. Framing the issue of the disposition of the Scriptural heritage in broad terms, they describe what characterizes the Gospels and the Mishnah, the letters of Paul and the Tosefta. In other words, if they take whole and complete the writings of first and second century people claiming to form the contemporary embodiment of Scripture's Israel and ask what they all stress as a single point of insistence, the answer is self-evident. Nearly every Christianity and nearly all known Judaisms appeal for validation to the Scriptures of ancient Israel, their laws and narratives, their prophecies and visions. To Scripture all parties appeal - but not to the same verses of Scripture. In Scripture, all participants to the common Israelite culture propose to find validation - but not to a common theological program subject to diverse interpretation. From Scripture, every community of Judaism and Christianity takes away what it will, but not with the assent of all the others.