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During his adult life until his death in 1834, Coleridge made entries in more than sixty notebooks. Neither commonplace books nor diaries, but something of both, they contain notes on literary, theological, philosophical, scientific, social and psychological matters, plans for and fragments of works and many other items of great interest. Shortly after World War II, Kathleen Coburn, formerly of Victoria College in Toronto, rediscovered this great collection of unpublished manuscripts. With the support of the Coleridge estate, she embarked on a career of editing and publishing these volumes and was awarded with many honours for her work, including: a Leverhulme Award (1948), a Guggenheim Fellowship (1953), a Fellowship in the Royal Society of Canada (1958), the Order of Canada (1974) and an honorary doctorate from her own university. Originally projected as a five volume set (each volume consisting of a book of text and a book of notes). First published in 2002. Volume 4 of the Text on the Notebooks of Samuel Taylor Coleridge, spanning from 1819 to 1826.
During his adult life until his death in 1834, Coleridge made entries in more than sixty notebooks. Neither commonplace books nor diaries, but something of both, they contain notes on literary, theological, philosophical, scientific, social, and psychological matters, plans for and fragments of works, and many other items of great interest. This fourth double volume of the Notebooks covers the years 1819 through 1826. The range of Coleridge's reading, his endless questioning, and his recondite sources continue to fascinate the readers. Included here are drafts and full versions of the later poems. Many passages reflect the technological interests that led to Coleridge's writing of Aids of Reflection, later to become an important source for the Transcendentalists. Another development in this volume is the startling expansion of Coleridge's interest in "the theory of life" and in chemistry--the laboratory chemistry of the Royal Institution of Great Britain and the theoretical chemistry of German transcendentalists such as Okea, Steffens, and Oersted. Also contained in this volume is an important section on the meaning of marriage. Kathleen Coburn is Professor Emeritus at Victoria College of the University of Toronto. Merton Christensen was Professor of English at the University of Delaware. Bollingen Series L:4. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Through one of life's ironies, it is the Spirit of Death not Life who helps Lila wake to the nudges of her soul. On the brink of a career move, Lila is befriended by Death who whispers secrets of the soul in her ear; Death asks that she write down these secrets for all of humanity. Lila's habit of daily journaling soon uncovers answers she never imagined might flow from her pen. Death, a brilliant and beautiful mystic, teaches Lila the many truths of society, humanity, and what connects the earth's inhabitants. The lessons range from health and nutrition to dreams and intuition, and show how each subject is linked directly back to the soul. For seekers and finders, Journal to the Center of the Soul speaks to the power of the journal through its story of two souls one a student, one a teacher. With simple concepts, it narrates the story of one soul's journey through journaling and of befriending the spectacular spirit guide of Death.
Danger is lurking, and Slider is the one man that will keep Fayth safe. He let her down once. He’ll never let it happen again. The score is finally settled.
Essential for understanding Patricia Highsmith’s transgressive life and prophetic work, this volume is also “one of the most observant and ecstatic accounts . . . about being young and alive in New York City” (Dwight Garner,—New York Times). Before Alfred Hitchcock adapted her debut novel, Strangers on a Train, for the big screen; before her suave and sociopathic Thomas Ripley snaked his way into the canon of psychological suspense; and before The Price of Salt became a cult classic of romantic obsession, who was Patricia Highsmith? Focused on her formative years in Manhattan, this condensed edition of Highsmith’s monumental Diaries and Notebooks reveals “Pat” at her most passionate and florescent. Beginning in 1941 at Barnard College and encompassing the Texas native’s adventurous twenties,?The New York Years intertwines scenes from her dizzying social life—rife with sleepless nights barhopping in the queer underground Greenwich Village scene, always juggling too many lovers—with an intimate self-portrait of a young artist who by day dispassionately wrote comics for a paycheck. Amid all the hangovers and the breakups, she read voraciously and honed her craft with verve. Laid bare in this perennial reader’s edition are the bold, hilarious, romantic, tragic, and maddeningly contradictory observations of one of “our greatest modernist writers” (Gore Vidal).