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Creating Their Own Image marks the first comprehensive history of African-American women artists, from slavery to the present day. Using an analysis of stereotypes of Africans and African-Americans in western art and culture as a springboard, Lisa E. Farrington here richly details hundreds ofimportant works--many of which deliberately challenge these same identity myths, of the carnal Jezebel, the asexual Mammy, the imperious Matriarch--in crafting a portrait of artistic creativity unprecedented in its scope and ambition. In these lavishly illustrated pages, some of which feature imagesnever before published, we learn of the efforts of Elizabeth Keckley, fashion designer to Mary Todd Lincoln; the acclaimed sculptor Edmonia Lewis, internationally renowned for her neoclassical works in marble; and the artist Nancy Elizabeth Prophet and her innovative teaching techniques. We meetLaura Wheeler Waring who portrayed women of color as members of a socially elite class in stark contrast to the prevalent images of compliant maids, impoverished malcontents, and exotics "others" that proliferated in the inter-war period. We read of the painter Barbara Jones-Hogu's collaboration onthe famed Wall of Respect, even as we view a rare photograph of Hogu in the process of painting the mural. Farrington expertly guides us through the fertile period of the Harlem Renaissance and the "New Negro Movement," which produced an entirely new crop of artists who consciously imbued their workwith a social and political agenda, and through the tumultuous, explosive years of the civil rights movement. Drawing on revealing interviews with numerous contemporary artists, such as Betye Saar, Faith Ringgold, Nanette Carter, Camille Billops, Xenobia Bailey, and many others, the second half ofCreating Their Own Image probes more recent stylistic developments, such as abstraction, conceptualism, and post-modernism, never losing sight of the struggles and challenges that have consistently influenced this body of work. Weaving together an expansive collection of artists, styles, andperiods, Farrington argues that for centuries African-American women artists have created an alternative vision of how women of color can, are, and might be represented in American culture. From utilitarian objects such as quilts and baskets to a wide array of fine arts, Creating Their Own Imageserves up compelling evidence of the fundamental human need to convey one's life, one's emotions, one's experiences, on a canvas of one's own making.
Knafo, a feminist psychoanalyst and art critic, extends the discourse between feminism and art history, while revealing core psychological sensibilities involved in women's self-representation - the need for mirroring, the use of mask and masquerade, the drive for reparation, the presence of the uncanny, and the concept of female narcissism. --Publisher.
A novel about passion, death, and the ambiguous relationship between art and reality Antonia grows up in rural Corsica, a place of deeply-rooted traditions and strong family ties. When she's fourteen, her uncle, a priest, gives her a camera—suddenly changing the way she looks at the world and igniting a life-long passion. Over two decades later, Antonia runs into Dragan, a soldier whom she had met when she was reporting on the war in the former Yugoslavia. The two spend the night in deep conversation, reminiscing about their experience of the conflict. As she drives home, Antonia loses control of her car, plunges off a cliff and is killed instantly. Tasked with officiating at her funeral, Antonia's uncle is forced to reflect on her life and legacy and on the profound questions they beg about ambition and doubt, passion and guilt, representation and reality. Wide in scope but rich in detail, restrained yet deeply moving, In His Own Image weaves together the story of a life with universal themes that resonate across time and space.
"Someone once noted that God made us in His image, and ever since we have tried to do God a favor by making Him in our image." It’s easy to speak to others about the Jesus who cared for the poor, healed the sick, and preached love and justice for the least of these. But what about the God who tells the Israelites to wage war and kill entire people groups? Or threatens exile and then delivers? Or sends people to hell? Can these really be the same God? The simple answer is, yes. God in His Own Image takes you on a journey through the Bible exploring God’s true nature. You’ll study instances of great mercy and great severity, and by the end, you’ll begin to see why both God’s compassion and his wrath are necessary, important, and even beautiful. Get to know the God who is both Lion and Lamb, both Judge and Father, both kind and severe, and perfect in every way.
Fred Ritchin's" In Our Own Image is a comprehensive account of computer technology's impact on what we see and, ultimately, what we believe about the world. Both a history of photojournalism and a primer of computer technology, "In Our Own Image is a philosophy of vision and reality for the twenty-first century. Extensively revised and updated," In Our Own Image is sure to remain a staple of one of the most important debates for many years to come.
The first visual document of black social and cultural history in America from World War II to the present, In Our Own Image is also a fascinating scrapbook that recounts simple, eloquent stories about home life, family reunions, worship, weddings, funerals, barbeques, barbershops, beauty parlors, nightclubs, civic organizations, and celebrations. The unique recollections of African-Americans from a variety of backgrounds and age groups accompany more than 160 images from personal and archival collections, with such poignant ephemera as programs from cotillions and fashion shows, restaurant menus, movie posters, even ticket stubs. The authors have woven material from university and museum collections in Detroit, New Orleans, Washington, D.C., Los Angeles, and Atlanta into a narrative photo book that forms a warm, loving record of African-American community, traditions, and family life in the latter half of the twentieth century.
Zarkadakis explores one of humankind's oldest love-hate relationships—our ties with artificial intelligence, or AI. He traces AI's origins in ancient myth, through literary classics like Frankenstein, to today's sci-fi blockbusters, arguing that a fascination with AI is hardwired into the human psyche. He explains AI's history, technology, and potential; its manifestations in intelligent machines; its connections to neurology and consciousness, as well as—perhaps most tellingly—what AI reveals about us as human beings.In Our Own Image argues that we are on the brink of a fourth industrial revolution—poised to enter the age of Artificial Intelligence as science fiction becomes science fact. Ultimately, Zarkadakis observes, the fate of AI has profound implications for the future of science and humanity itself.
"Strong Black Girls lays bare the harm Black women and girls are expected to overcome in order to receive an education in America. It captures the routinely muffled voices and experiences of these students through storytelling, essays, letters, and poetry. The authors make clear that the strength of Black women and girls should not merely be defined as the ability to survive racism, abuse, and violence. Readers will also see resistance and resilience emerge through the central themes that shape these reflective, coming-of-age narratives. Each chapter is punctuated by discussion questions that extend the conversation around the everyday realities of navigating K-12 schools, such as sexuality, intergenerational influence, self-love, anger, leadership, aesthetic trauma (hair and body image), erasure, rejection, and unfiltered Black girlhood. Strong Black Girls is essential reading for everyone tasked with teaching, mentoring, programming, and policymaking for Black females in all public institutions. Book Features: ]A spotlight on the invisible barriers impacting Black girls' educational trajectories. ]A survey of the intersectional notions of strength and Black femininity within the context of K-12 schooling. ]Narrative therapy through unpacking system stories of oppression and triumph. ]Insights for building skills and tools to make substantial and lasting change in schools"--
This study provides a comprehensive systematic classification, comparison, and evaluation of the major classes of theories of ultimate reality. It offers compelling analyses of anthropomorphism and apophaticism, including tracing multiple dimensions of anthropomorphism in various models of ultimate reality.
Bluebird, along with most everyone else at school, wants to flutter like the most popular bird in their class, Hummingbird. "You should go on a diet, and work out at the gym. You could flutter like me, if your body was thin." Bluebird takes this comment seriously and starts to develop unhealthy eating habits. Mom comes to the rescue by teaching Bluebird balance and by explaining that everyone needs to feel comfortable in their own feathers. With help from the Bird Doc and the Food Voice Counselor, Bluebird learns to control the Food Voice that is living inside. "I'm working on balance one day at a time. If I keep working hard, I should be just fine." How to be Comfortable in Your Own Feathers uses a creative approach to speak to children who may be currently struggling with body-image concerns. This story is written in a manner that gives children an opportunity to apply the characters' experiences to their own lives. It also demonstrates appropriate adult responses that encourage the development of healthy eating habits. Includes "Live It" Dos and Don'ts.