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In Theda Bara's Tent follows the adventures of a spirited orphan who makes his way into the burgeoning movie business in the days when the screen was silent and the moguls were just small-time theater owners. Harry Sirkus is so brave and lovable everyone wants to help him including a struggling theater owner named Louis B. Mayer who, at age 22, living in Haverhill, Massachusetts, is years away from being studio head at MGM. Harry runs away from Haverhill at age 13 and must make his way in the world alone. After many adventures and heartbreaking struggles he goes to New York to work for the avaricious William Fox, founder of Fox News, a newsreel company. In his search for love and prosperity, Harry encounters screen stars, Tin Pan Alley song pluggers, bootleggers, dare-devil cameramen, movie moguls, and a young gossip columnist who steals his heart. Rich in historical context, with a cast of characters real and imagined, this page-turner follows Harry Sirkus as he makes a mark in the flourishing film industry and goes on to become a famous news broadcaster. Harry's personality is so captivating and vivid readers will be hard-pressed to remember that the author made him up. Written by Diana Altman who grew up in the movie business, this is fictionalized history at its best.
Cleopatra. Sexy, sultry, political, and racially ambiguous. Moving fluidly from Shakespeare's England to contemporary LA, Francesca Royster looks at the performance of race and sexuality in a wide range of portrayals of that icon of dangerous female sexuality, Cleopatra. Royster begins with Shakespeare's original appropriation of Plutarch, and then moves on to analyze performances of the Cleopatra icon by Josephine Baker, Elizabeth Taylor, Pam Grier (Cleopatra Jones) and Queen Latifah (in Set It Off ). Royster argues that Cleopatra highlights a larger cultural anxiety about women, sexuality, and race.
Cognition, Brain, and Consciousness, Second Edition, provides students and readers with an overview of the study of the human brain and its cognitive development.It discusses brain molecules and their primary function, which is to help carry brain signals to and from the different parts of the human body. These molecules are also essential for understanding language, learning, perception, thinking, and other cognitive functions of our brain. The book also presents the tools that can be used to view the human brain through brain imaging or recording.New to this edition are Frontiers in Cognitive Neuroscience text boxes, each one focusing on a leading researcher and their topic of expertise. There is a new chapter on Genes and Molecules of Cognition; all other chapters have been thoroughly revised, based on the most recent discoveries.This text is designed for undergraduate and graduate students in Psychology, Neuroscience, and related disciplines in which cognitive neuroscience is taught. - New edition of a very successful textbook - Completely revised to reflect new advances, and feedback from adopters and students - Includes a new chapter on Genes and Molecules of Cognition - Student Solutions available at http://www.baars-gage.com/ For Teachers: - Rapid adoption and course preparation: A wide array of instructor support materials are available online including PowerPoint lecture slides, a test bank with answers, and eFlashcords on key concepts for each chapter. - A textbook with an easy-to-understand thematic approach: in a way that is clear for students from a variety of academic backgrounds, the text introduces concepts such as working memory, selective attention, and social cognition. - A step-by-step guide for introducing students to brain anatomy: color graphics have been carefully selected to illustrate all points and the research explained. Beautifully clear artist's drawings are used to 'build a brain' from top to bottom, simplifying the layout of the brain. For students: - An easy-to-read, complete introduction to mind-brain science: all chapters begin from mind-brain functions and build a coherent picture of their brain basis. A single, widely accepted functional framework is used to capture the major phenomena. - Learning Aids include a student support site with study guides and exercises, a new Mini-Atlas of the Brain and a full Glossary of technical terms and their definitions. - Richly illustrated with hundreds of carefully selected color graphics to enhance understanding.
This is a guide for researchers and district leaders to help them form and sustain long-terms partnerships to study and solve practical problems in education together.--
Theda Bars's remarkable life as told by Eve Golden's heartfelt account is short of discovering a means of traveling through time and as close as we are ever likely to get to meeting the screen's great Vamp!
This exploration of fashion in American silent film offers fresh perspectives on the era preceding the studio system, and the evolution of Hollywood's distinctive brand of glamour. By the 1910s, the moving image was an integral part of everyday life and communicated fascinating, but as yet un-investigated, ideas and ideals about fashionable dress.
In the early part of the twentieth century, migrants made their way from rural homes to cities in record numbers and many traveled west. Los Angeles became a destination. Women flocked to the growing town to join the film industry as workers and spectators, creating a “New Woman.” Their efforts transformed filmmaking from a marginal business to a cosmopolitan, glamorous, and bohemian one. By 1920, Los Angeles had become the only western city where women outnumbered men. In Go West, Young Women, Hilary A. Hallett explores these relatively unknown new western women and their role in the development of Los Angeles and the nascent film industry. From Mary Pickford’s rise to become perhaps the most powerful woman of her age, to the racist moral panics of the post–World War I years that culminated in Hollywood’s first sex scandal, Hallett describes how the path through early Hollywood presaged the struggles over modern gender roles that animated the century to come.
"I wanted a job. I got a murder."When makeup artist Toby Swanson joined the Fox Film Corporation in 1914, he hoped to sneak a kiss from the studio's newest star, the seductive vamp Theda Bara. But when a scene goes horribly wrong, Bara's film is canceled and her dreams of stardom crushed. Unless she can prove what looked like an accident was really murder.So together, Theda and Toby dive into showbiz New York, from dancing with a young Rudolph Valentino to sharing the vaudeville stage with Sophie Tucker and learning lockpicking secrets from Harry Houdini, all leading to a long-forgotten church crypt holding a desperate secret.It's New York at the dawn of the twentieth century, a time of big bridges, big skyscrapers and big money. And it's a time when movies - the biggest new business of them all - joins hands with the oldest.The Director's Cut is the first of the Theda Bara Mysteries.
Despite being a mediocre actress with less than classic beauty, Theda Bara was one of Hollywood's leading performers in the early years of cinema. Her success was mostly due to Fox Studio's publicity: they made her a screen vamp and used her to titillate the public. And Theda Bara, ambitious and nearing 30 when she made her first film, enthusiastically played the role. In real life, Theodosia Goodman bore little resemblance to the vampish Theda Bara character. But the studio-created persona, with the invented name, evil personality and fictional history, was a major star. Though her films were often trite, poorly acted, extravagant and crude, the public packed movie houses. But her film career ended once the public tired of the persona. Through contemporary newspaper accounts, film reviews, interviews and other sources, this is a comprehensive account of the life and times of one of Hollywood's first female stars.