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In spring 401 BC mercenaries from Greece began landing on the shores of Asia Minor. They were heading inland for the city of Sardis where a Persian prince, Cyrus the Younger, was organizing an expedition. The men believed they were going to subdue a troublesome tribe of the interior, but their commander had a far more daring and ambitious plan in mind. The story of the Greeks' epic adventure was later told by the Athenian writer Xenophon. Using his celebrated text, The Anabasis, Shane Brennan sets out to retrace the army's route, and to discover what remains of the world Xenophon described 2,500 years ago. His journey in the footsteps of the army takes him across modern Turkey, Syria and Iraq. As with Cyrus' men, the further he progresses, the more difficult the adventure becomes. In the remote desert of western Iraq he is variously taken by villagers to be a downed American pilot, a British soldier, and a Mossad agent. Taking inspiration from the Greeks before him, however, he presses on towards Babylon, the intended destination of Cyrus. This is Shane Brennan's memorable account of a truly remarkable journey.
From the mountains of Algeria to the squats of South London via sectarian Northern Ireland, Ten Thousand Apologies is the sordid and thrilling story of the country's most notorious cult band, Fat White Family. Loved and loathed in equal measure since their formation in 2011, the relentlessly provocative, stunningly dysfunctional "drug band with a rock problem" have dedicated themselves to constant chaos and total creative freedom at all costs. Like a tragicomic penny dreadful dreamed up by a mutant hybrid of Jean Genet, the Dadaists and Mark E. Smith, the Fat Whites' story is a frequently jaw-dropping epic of creative insurrection, narcotic excess, mental illness, wanderlust, self-sabotage, fractured masculinity, and the ruthless pursuit of absolute art. Co-written with lucidity and humour by singer Lias Saoudi and acclaimed author Adelle Stripe, Ten Thousand Apologies is that rare thing: a music book that barely features any music, a biography as literary as any novel, and a confessional that does not seek forgiveness. This is the definitive account of Fat White Family's disgraceful and radiant jihad - a depraved, romantic and furious gesture of refusal to a sanitised era.
The Landmark Xenophon’s Anabasis is the definitive edition of the ancient classic—also known as The March of the Ten Thousand or The March Up-Country—which chronicles one of the greatest true-life adventures ever recorded. As Xenophon’s narrative opens, the Persian prince Cyrus the Younger is marshaling an army to usurp the throne from his brother Artaxerxes the King. When Cyrus is killed in battle, ten thousand Greek soldiers he had hired find themselves stranded deep in enemy territory, surrounded by forces of a hostile Persian king. When their top generals are arrested, the Greeks have to elect new leaders, one of whom is Xenophon, a resourceful and courageous Athenian who leads by persuasion and vote. What follows is his vivid account of the Greeks’ harrowing journey through extremes of territory and climate, inhabited by unfriendly tribes who often oppose their passage. Despite formidable obstacles, they navigate their way to the Black Sea coast and make their way back to Greece. This masterful new translation by David Thomas gives color and depth to a story long studied as a classic of military history and practical philosophy. Edited by Shane Brennan and David Thomas, the text is supported with numerous detailed maps, annotations, appendices, and illustrations. The Landmark Xenophon’s Anabasis offers one of the classical Greek world’s seminal tales to readers of all levels.
"A gorgeous, aching love letter to stories, storytellers, and the doors they lead us through...absolutely enchanting."—Christina Henry, bestselling author of Alice and Lost Boys LOS ANGELES TIMES BESTSELLER! Finalist for the 2020 Hugo, Nebula, Locus, and World Fantasy Awards. In the early 1900s, a young woman embarks on a fantastical journey of self-discovery after finding a mysterious book in this captivating and lyrical debut. In a sprawling mansion filled with peculiar treasures, January Scaller is a curiosity herself. As the ward of the wealthy Mr. Locke, she feels little different from the artifacts that decorate the halls: carefully maintained, largely ignored, and utterly out of place. Then she finds a strange book. A book that carries the scent of other worlds, and tells a tale of secret doors, of love, adventure, and danger. Each page turn reveals impossible truths about the world and January discovers a story increasingly entwined with her own. Lush and richly imagined, a tale of impossible journeys, unforgettable love, and the enduring power of stories await in Alix E. Harrow's spellbinding debut--step inside and discover its magic. Praise for The Ten Thousand Doors of January: "One for the favorites shelf... Here is a book to make you happy when you gently close it. Here you will find wonder and questions and an unceasingly gorgeous love of words which compasses even the shape a letter makes against a page."―NPR Books "Devastatingly good, a sharp, delicate nested tale of worlds within worlds, stories within stories, and the realm-cracking power of words."―Melissa Albert, New York Times bestselling author "A love letter to imagination, adventure, the written word, and the power of many kinds of love."―Kirkus For more from Alix E. Harrow, check out The Once and Future Witches.
This true crime history recounts more than a century of crime, deviousness, and disaster in the North Star State. In Minnesota Mayhem, local historian and author Ben Welter explores the best of the state's worst moments. Culled from the archives of the Minneapolis Tribune and its successor newspapers, these stories and photos range from the catastrophic to the chillingly curious and the simply strange. Among the true tales told in these pages, Welter recounts the career of a successful con man in 1871; an 1881 fire that destroyed the State Capitol; a flu outbreak that killed more than 10,000 Minnesotans in 1918; the arrest of Frank Lloyd Wright at a Lake Minnetonka cottage in 1926; an arrested stripper who claimed wardrobe malfunction in 1953; and the 1977 murder of a wealthy matron in Duluth.
Located some one hundred kilometers southwest of Cairo, the Fayum region has long been regarded as unique, often described in terms that conjure up images of an idealized Garden of Eden. In An Egyptian Landscape, Claire Malleson takes a novel approach to the study of the region by exploring the ways in which people have, through millennia, perceived and engaged with the Fayum landscape. Distinguishing between the experienced landscape of state and bureaucratic record and the imagined landscape of myth, meaning, and observers’ personal influences and expectations, Malleson questions in detail where those perceptions come from. She traces religious practices, follows the tracks of myths and traditions, and investigates the roots of stories found in texts from the pharaonic, classical, and Medieval Islamic periods. She also reviews many, more recent travel writings on the region from the seventeenth to the nineteenth centuries. The work of each author is presented in its historical and cultural context, and Malleson integrates what is known about ancient activities in the Fayum, based on the archaeological evidence from the many monuments and ancient settlements that exist in the region. Scholars and students of archaeology and landscape studies as well as general readers interested in Egypt’s history and archaeology will find this book highly engaging and enlightening.
You have probably seen Rex Ellis on TV. He is constantly turning up on the box with his team of camels and his adventurous urban guests hanging on for dear life somewhere in the sandy wastes of the Red Heart, maybe near Birdsville. Or traversing Lake Eyre full of water and pelicans in his beloved tinny. Rex lives a nomadic, desert life out there that you and I can only dream about. For a desert wanderer he is pretty talkative and has a mad sense of humour, but when he does do his block with a recalcitrant safari guest or a stubborn camel, he gets volcanic. Ellis has the knack of extracting the ridiculous or the absurd essence wherever he travels. He is an observer of the human condition, and focuses by inclination on the farcical. Perhaps his lifetime of observing outback wildlife gives him an excellent basis for a comparative study of crazy human behaviour. He has always taken paying guests on his outback adventures, and his colourful and varied descriptions of their shenanigans will bring great satisfaction to the superior armchair adventurer. And of course every evening there is the campfire. Ellis sees the campfire as the quintessence of the freedom of the outback, the relaxation after a hard day’s yakka, the yarn spinning, the chai-yacking and the camaraderie that develops so easily while you all stare at the mysterious, inspiring flames rather than at a mind-deadening TV set. This is the very essence of outback travelling, and Ellis’s highly emotional introduction leaves no doubt about the way he feels about these magic evenings. So, folks, it’s still not too late! If you can’t get out there straightaway, then read the book. Ten Thousand Campfires leaves no doubt that there is still plenty of the real, old-fashioned Australia in the Red Heart and it is pretty easy to distinguish it from what the author refers to as the ‘sanitized’ metropolitan Australia.
Winner of the Booker Prize—a tale of the strange obsessions that haunt a playwright as he composes his memoirs Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor, both professionally and personally, and amuse himself with Lizzie, an actress he has strung along for many years. None of his plans work out, and his memoir evolves into a riveting chronicle of the strange events and unexpected visitors-some real, some spectral-that disrupt his world and shake his oversized ego to its very core. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.