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Nefertari, the favorite queen of Rameses II, was buried about 3,200 years ago in the most exquisitely decorated tomb in Egypt's Valley of the Queens. Discovered in 1904 by Italian explorer Ernesto Schiaparelli, the tomb had deteriorated to a disastrous extent when emergency consolidation began in 1986. The six-year conservation project of the GCI and the Egyptian Antiquities Organization was completed in 1992. In this fascinating exploration of the tomb, John McDonald takes the reader through each chamber, describing the hieroglyphic messages depicted in the brilliant wall paintings and discussing the images within the context of Egyptian beliefs. He also offers insights into the life of Nefertari, the development and symbolism of royal tombs, and the construction and decoration of the tombs. House of Eternity is illustrated with historic black-and-white images and more recent color photographs that reveal the vibrant beauty of the wall paintings. In November 1995 the tomb was reopened to the public. Because of the potential for damage and deterioration to the fragile wall paintings caused by increased humidity, carbon dioxide, and microbiological activity introduced by visitors to the tomb, the number permitted to enter daily is strictly controlled by the Egyptian authorities. This book results from a desire of the GCI to enrich visitors' experience by providing a detailed descriptive walk-through of the tomb while conveying a strong message regarding the need for conservation and continuous monitoring to ensure the long-term survival of the tomb's paintings. Visitors to the tomb and the armchair traveler alike will find House of Eternity to be an excellent resource for understanding Nefertari's journey to the afterlife and for appreciating the extraordinary depictions of that journey on the walls of Nefertari's tomb.
The most lavishly decorated tomb in ancient Egypt was constructed for Queen Nefertari, wife of Rameses the Great. The Getty Conservation Institute has been instrumental in the effort to restore the tomb’s magnificent wall paintings, and in the fall of 1992, to mark the project’s completion, an exhibition was held at the Getty Museum. The exhibition included a model of the tomb and full-scale reproductions of the wall paintings. The publication describes the conservation work (including before and after photographs), outlines the life of Nefertari, and places the tomb in the context of Egyptian art history.
Explore Nerfertari's ancient Egyptian tomb through actual photographs. Learn about efforts to preserve these ancient artifacts.
In this stunning novel of passion, power, and redemption, a forgotten princess in ancient Egypt must overcome her family’s past and remake history—from the internationally bestselling author of Nefertiti and Cleopatra’s Daughter. “Moran’s careful attention to detail and her artful storytelling bring these people to vivid life, imbuing ancient history with suspense and urgency.”—The Boston Globe The winds of change are blowing through Thebes. A devastating palace fire has killed the Eighteenth Dynasty’s royal family—with the exception of Nefertari, the niece of the reviled former queen, Nefertiti. The girl’s deceased family has been branded as heretical, and no one in Egypt will speak their names. But this changes when she is taken under the wing of the Pharoah’s aunt, then brought to the temple of Hathor, where she is educated in a manner befitting a future queen. Soon Nefertari catches the eye of the Crown Prince, and despite her family’s history, they fall in love and wish to marry. Yet all of Egypt opposes this union between the rising star of a new dynasty and the fading star of an old, heretical one. While political adversity sets the country on edge, Nefertari becomes the wife of Ramses the Great. Destined to be the most powerful Pharoah in Egypt, he is also the man who must confront the most famous exodus in history.
Anna gets a chance to photograph one of the most famous queens in Egyptian history when she follows a gray cat into Nefertari's tomb. Full-color illustrations.
This book explores the visual narratives of a group of decorated tombs from Ptolemaic and Roman Egypt (c.300 BCE-250 CE). The author contextualizes the tombs within their social, political, and religious context and considers how the multicultural population of Graeco-Roman Egypt chose to negotiate death and the afterlife.
Joann Fletcher, presenter of BBC2's 'Ancient Egypt: Life and Death in the Valley of the Kings' has written an enthralling account of Nefertiti, one of Egypt's most compelling and mysterious figures. Wife of the controversial pharaoh Akhenaten, she lived through perhaps the most tumultuous period in the country's long history. The so-called Amarna Period has long held a fascination - not just for the enormous changes it brought to the religion, art and administration of Egypt, but for the many mysteries which surround it. Mysteries, that is, until now. Leading Egyptologist Dr Joann Fletcher has taken a fresh eye to the evidence and arrived at one of the most dramatic discoveries in recent times. Working with a team of leading experts, she has identified a long-forgotten mummy as the body of a female pharaoh of the Amarna Period, whom she believes is Nefertiti herself. Lying for over three thousand years in an unused side chamber of Tomb KV.35 in the Valley of the Kings, it tells a story which will forever change the way in which we view Nefertiti - and indeed women throughout Egyptian history. Now at last we see the full significance of her role as co-regent and later Pharaoh of Egypt, as well as understanding the astonishing luxury and decadence of her life in Amarna - a life she led as the country around her began to disintegrate.
Describes the hieroglyphics, tombs and evidence of the past associated with the Valley of the Kings and the Valley of the Queens. --Amazon.
With detailed illustrations and archival images, Egyptologist Wolfram Grajetzki describes and compares the opulent tombs of eminent and royal women from the late Middle Kingdom, shedding new light on how the gendered and social identities of these women were viewed in the court and preserved in the grave.