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With its incredible history, cultural richness, musical heritage, and renowned cuisine, Harlem is undoubtedly one of the most intoxicating New York City communities.This book takes readers on both a written and visual journey to pious churches, landmark architecture, sparkling clubs, vibrant theaters, and bustling restaurants. For native New Yorkers and visitors alike, In the Spirit of Harlem paints a colorful picture of one of America's most fascinating neighborhoods. The book includes a foreword by chef Marcus Samuelsson and a directory comprising Fertitta's recommendations.
A tour of Harlem combines photographs with interviews to profile a community in transition, as money pours in to revitalize a once decaying cityscape, a situation that threatens the homes and livelihoods of long-time residents.
A tour of Harlem combines photographs with interviews to profile a community in transition, as money pours in to revitalize a once decaying cityscape, a situation that threatens the homes and livelihoods of long-time residents.
Published to accompany exhibition held at the Hayward Gallery, London, 19/6 - 17/8 1997.
Successful entrepreneur and author Dr. Theda Palmer Saxton uncovers the Heirs to Dirty Linen and Harlem Ghosts as she weaves together the most unlikely events and people into a neat package filled with salacious political corruption and organized crime. Theda threads racism, newly empowered white women, greedy white men, and self-serving politicians into the eye of a needle deeply embedded in the garments which clothe the players of speakeasies on Swing Street. The emerging new Northern black population collided with white, New York, high society, which was thirsty for a quasi-relationship with the "exotic" new Negro writers and musicians. Harlem vicariously became the cutting edge leader in interracial relationships, trendy clothing fads, raucous clubs with scantily clad chorus girls, and evolving jazz giants. Dr. Theda lays out a substantive pictorial format of Bill Saxton's rich past, which places him at the right place at the right time as the quintessential music steward of the legendary Bill's Place on Swing Street. Heirs to Dirty Linen and Harlem Ghosts is a must-read for the curious minds wanting a peek into familiar tales of American culture connected from a black woman's perspective. She breathes fresh air into the musician's unsettled spirit, which haunts Harlem. Thanks to her business acumen and Bill's talent, Swing Street via Bill's Place still perpetuates jazz music, which remains America's sole original artistic cultural contribution to the world. It swings.
Well-known New York photographer Harvey Stein documents the humanity and spirit of the people of Harlem in 166 beautiful black and white photographs taken over 23 years, from 1990 to 2013. The images are mostly close-up portraits that reveal the friendliness and warmth of this city's inhabitants, the vibrant and bustling vitality of the area, and the changing nature of the neighborhood. What may at first appear to be a casual encounter becomes a personal, intimate record, a meaningful collaboration between photographer and subject. With a population of nearly half a million people, Harlem is America's most celebrated African-American neighborhood. Its rich past and historical importance have made a unique contribution to our national popular culture. Stein's photographs capture and celebrate the Harlem spirit.
A collection of poetry from the award-winning, Jamaican-American author of Home to Harlem. In Harlem Shadows, poet and writer Claude McKay touches on a variety of themes as he celebrates his Jamaican heritage and sheds light on the Black American experience. While the title poem follows sex workers on the streets of Harlem in New York City, the sight of fruit in a window in “The Tropics of New York” reminds the author of his old life in Jamaica. “If We Must Die” was written in response to the Red Summer of 1919, when Black Americans around the country were attacked by white supremacists. And in “After the Winter,” McKay offers a feeling of hope. Born in Jamaica in 1889, McKay first visited the United States in 1912. He traveled the world and eventually became an American citizen in 1940. His work influenced the likes of James Baldwin and Richard Wright. “One of the great forces in bringing about . . . the Negro literary Renaissance.” —James Weldon Johnson, author of The Autobiography of an Ex–Colored Man “This is [McKay’s] first book of verse to be published in the United States, but it will give him the high place among American poets to which he is rightfully entitled.” —Walter F. White, author of Flight
Honorable Mention, 2016 Errol Hill Book Award for Outstanding Scholarship in African American Theater, Drama and/or Performance Based on a vast amount of archival research, Adrienne Macki Braconi’s illuminating study of three important community-based theaters in Harlem shows how their work was essential to the formation of a public identity for African Americans and the articulation of their goals, laying the groundwork for the emergence of the Civil Rights movement. Macki Braconi uses textual analysis, performance reconstruction, and audience reception to examine the complex dynamics of productions by the Krigwa Players, the Harlem Experimental Theatre, and the Negro Theatre of the Federal Theatre Project. Even as these theaters demonstrated the extraordinary power of activist art, they also revealed its limits. The stage was a site in which ideological and class differences played out, theater being both a force for change and a collision of contradictory agendas. Macki Braconi’s book alters our understanding of the Harlem Renaissance, the roots of the Civil Rights movement, and the history of community theater in America.