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A personal journey into a family’s history gradually becomes a historical investigation into the lesser known tragedy of the Nazi’s mass arrests of prominent French Jews and their imprisonment at the “camp of slow death” just fifty miles from Paris. “This story has haunted me since I was a child,” begins Anne Sinclair in a personal journey to find answers about her own life and about her grandfather’s, Léonce Schwartz. What her tribute reveals is part memoir, part historical documentation of a lesser known chapter of the Holocaust: the Nazi’s mass arrest, in French the word for this is rafle and there is no equivalent in English that captures the horror, on December 12, 1941 of influential Jews—the doctors, professors, artists and others at the upper levels of French society—who were then imprisoned just fifty miles from Paris in the Compiègne-Royallieu concentration camp. Those who did not perish there, were taken by the infamous one-way trains to Auschwitz; except for the few to escape that fate. Léonce Schwartz was among them.
In In the Shadows of Paris, the fifth installment in this c'est magnifique Victor Legris series by Claude Izner, a murderer is at large in belle-epoque Paris. In the turbulent Parisian summer of 1893,Victor Legris has vowed to his fiancée to give up the dangerous hobby of amateur sleuthing to concentrate on selling books. But a killer is at large, leaving mysterious references to a leopard in his notes, and intent on revenge for events that took place many years before during the Commune. When a bookbinder friend of Victor's dies in a house fire that does not seem to be accidental, the young bookseller feels impelled to resume his detective work and uncover the identity of the Batignolles predator. Alongside his trusty assistant Jojo, Victor embarks on a new investigation in the bourgeois quarters of Paris, where scoundrels abound and streethawkers call out their wares among market stalls, under the bloody shadow of the Commune.
The French Resistance has an iconic status in the struggle to liberate Nazi-occupied Europe, but its story is entangled in myths. Gaining a true understanding of the Resistance means recognizing how its image has been carefully curated through a combination of French politics and pride, ever since jubilant crowds celebrated Paris’s liberation in August 1944. Robert Gildea’s penetrating history of resistance in France during World War II sweeps aside “the French Resistance” of a thousand clichés, showing that much more was at stake than freeing a single nation from Nazi tyranny. As Fighters in the Shadows makes clear, French resistance was part of a Europe-wide struggle against fascism, carried out by an extraordinarily diverse group: not only French men and women but Spanish Republicans, Italian anti-fascists, French and foreign Jews, British and American agents, and even German opponents of Hitler. In France, resistance skirted the edge of civil war between right and left, pitting non-communists who wanted to drive out the Germans and eliminate the Vichy regime while avoiding social revolution at all costs against communist advocates of national insurrection. In French colonial Africa and the Near East, battle was joined between de Gaulle’s Free French and forces loyal to Vichy before they combined to liberate France. Based on a riveting reading of diaries, memoirs, letters, and interviews of contemporaries, Fighters in the Shadows gives authentic voice to the resisters themselves, revealing the diversity of their struggles for freedom in the darkest hours of occupation and collaboration.
EM Castellan's In the Shadow of the Sun is a sumptuous YA romantasy set in 17th century Versailles. It’s 1661 in Paris, and magicians thrill nobles with enchanting illusions. Exiled in France, 17-year-old Henriette of England wishes she could use her magic to gain entry at court. Instead, her plan is to hide her magical talents, and accept an arranged marriage to the French king’s younger brother. Henriette soon realizes her fiancé prefers the company of young men to hers, and court magicians turn up killed by a mysterious sorcerer who uses forbidden magic. When an accident forces Henriette to reveal her uniquely powerful gift for enchantments to Louis, he asks for her help: she alone can defeat the dark magician threatening his authority and aid his own plans to build the new, enchanted seat of his power--the Palace of Versailles.
One of the most urgent issues facing the world today is how countries shape historical memory in the aftermath of calamity, making decisions that cast long shadows into the future. Combining gripping storytelling with sharp observation, Erna Paris takes us on an extraordinary journey through four continents to explore how nations reinvent themselves after cataclysmic events. She travels through the United States, with its long-buried memory of slavery; to South Africa, where the Truth and Reconciliation Commission struggles to heal the wounds left by apartheid; to Japan, France, and Germany, where the unresolved pain of Hiroshima and the Holocaust still resonate; and to the former Yugoslavia, where she exposes the cynical shaping of historical memory. Through its insightful analysis, Long Shadows compels us to question where we stand as individuals in relation to our own collective histories. Erna Paris is the winner of ten national and international writing awards, three for Long Shadows. She is the author of six critically acclaimed books of literary non-fiction, including The End of Days: A Story of Tolerance, Tyranny and the Expulsion of the Jews from Spain, which won the 1996 Canadian National Jewish Book Award for History. She lives in Toronto. Winner of the Pearson Writers' Trust Non-Fiction Award, the inaugural Shaugnessy Cohen Prize for Political Writing, and the Dorothy Shoichet prize for history from the Canadian Jewish Book Awards. 'Long Shadows is magnificent. I would love to see this book taught in every history class in America.' - Iris Chang, author of The Rape of Nanking 'Enlightening...Riveting...Paris raises questions of enormous importance.' - Kirkus 'Paris convincingly demonstrates that memory is not only selective but subject to calculated efforts to serve personal needs and national interests.' - The Christian Science Monitor 'Erna Paris gives us a rich, if p
Renowned New Yorker cover illustrater Jean-Jacques Sempé illustrates the quirky charm of France's capital and it's residents with his signature style and gentle sense of humor and irony. His drawings are famed for their striking use of pen and ink, their inimitable style, and most of all for their satire and tragic-comic vision. The 128 drawings in this charming portfolio are sweet and sentimental. They somehow manage to be gentle even when the topic is difficult. They probe the quirkiness of life in Paris and wordlessly pinpoint the quintessential features of the City of Light, creating a world peopled by lovers strolling along the Seine, culture mavens preening in the Louvre, and characters who are ready to see the comic and the light-hearted beyond life's problems. Anyone who has fallen in love with Paris will be sure to cherish this charming keepsake.
“Kingdom of Shadows must be called a spy novel, but it transcends genre, as did some Graham Greene and Eric Ambler classics.”—The Washington Post Paris, 1938. As Europe edges toward war, Nicholas Morath, an urbane former cavalry officer, spends his days working at the small advertising agency he owns and his nights in the bohemian circles of his Argentine mistress. But Morath has been recruited by his uncle, Count Janos Polanyi, a diplomat in the Hungarian legation, for operations against Hitler’s Germany. It is Morath who does Polanyi’s clandestine work, moving between the beach cafés of Juan-les-Pins and the forests of Ruthenia, from Czech fortresses in the Sudetenland to the private gardens of the déclassé royalty in Budapest. The web Polanyi spins for Morath is deep and complex and pits him against German intelligence officers, NKVD renegades, and Croat assassins in a shadow war of treachery and uncertain loyalties, a war that Hungary cannot afford to lose. Alan Furst is frequently compared with Eric Ambler, Graham Greene, and John le Carré, but Kingdom of Shadows is distinctive and entirely original. It is Furst at his very best. Praise for Kingdom of Shadows “Kingdom of Shadows offers a realm of glamour and peril that are seamlessly intertwined and seem to arise effortlessly from the author’s consciousness.”—Janet Maslin, The New York Times “Subtly spun, sensitive to nuances, generous with contemporary detail and information discreetly conveyed. . . . It’s hard to overestimate Kingdom of Shadows.”—Eugen Weber, Los Angeles Times “A triumph: evocative, heartfelt, knowing and witty.”—Robert J. Hughes, The Wall Street Journal “Imagine discovering an unscreened espionage thriller from the late 1930s, a classic black- and- white movie that captures the murky allegiances and moral ambiguity of Europe on the brink of war. . . . Nothing can be like watching Casablanca for the first time, but Furst comes closer than anyone has in years.”—Walter Shapiro, Time
The book is a landmark volume which examines perplexing tourism debates such as the relevance of mass tourism, climate change, authenticity, tourism and poverty and slow tourism. Multidisciplinary in content, it covers applied aspects of sociology, anthropology, humanities and biosciences. The book is unique in its presentation and style and will be an essential resource for scholars, academics and practitioners.
Paris, 1989: Alone in her luminous apartment on Île Saint-Louis, Sylvie discovers a mysterious letter among her late lover Julien’s possessions, launching her into a decades-old search for a child who vanished in the turbulence of the Second World War. She is unaware that she is watched over by Julien’s ghost, his love for her powerful enough to draw him back to this world, though doomed now to remain a silent observer. Sylvie’s quest leads her deep into the secrets of Julien’s past, shedding new light on the dark days of Nazi-occupied Paris. A timeless story of love and loss, Haunting Paris matches emotional intensity with lyrical storytelling to explore grief, family secrets, and the undeniable power of memory.
One of the greatest historians of French history reflects on the ways that the French Revolution continues to resonate in France and throughout the world.