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And she argues that political figures used this definitional power of the Inquisition to control local populations and to increase their own authority.".
The figuration of the Virgin Mary was often contradictory in medieval texts and theological, philosophical and social perceptions of her greatly influenced both sacred and secular literature.
"Stay very close to Our Lady. If you do this, you can do great things for God and the good of people." -- Mother Teresa of Calcutta As it was for Mother Teresa, so it can be for the rest of us. By standing close to Our Lady we can find the grace and courage to overcome our own personal trials and crosses. Summon the same powerful presence and aid of Our Lady by following the example of Mother Teresa. "Sitting with Mother Teresa, watching her tend to the sick and the dying, feeling the aura of holiness around her person, seeing her bent in prayer, lost in God -- how often I asked myself if I was not seeing something of Our Lady, experiencing a glimpse of the Virgin of Nazareth." -- Joseph Langford, MC, author and co-founder of the Missionaries of Charity Fathers
Independence in the Albanian mountains means a vow to become a man--independence in America means reclaiming her womanhood.
These stories of myth and resurrection, of uncanny events and violent impulse, were with one exception written and published in the latter half of the 1920s.
Looks at the depiction and meaning of shadows in the history of Western art
Who's the black private dick that's a sex machine with all the chicks? Shaft! Created by author Ernest Tidyman, and made famous in a series of novels and films, iconic hero Shaft makes his comic book debut in an all-new adventure. He's gone toe-to-toe with organized crime bosses, stood up to the cops, squared off against kidnappers, and foiled assassination attempts. But who was John Shaft before he became the hardboiled investigator with a reputation as big as New York City itself?
"This translation, titled The Substance and the Shadow, also brings to the foreground the effects of a burgeoning capitalist economy on the artistic practices of the period. With changes in the Salon and the dealer system, art in France was no longer reserved for the privileged few, and artists increasingly found themselves attempting to appeal to the merchant classes. Art had become a commercial endeavor in ways never before imagined, and the story details Rambert's - and, by extension, Cezanne's - attempts to cope with the shift." "In an introductory essay, Paul Smith discusses the nature of the roman a clef and its use as a historical document, and provides an examination of the relationship between Roux's characters and their real-life counterparts."--BOOK JACKET.