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The behaviour of many Poles towards the Jewish population during the Nazi occupation of Poland has always been a controversial issue. Although the Poles are supposed not to have collaborated with the invaders, there is evidence to show that in respect of the Jewish population, the behaviour of many Poles, including members of the underground, was far from exemplary. Poland is also the only European country where Jews were being murdered after the end of the war and where strong anti-Semitic tendencies are still present. This book analyses this question in an historical context and attempts to offer an explanation for the phenomenon of Polish anti-Semitism during and after the end of the war. The work is based on recently uncovered documents as well as on personal accounts of witnesses to the events during the war.
Studying the German-Polish ethnic relations, this book analyses the people and region through their respective borderlands, migration, official cooperation and unofficial suspicions across the border. The main conclusion is that, while officialdom is generally keen to develop cross-border ties, which ordinary people do take advantage of, these tend to be much more sceptical of the potential impact to their lives in what remains an economically depressed area despite cross-border cooperation having been possible for several decades.
“UNTIL the Treaty of Versailles the Polish nation was without a country. For more than a century the buffer-state of Central Europe had no representation on the map. Today when the area, population and resources must be recognized and her strategic position taken into account, Poland remains to many people of the Western world merely the name of a country. That is the reason for this book. It is not intended as a history of Poland nor yet is it an exhaustive treatise on the cultural or economic conditions of the country. It is written rather to bring before the reader data and facts about Poland, interesting facts about a country that is both ancient and new; facts about a people whose history goes back to the twilight of fable; facts about a people who left an indelible mark on the pages of European history. “From her earliest days Poland possessed a world of folklore and legends which with her growth as a nation closely united with her history, have become a part of the everyday life of her people. These legends, to some extent, explain the patriotism and love of their country which is one of the chief characteristics of the Poles. “It is the hope of the author that this book will prove as interesting and entertaining to the reader as was his contact with this fascinating country and its people.”
Poland, 1918-1945 is a challenging, revisionist analysis and interpretation, supported by documentary evidence, of a crucial and controversial period in Poland's recent history.
Based on extensive range of Polish, British, German, Jewish and Ukranian primary and secondary sources, this work provides an objective appraisal of the inter-war period. Peter Stachura demonstrates how the Republic overcame giant obstacles at home and abroad to achieve consolidation as an independent state in the early 1920s, made relative economic progress, created a coherent social order, produced an outstanding cultural scene, advanced educational opportunity, and adopted constructive and even-handed policies towards its ethnic minorities. Without denying the defeats suffered by the Republic, Peter Stachura demonstrates that the fate of Poland after 1945, with the imposition of an unwanted, Soviet-dominated Communist system, was thoroughly undeserved.
During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska's The Last Stage (1948) and Aleksander Ford's Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda's A Generation (1955) and Andrzej Munk's The Passenger (1963). Between 1965 and 1980 there was an "organized silence" regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieślowski's Decalogue 8 (1988), Andrzej Wajda's Korczak (1990), Jan Jakub Kolski's Keep Away from the Window (2000), and Roman Polański's The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland's national memory.
Being Polish is no joke. For ten million people of Polish ancestry in the United States, as well as many who have settled in the UK since the fall of communism, it is a heartfelt matter -- and amid all the travel guides and guides to Polish language, folklore, and customs, there is no single, comprehensive, reader-friendly and yet ever-informative reference on what it means to be Polish. Enter The Essential Guide to Being Polish -- the go-to concise resource for anyone looking to reconnect with their culture or, indeed, hoping that their friends, children, or colleagues learn something about their heritage. Divided into three sections to make for an easy-to-follow format -- Poland in Context, Poles in Poland, and Poles Abroad -- this guide covers just about everything and does so in a style that is at once entertaining and informative: the country's history and geography, wars, Jews in Poland, the communist past, the post-communist past and present, language, kings and queens, religion/Catholicism (with special focus on Pope John Paul II), holidays, food, and drink. What is a real Polish wedding all about? That, too, is addressed succinctly and with flair in this guide. Other chapters cover literature, music, art, famous scientists, Polish men and Polish women, Poles in America, Poles in the UK, Poles and the EU, and last but not least, Polish pride. From the Trade Paperback edition.
This is the story of my mothers life, woven from fragments of her memories as she told them to me over the years. Hers was a life caught in the turbulent currents of the twentieth century in which Communism, Zionism, Fascism and anti-Semitism all played their part. It was a life scarred deeply by the Second World War. This book stems from a desire to reassure her that her experiences as a young Jewish mother fighting to save the life of her new-born infant (myself) in Nazi-occupied Poland will not be forgotten. Mothers story, told and filtered through her daughters eyes, inevitably becomes the daughters story as well, particularly in the final, post-war section of the book when the daughter is no longer just a listener but a participant in the events described here. For her the writing of this book opened a way to explore the complex legacy of the second generation, of being born to parents who were Holocaust survivors.
Most Holocaust scholars and survivors contend that the event was so catastrophic and unprecedented that it defies authentic representation in feature films. Yet it is precisely the extremity of 'the Final Solution' and the issues it raised that have fueled the cinematic imagination since the end of World War II. Recognizing that movies reach a greater audience than eyewitness, historical, or literary accounts, Lawrence Baron argues that they mirror changing public perceptions of the Holocaust over time and place. After tracing the evolution of the most commonly employed genres and themes in earlier Holocaust motion pictures, he focuses on how films from the l990s made the Holocaust relevant for contemporary audiences. While genres like biographical films and love stories about doomed Jewish-Gentile couples remained popular, they now cast Jews or non-Jewish victims like homosexuals in lead roles more often than was the case in the past. Baron attributes the recent proliferation of Holocaust comedies and children's movies to the search for more figurative and age-appropriate genres for conveying the significance of the Holocaust to generations born after it happened. He contends that thematic shifts to stories about neo-Nazis, rescuers, survivors, and their children constitute an expression of the continuing impact the Holocaust exerts on the present. The book concludes with a survey of recent films like Nowhere in Africa and The Pianist.
This collection of essays by leading scholars in their fields provides the most comprehensive and up-to-date survey of Holocaust historiography available. Covering both long-established historical disputes as well as research questions and methodologies that have developed in the last decade's massive growth in Holocaust Studies, this collection will be of enormous benefit to students and scholars alike.