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The following is a record on the state of the Italian front during World War I, as documented by famed war correspondent E. Alexander Powell. Following secret promises made by the Allies in the Treaty of London, Italy entered the war aiming to annex the Austrian Littoral, northern Dalmatia, and the territories of present-day Trentino and South Tyrol. Although Italy had hoped to gain the territories with a surprise offensive, the front soon bogged down into trench warfare, similar to that on the Western Front in France, but at high altitudes and with very cold winters. Fighting along the front displaced much of the local population, and several thousand civilians died from malnutrition and illness in Italian and Austro-Hungarian refugee-camps. The Allied victory at Vittorio Veneto, the disintegration of the Habsburg empire, and the Italian capture of Trento and Trieste eventually ended the military operations.
Continues the account of operations in Italy from Operation DIADEM and the capture of Rome to the negotiations for the surrender of German armies in Italy.
This innovative exploration of the literature, history, and culture of the Apennines links a twenty-first century journey along the walking trail of the 'Great Apennine Excursion' to accounts and discussions of past travellers--including pilgrims, merchants, tourists, soldiers, partisans, and poets--from the Medieval period up to World War Two.
"This volume pays tribute to the career and scientific accomplishments of Walter Alvarez with papers related to the many topics he has covered : tectonics of microplates, structural geology, paleomagnetics, Apennine sedimentary sequences, geoarchaeology and Roman volcanics, Big History, and the discovery of evidence for a large asteroidal impact event at the Cretaceous-Tertiary (now Cretaceous-Paleogene) boundary site in Gubbio, Italy"--
A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands. The only comprehensive work on painting written by a Dutch artist in the later seventeenth century, Samuel van Hoogstraten’s Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy of Painting; or, The Visible World, 1678) has long served as a source of valuable insights on a range of topics, from firsthand reports of training in Rembrandt’s studio to contemporary engagements with perspective, optics, experimental philosophy, the economics of art, and more. Van Hoogstraten’s magnum opus—here available in an English print edition for the first time—brings textual sources into dialogue with the author’s own experience garnered during a multifaceted career. Presenting novel twists on traditional topics, he makes a distinctive case for the status of painting as a universal discipline basic to all the liberal arts. Van Hoogstraten’s arguments for the authority of what painters know about nature and art speak to contemporary notions of expertise and to the unsettled relations between theory and practice, making this book a valuable document of the intertwined histories of art and knowledge in the seventeenth century.
[Includes 16 maps and 94 illustrations] "Wars should be fought," an American corps commander noted in his diary during the campaign in Italy, "in better country than this." It was indeed an incredibly difficult place to fight a war. The Italian peninsula is only some 150 miles wide, much of it dominated by some of the world’s most precipitous mountains. Nor was the weather much help. It seemed to those involved that it was always either unendurably hot or bone-chilling cold. Yet American troops fought with remarkable courage and tenacity, and in company with a veritable melange of Allied troop... Despite the forbidding terrain, Allied commanders several times turned it to their advantage, achieving penetrations or breakthroughs over some of the most rugged mountains in the peninsula. To bypass mountainous terrain, the Allies at times resorted to amphibious landings, notably at Anzio...The campaign involved one ponderous attack after another against fortified positions: the Winter Line, the Gustav Line, the Gothic Line... It was also a campaign replete with controversy...Most troublesome of the questions that caused controversy were: Did the American commander, Mark Clark, err in focusing on the capture of Rome rather than conforming with the wishes of his British superior to try to trap retreating German forces? Did Allied commanders conduct the pursuit north of Rome with sufficient vigor? Indeed, should the campaign have been pursued all the way to the Alps when the Allies might have halted at some readily defensible line and awaited the outcome of the decisive campaign in northwestern Europe? Just as the campaign began on a note of covert politico-military maneuvering to achieve surrender of Italian forces, so it ended with intrigue and secret negotiations for a separate surrender of the Germans in Italy.