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"A white teacher in a black women's college in New Orleans." Cf. Hanna, A. Mirror for the nation.
The Other Room is a sequel to Portraits in a Gallery where the stories of a number of portraits hanging on the walls in a gallery were discussed. This is not unlike Pictures at an Exhibition, a collection of descriptive musical pieces by Modest Moussorgsky on viewing his friends art works at an exhibition. The Other Room is the adjacent room to the main gallery where further portraits are being displayed. Each portrait is given a life of its own. It is hoped that for those who cannot see the actual portraits the description of the subjects will be even more complete than the viewing of them.
Three years after the sudden, mysterious death of their 1-year-old daughter Lily, Josef Coleman, a high-strung New York surgeon, and his editor wife Claudia Macinnes remain mired in anguish and grief. Their mourning has left them reaching out for different things in different ways: Josef for a primal, physical connection that Claudia can no longer bear, and Claudia for a connection of the soul that Josef has never really known how to offer. To numb his pain and attempt to fill the gaping hole of loss, Josef turns to a young surgical nurse named Kiera; Claudia, meanwhile, is drawn into what seems like an unrequited fantasy about her psychotherapist, Stuart. The time she spends in his office -- this sole "other room" where she can allow herself to project into the future -- becomes a rare bright spot in her weeks. The couple's extended families soon become implicated in the unraveling of their lives. Bit by bit, haunting pasts and their impact on the present are revealed, as is the chilling truth about Lily's death. Interwoven with Claudia's meticulous journal entries offering glimpses of a sunnier future, the story ultimately takes a surprising turn reaffirming that in tragedy's wake lie redemption, reckoning and peace.
A comforting bereavement gift book, consisting of a short sermon from Canon Henry Scott Holland.
A Short Read Thriller, which is intriguing and psychological. The work keeps the reader guessing throughout the book which partially forms a mystery, with exciting action and crime included in the plot. The work makes the reader think about chosen paths in life of the characters that evolve in the story.
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
Analyzing the impact of motherhood on a woman's life, this intriguing study investigates the relationships between new and experienced mothers. Acknowledging how beginning mothers are able to articulate, debate, and negotiate dimensions of their mothering experiences with other mothers, this discussion reviews the physical and social aspects of pregnancy, the daily work of new mothering, and the competing cultural constructions of motherhood. Examining a diverse group of first-time mothers and how they discussed their own experiences with what many have called "the mommies' club," this reference documents the results of their interactions--the sharing of information and resources, the establishment of hierarchies of authority within the community of mothers, and how women are able to discursively explore and construct their maternal identities. This study reveals how essential, valuable, and complex mothers' connections with other mothers are, and yet how wrought and ambivalent these relationships can be as well.
Creak... Crash... BOO! Shivering skeletons, ghostly pirates, chattering corpses, and haunted graveyards...all to chill your bones! Share these seven spine-tingling stories in a dark, dark room.
An uncanny exploration of desire, domestic space, isolation and voyeurism by a writer Borges loved--only now in English translation.
In the Upper Room and Other Likely Stories is the new collection of sixteen fantastic, ironic tales by Terry Bisson. Terry Bisson uses the fantastic genres as do Kurt Vonnegut or Harlan Ellison, and like them, he is one of the strikingly original voices in short fiction today, with an audience that transcends genre. "Particularly delightful," said The Christian Science Monitor of his first collection. Bisson writes entertaining and moving stories in a strong and unique voice. They are sharp, witty, subversive, and stylish. For instance: An Office Romance: a story of the private lives of icons on a computer desktop. First Fire: a scientist discovers a way to date burning flame's and tries it on one in an ancient temple, with astonishing results. Macs: clones of murderous criminals, with no human rights, are sent to be the property of their victims' families. From the author of "Bears Discover Fire," one of the most anthologized American short stories of the last decade, this is a collection of stories that originally appeared in sources as diverse as Asimov's SF, Playboy, Southern Exposure, and Crank! They are clever, slick, memorable, occasionally profound, and always surprising.