Download Free In The Name Of Salome Book in PDF and EPUB Free Download. You can read online In The Name Of Salome and write the review.

"Original and illuminating."—The New York Times Book Review In her most ambitious work since In the Time of Butterflies, Julia Alvarez tells the story of a woman whose poetry inspired one Caribbean revolution and of her daughter whose dedication to teaching strengthened another. Camila Henriquez Urena is about to retire from her longtime job teaching Spanish at Vassar College. Only now as she sorts through family papers does she begin to know the woman behind the legend of her mother, the revered Salome Urena, who died when Camila was three. In stark contrast to Salome, who became the Dominican Republic's national poet at the age of seventeen, Camila has spent most of her life trying not to offend anybody. Her mother dedicated her life to educating young women to give them voice in their turbulent new nation; Camila has spent her life quietly and anonymously teaching the Spanish pluperfect to upper-class American girls with no notion of revolution, no knowledge of Salome Urena. Now, in 1960, Camila must choose a final destination for herself. Where will she spend the rest of her days? News of the revolution in Cuba mirrors her own internal upheaval. In the process of deciding her future, Camila uncovers the truth of her mother's tragic personal life and, finally, finds a place for her own passion and commitment. Julia Alvarez has won a large and devoted audience by brilliantly illuminating the history of modern Caribbean America through the personal stories of its people. As a Latina, as a poet and novelist, and as a university professor, Julia Alvarez brings her own experience to this exquisite story. Julia Alvarez’s new novel, Afterlife, is available now.
'Sisters of Salome' explores how four influential dancers embraced the persona of the femme fatale & transformed the misogynist image of a dangerously sexual woman into a form of personal liberation.
As the ruler of Judea from 76 to 67 B.C.E., Queen Salome Alexandra (ca. 141 B.C.E.-67 B.C.E.) appointed the kingdom's high priest, led its men in battle, subjugated neighboring kings, and stopped the religious violence that plagued her society. Presiding over Judea's greatest period of peace and prosperity, she shaped the Judaism of Jesus' day as well as our own. Virtually unknown today, Queen Salome remained so unique that historians have largely ignored her rather than try to explain the perplexing circumstances that brought her to power. This volume recreates Queen Salome's fascinating life and the time in which she lived--an age when women ruled the Middle East.
Although the root of the Hebrew name “Salome” is “peaceful”, the image spawned by the most famous woman to carry that name has been anything but peaceful. She and her story have long been linked to the beheading of John the Baptist, as described in the Gospels of Matthew and Mark, since Salome was the supposed catalyst for the prophet’s execution. This history of the myth of Salome describes the process by which that myth was created, the roles that art, literature, theology and music played in that creation, and how Salome’s image as evil varied from one period to another according to the prevailing cultural myths surrounding women. After setting forth the Biblical and historical origins of the Salome story, the book examines the major cultural, literary and artistic works which developed and propagated it, including those by Filippo Lippi, Rogier van der Weyden, Titian, Moreau, Beardsley, Mallarmé, Wilde and Richard Strauss.
When the prophet Jokanaan is brought to the attention of the princess Salomé, he rebukes her interest, which causes her to make a brutal declaration.Oscar Wilde’s one-act tragedy explores the repercussions of her horrifying decision. Originally composed in French in 1892, Salomé is a controversial tale full of cruelty and retribution. Wilde expands on the Biblical story of John the Baptist, whom was captured and beheaded by Herod Antipas. It explores the interaction between the characters showing Salomé’s spiteful nature and Herod’s growing concern. It’s a bold adaptation of a somber tale that leaves a mark on all who read it. Salomé’s one-act story structure immediately dives into the strange dynamic amongst Herod and his family. Once Salomé’s bloodlust is apparent Herod’s forced to reconcile both of their futures. It’s a haunting drama that’s amplified by its Biblical setting and notable characters. With an eye-catching new cover, and professionally typeset manuscript, this edition of Salomé is both modern and readable.
"A Jewish girl from the slums marries a millionaire Gentile philanthropist, but leaves him to become a dress designer." Cf. Hanna, A. Mirror for the nation
Salomé: In Every Inch In Every Mile is Criss Jami's 1st poetry book. It contains a total of 65 poems, each followed by a brief word of thought.
How does literature imagine its own powers of representation? Françoise Meltzer attempts to answer this question by looking at how the portrait—the painted portrait, framed—appears in various literary texts. Alien to the verbal system of the text yet mimetic of the gesture of writing, the textual portrait becomes a telling measure of literature's views on itself, on the politics of representation, and on the power of writing. Meltzer's readings of textual portraits—in the Gospel writers and Huysmans, Virgil and Stendhal, the Old Testament and Apuleius, Hawthorne and Poe, Kafka and Rousseau, Walter Scott and Mme de Lafayette—reveal an interplay of control and subversion: writing attempts to veil the visual and to erase the sensual in favor of "meaning," while portraiture, with its claims to bringing the natural object to "life," resists and eludes such control. Meltzer shows how this tension is indicative of a politics of repression and subversion intrinsic to the very act of representation. Throughout, she raises and illuminates fascinating issues: about the relation of flattery to caricature, the nature of the uncanny, the relation of representation to memory and history, the narcissistic character of representation, and the interdependency of representation and power. Writing, thinking, speaking, dreaming, acting—the extent to which these are all controlled by representation must, Meltzer concludes, become "consciously unconscious." In the textual portrait, she locates the moment when this essential process is both revealed and repressed.
After Tyler's father is injured in a tractor accident, his family hires migrant Mexican workers to help save their Vermont farm from foreclosure. Tyler isn’ t sure what to make of these workers. Are they undocumented? And what about the three daughters, particularly Mari, the oldest, who is proud of her Mexican heritage but also increasingly connected her American life. Her family lives in constant fear of being discovered by the authorities and sent back to the poverty they left behind in Mexico. Can Tyler and Mari find a way to be friends despite their differences? In a novel full of hope, but no easy answers, Julia Alvarez weaves a beautiful and timely story that will stay with readers long after they finish it.
This vibrant, provocative début novel explores the dreams and struggles of three generations of Dominican women. Graciela, born on the outskirts of Santo Domingo at the turn of the century, is a headstrong adventuress who comes of age during the U.S. occupation. Too poor to travel beyond her imagination, she is frustrated by the monotony of her life, which erodes her love affairs and her relationship with Mercedes, her daughter. Mercedes, abandoned by Graciela at thirteen, turns to religion for solace and, after managing to keep a shop alive during the Trujillo dictatorship, emigrates to New York with her husband and granddaughter, Leila. Leila inherits her great-grandmother Graciela’s passion-driven recklessness. But, caught as she is between cultures, her freedom arrives with its own set of obligations and dangers.