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Winner of the Lannan Literary Award for Poetry (2017) Acclaimed poet Shane McCrae's latest collection is a book about freedom told through stories of captivity. Historical persona poems and a prose memoir at the center of the book address the illusory freedom of both black and white Americans. In the book's three sequences, McCrae explores the role mass entertainment plays in oppression, he confronts the myth that freedom can be based upon the power to dominate others, and, in poems about the mixed-race child adopted by Jefferson Davis in the last year of the Civil War, he interrogates the infrequently examined connections between racism and love. A reader's companion is available at wesleyan.edu/wespress/readerscompanions.
Spanning religious, historical, and political themes, a new collection from the award-winning poet I think now more than half Of life is death but I can’t die Enough for all the life I see In Sometimes I Never Suffered, his seventh collection of poems, Shane McCrae remains “a shrewd composer of American stories” (Dan Chiasson, The New Yorker). Here, an angel, hastily thrown together by his fellow residents of Heaven, plummets to Earth in his first moments of consciousness. Jim Limber, the adopted mixed-race son of Jefferson Davis, wanders through the afterlife, reckoning with the nuances of America’s racial history, as well as his own. Sometimes I Never Suffered is a search for purpose and atonement, freedom and forgiveness, imagining eternity not as an escape from the past or present, but as a reverberating record and as the culmination of time’s manifold potential to mend.
An incisive new collection of poetry on political and contemporary themes I’m made of murderers I’m made Of nobodies and immigrants and the poor and a whole / Family the mother’s liver and her lungs In The Gilded Auction Block, the acclaimed poet Shane McCrae considers the present moment in America on its own terms as well as for what it says about the American project and Americans themselves. In the book’s four sections, McCrae alternately responds directly to Donald Trump and contextualizes him historically and personally, exploding the illusions of freedom of both black and white Americans. A moving, incisive, and frightening exploration of both the legacy and the current state of white supremacy in this country, The Gilded Auction Block is a book about the present that reaches into the past and stretches toward the future.
New York Times bestselling author Hannah Howell pens a sweeping romance set against the breathtaking Scottish Highlands, where a young woman holding a warrior hostage tries to resist his passionate seduction . . . Lady Sorcha Hay is devastated to learn that English soldiers are holding her young brother captive. Penniless, the only way she can pay for his freedom is by taking a hostage for ransom herself. Her captive—a wounded knight plucked from the battlefield—is furious to be imprisoned by a woman. But nothing will stop Sorcha from keeping Sir Ruari Kerr enslaved, even as the sight of his bronzed body sets her mind reeling and her senses afire . . . With her dark mane and soft curves, Sorcha is everything Ruari has ever desired in a woman. As she tends to his wounds, Ruari fights the intense attraction that ignites at her very touch. But he can’t afford to lose his heart to his tempting captor. For when he’s finally rescued by his men, Sorcha will pay dearly for her treachery—and loving her could put both their lives in peril . . .
The story of the French Jean Weidner, the head of a resistance group, who saved the lives of many Jews during the Nazi occupation of France, Belgium and the Netherlands.
A stunning debut novel with an intriguing literary hook: written in part as a letter from a victim to her abductor. Sensitive, sharp, captivating!Gemma, 16, is on layover at Bangkok Airport, en route with her parents to a vacation in Vietnam. She steps away for just a second, to get a cup of coffee. Ty--rugged, tan, too old, oddly familiar--pays for Gemma's drink. And drugs it. They talk. Their hands touch. And before Gemma knows what's happening, Ty takes her. Steals her away. The unknowing object of a long obsession, Gemma has been kidnapped by her stalker and brought to the desolate Australian Outback. STOLEN is her gripping story of survival, of how she has to come to terms with her living nightmare--or die trying to fight it.
Serad is the powerful, handsome pirate whose relentless plundering is the stuff of legend--but only few know that his true identity is Lord Alexander Wakefield. His kidnapping as a child by Barbary pirates changed the course of his life. Now Serad is master of the seas, accustomed to possessing whatever--or whomever--strikes his fancy. . .. He Stole Her Freedom. . . When Serad boards the vessel La Mouette to loot for treasure, he discovers a cargo more precious than any trinket: the heiress Victoria Lawrence. A raven-haired, emerald-eyed beauty, Victoria captivates Serad as no woman ever has before. But the fiery young lady doesn't seem to understand that she is now a captive, expected to honor her new master's wishes and desires without question. . . But He Must Win Her Heart When Victoria set sail from India, she expected the voyage to deliver her into the arms of her betrothed--not a heartless gang of pirates. Now captured, she refuses to bow to any man, even one as commanding as Serad. Sharing his cabin, Victoria can barely resist her overwhelming attraction for her captor. But if she gives in to her desires, Victoria knows Serad will accept nothing less than her total surrender. . .
A teen is snatched outside her kung fu class and must figure out how to escape—and rescue another kidnapped victim—in The Girl in the White Van, a chilling YA mystery by New York Times bestselling author April Henry. When Savannah disappears soon after arguing with her mom’s boyfriend, everyone assumes she's run away. The truth is much worse. She’s been kidnapped by a man in a white van who locks her in an old trailer home, far from prying eyes. And worse yet, Savannah’s not alone: ten months earlier, Jenny met the same fate and nearly died trying to escape. Now as the two girls wonder if he will hold them captive forever or kill them, they must join forces to break out—even if it means they die trying. Christy Ottaviano Books
The Water Dancer meets The Prophets in this spare, gripping, and beautifully rendered novel exploring love and friendship among a group of enslaved Black strivers in the mid-19th century. They call themselves the Stolen. Their owners call them captives. They are taught their captors’ tongues and their beliefs but they have a language and rituals all their own. In a world that would be allegorical if it weren’t saturated in harsh truths, Cato and William meet at Placid Hall, a plantation in an unspecified part of the American South. Subject to the whims of their tyrannical and eccentric captor, Cannonball Greene, they never know what harm may befall them: inhumane physical toil in the plantation’s quarry by day, a beating by night, or the sale of a loved one at any moment. It’s that cruel practice—the wanton destruction of love, the belief that Black people aren’t even capable of loving—that hurts the most. It hurts the reserved and stubborn William, who finds himself falling for Margaret, a small but mighty woman with self-possession beyond her years. And it hurts Cato, whose first love, Iris, was sold off with no forewarning. He now finds solace in his hearty band of friends, including William, who is like a brother; Margaret; Little Zander; and Milton, a gifted artist. There is also Pandora, with thick braids and long limbs, whose beauty calls to him. Their relationships begin to fray when a visiting minister with a mysterious past starts to fill their heads with ideas about independence. He tells them that with freedom comes the right to choose the small things—when to dine, when to begin and end work—as well as the big things, such as whom and how to love. Do they follow the preacher and pursue the unknown? Confined in a landscape marked by deceit and uncertainty, who can they trust? In an elegant work of monumental imagination that will reorient how we think of the legacy of America’s shameful past, Jabari Asim presents a beautiful, powerful, and elegiac novel that examines intimacy and longing in the quarters while asking a vital question: What would happen if an enslaved person risked everything for love?
Kidnapped as a teenage girl, Ma has been locked inside a purpose built room in her captor's garden for seven years. Her five year old son, Jack, has no concept of the world outside and happily exists inside Room with the help of Ma's games and his vivid imagination where objects like Rug, Lamp and TV are his only friends. But for Ma the time has come to escape and face their biggest challenge to date: the world outside Room.