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After Abbie Devereaux escapes a kidnapper, no one seems to believe her. Even worse, Abbie can't remember anything prior to her abduction. Determined to prove she was kidnapped, Abbie sets out to retrace her steps--and comes face-to-face with a very real psycho-killer. Only this time, she refuses to be his victim.
A dazzling story of fathers, sons, and brothers - bound by love, divided by history. The Auberons are a lovably neurotic, infernally intelligent family who love and hate each other-and themselves -- in equal measure. Driven both by grief at his young mother's death and war with his distant, abusive immigrant father, patriarch Isidore almost attains the life of his dreams: he works his way through Harvard and then medical school; he marries a beautiful and even-keeled girl; in his father-in-law, he finds the father he always wanted; and he becomes a father himself. He has talent, but he also has rage, and happiness is not meant to be his for very long. Isidore's sons, Leo and Mack, haunted by the mythic, epic proportions of their father's heroics and the tragic events that marked their early lives, have alternately relied upon and disappointed one another since the day Mack was born. For Leo, who is angry at the world but angrier at himself, the burden of the past shapes his future: sexual awakening, first love, and restless attempts live up to his father's ideals. Just when Leo reaches a crossroads between potential self-destruction and new freedom, Mack invites him on a road trip from Los Angeles to Cleveland. As the brothers make their way east, and towards understanding, their battles and reconciliations illuminate the power of family to both destroy and empower-and the price and rewards of independence. Part family saga, part coming-of-age story, In the Land of the Living is a kinetic, fresh, bawdy yet earnest shot to the heart of a novel about coping with death, and figuring out how and why to live.
What if there were an Afterworld? Not Heaven or Hell in the conventional sense, but a place where everyone who has ever lived reawakens when they die, to live again and die again and live again, seemingly forever. This is the premise of Robert Silverberg's brilliantly inventive new fantasy novel. The central character is the legendary warrior-king Gilgamesh, who has been in the Afterworld longer than almost anyone else save the Hairy Men from before the Flood, and who in recent centuries (insofar as you can count time) has seen it change beyond recognition, as the newly dead from industrial times import their machinery, their weaponry and their attitudes. Gilgamesh's adventures in the course of the novel take him to the Afterworld realms of other quasi-mythical figures like Prester John and Simon Magus, bring him into contact with such figures from more recent history as Walter Ralegh and Pablo Ruiz (known to some as Picasso), and eventually send him in search of a gateway which is rumoured to exist somewhere in the land of the dead - a gateway which leads back to the land of the living.
From a variety of methodological perspectives, contributors to Living on the Land explore the nature and scope of Indigenous women’s knowledge, its rootedness in relationships, both human and spiritual, and its inseparability from land and landscape. The authors discuss the integral role of women as stewards of the land and governors of the community and points to a distinctive set of challenges and possibilities for Indigenous women and their communities.
'Vivid, illuminating and unbearably tense ... A masterly meditation on trauma, on beauty, on the idea of home and the limits of love' GuardianCharlie's experiences at the Battle of Kohima and the months he spent lost in the remote jungles of Nagaland during the Second World War are now history. Home and settled on a farm in Norfolk and newly married to Claire, he is one of the lucky survivors. Starting a family and working the land seem the best things a man can be doing. But a chasm exists between them. Memories flood Charlie's mind; at night, on rain-slicked roads and misty mornings in the fields, the past can feel more real than the present. Though hidden even to himself, the darkest secrets of Charlie's adventures in the strange and shadowy ridges of the Nagaland mountains, his dream-like encounters with the mysterious and ancient tribesmen, leak and bleed through his consciousness. What should be said and what left unsaid? Is it possible to forge a new life in the wake of unfathomable horror? A beautifully conceived, deftly controlled and delicately wrought meditation on the isolating impact of war, the troubling legacies of colonialism and the inescapable reach of the past, Georgina Harding's haunting, lyrical novel questions the very nature of survival, and what it is that the living owe the dead.
Living in the Land of Limbo is the first anthology of short stories and poems about family caregivers. These men and women find themselves in "limbo," as they struggle to take care of a family member or friend in the uncertain world of chronic illness. The authors explore caregivers' experiences as they deal with family conflicts, the complexities of the health care system, and the impact of their choices on their lives and the lives of others. The book includes selections devoted to caregivers of aging parents; husbands and wives; ill children; and relatives, lovers, and friends. A final section is devoted to paid caregivers and their clients. Among the conditions that form the background of the selections are dementia, HIV/AIDS, mental illness, multiple sclerosis, and pediatric cancer. Many of the authors are well-known poets and writers, but others have not been published in mainstream media. They represent a range of cultural backgrounds. Although their works approach caregiving in very different ways, the authors share a commitment to emotional truth, unvarnished by societal ideals of what caregivers should feel and do. These stories and poems paint profoundly moving and revealing portraits of family caregivers.
"If required to summarize my deepest conviction in a single sentence, it would be something like this: I believe that God is more taken with the agony of the earth than with the ecstasy of heaven." So begins the preface to In the Land of the Living: Prayers Personal and Public by Kenneth L. Sehested. What follows from that conviction is a collection of prayers and poems, most of which are "inspired by" one or more particular biblical texts and many of which were originally written for use in Sehested's own congregation. Sehested's lifelong work as a justice and peace organizer informs his "poetic eloquence," which, in the words of one reviewer, produces reflections on Scripture that create "a flash of insight, a bolt of courage, a stretch of imagination, a surprising peek into the heart of God" and "cries out against second-hand convictions." In the Land of the Living (Ps 27:13) represents a significant addition to that tradition of spirituality which takes seriously both the pain of the world and the claim of a God at work disarming both the heart and the nations. Indeed, "These prayers are jumper cables from the pew to the world."
With the Indian Removal Act of 1830, the Choctaw people began their journey over the Trail of Tears from their homelands in Mississippi to the new lands of the Choctaw Nation. Suffering a death rate of nearly 20 percent due to exposure, disease, mismanagement, and fraud, they limped into Indian Territory, or, as they knew it, the Land of the Dead (the route taken by the souls of Choctaw people after death on their way to the Choctaw afterlife). Their first few years in the new nation affirmed their name for the land, as hundreds more died from whooping cough, floods, starvation, cholera, and smallpox. Living in the Land of the Dead depicts the story of Choctaw survival, and the evolution of the Choctaw people in their new environment. Culturally, over time, their adaptation was one of homesteads and agriculture, eventually making them self-sufficient in the rich new lands of Indian Territory. Along the Red River and other major waterways several Choctaw families of mixed heritage built plantations, and imported large crews of slave labor to work cotton fields. They developed a sub-economy based on interaction with the world market. However, the vast majority of Choctaws continued with their traditional subsistence economy that was easily adapted to their new environment. The immigrant Choctaws did not, however, move into land that was vacant. The U.S. government, through many questionable and some outright corrupt extralegal maneuvers, chose to believe it had gained title through negotiations with some of the peoples whose homelands and hunting grounds formed Indian Territory. Many of these indigenous peoples reacted furiously to the incursion of the Choctaws onto their rightful lands. They threatened and attacked the Choctaws and other immigrant Indian Nations for years. Intruding on others’ rightful homelands, the farming-based Choctaws, through occupation and economics, disrupted the traditional hunting economy practiced by the Southern Plains Indians, and contributed to the demise of the Plains ways of life.
It is said that when the world dies, the spirits of the first people will return to witness the last days of humanity. Well, the spirits have arrived, and the end is here. But not everyone has given up hope. Naledi, a teenage girl living in the deserted city once called Johannesburg, has always believed that there is a land, hidden away in time where the gods still live. And where there are gods, there are miracles. Perhaps even miracles that are big enough to save our dying planet. And so, after a lifetime of isolation, Naledi will head out into the unknown with little to hold onto but her faith - and her magical pet plant, Buyo. A fairy tale for the times in which we find ourselves, brought to life by South African writer and producer Isaac Mogajane (Matwetwe, Catching Feelings) and Brazilian artist Santtos (Night Shift), LAND OF THE LIVING GODS will introduce you to a world of wonder and cruelty, beauty and perseverance - and will leave you profoundly changed.
Why is Saskatoon called the "Bridge City"? Who were the first inhabitants of Saskatchewan? Where can you find rare plants such as the Prickly Pear Cactus and the Gumbo Evening Primrose? Discover the answers to these questions, along with other facts, in L is for Land of Living Skies: A Saskatchewan Alphabet. Readers young and old can visit the RCMP Heritage Centre in Regina, study the rare flora and fauna of the Cypress Hills Forest Reserve, enjoy the music at the John Arcand Fiddle Fest, or sample the delights of the Qu'Appelle Valley. From the healing waters of Little Manitou Lake to the otherworldly spectacle of the Northern Lights, everyone will enjoy this alphabetical journey that showcases the riches of Saskatchewan. Linda Aksomitis's young adult novel, Snowmobile Challenge, was a finalist for best children's book in the 2003 Saskatchewan Book Awards. L is for Land of Living Skies is her first picture book. Currently she lives in Qu'Appelle, Saskatchewan. She travels frequently, giving author talks and lectures and researching future projects. Lorna Bennett attended Grant MacEwan College and the University of Alberta in the Arts/Fine Arts programs. In addition to L is for Land of Living Skies, she also illustrated C is for Chinook: An Alberta Alphabet and M is for Mountie: An RCMP Alphabet. Lorna lives in Edmonton, Alberta.