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A wickedly smart, funny, and irresistibly off-kilter account of an improbable thousand-mile journey on foot into the heart of modern Florida, the state that Russell calls "America Concentrate." In the summer of 2016, Kent Russell--broke, at loose ends, hungry for adventure--set off to walk across Florida. Mythic, superficial, soaked in contradictions, maligned by cultural elites, segregated from the South, and literally vanishing into the sea, Florida (or, as he calls it: "America Concentrate") seemed to Russell to embody America's divided soul. The journey, with two friends intent on filming the ensuing mayhem, quickly reduces the trio to filthy drifters pushing a shopping cart of camera equipment. They get waylaid by a concerned citizen bearing a rifle; buy cocaine from an ex-wrestler; visit a spiritual medium. The narrative overflows with historical detail about how modern Florida came into being after World War II, and how it came to be a petri dish for life in a suddenly, increasingly diverse new land of minority-majority cities and of unrivaled ethnic and religious variety. Russell has taken it all in with his incomparably focused lens and delivered a book that is both an inspired travelogue and a profound rumination on the nation's soul--and his own. It is a book that is wildly vivid, encyclopedic, erudite, and ferociously irreverent--a deeply ambivalent love letter to his sprawling, brazenly varied home state.
From a variety of methodological perspectives, contributors to Living on the Land explore the nature and scope of Indigenous women’s knowledge, its rootedness in relationships, both human and spiritual, and its inseparability from land and landscape. The authors discuss the integral role of women as stewards of the land and governors of the community and points to a distinctive set of challenges and possibilities for Indigenous women and their communities.
With a chirp, a smirk, and a nod, Kent Russell crisscrosses the country, seeking immersive experiences and revelations on society’s ragged edge. He pitches a tent among the Insane Clown Posse’s fans, known as Juggalos, treks to the end of the continent to find out how a legendary hockey enforcer is preparing for his own death, and explores the Amish obsession with baseball as well as his own obsession with horror, blood, and guts. Between these reports from the world at large, Russell introduces us to his raging and inimitable forebears—above all, his large-living, volatile, hard-as-nails dad. I Am Sorry to Think I Have Raised a Timid Son is a haunting and howling portrait of America—and American manhood—and the introduction of a ferociously brilliant new voice navigating the junctures between savagery and civilization within himself.
A dazzling story of fathers, sons, and brothers - bound by love, divided by history. The Auberons are a lovably neurotic, infernally intelligent family who love and hate each other-and themselves -- in equal measure. Driven both by grief at his young mother's death and war with his distant, abusive immigrant father, patriarch Isidore almost attains the life of his dreams: he works his way through Harvard and then medical school; he marries a beautiful and even-keeled girl; in his father-in-law, he finds the father he always wanted; and he becomes a father himself. He has talent, but he also has rage, and happiness is not meant to be his for very long. Isidore's sons, Leo and Mack, haunted by the mythic, epic proportions of their father's heroics and the tragic events that marked their early lives, have alternately relied upon and disappointed one another since the day Mack was born. For Leo, who is angry at the world but angrier at himself, the burden of the past shapes his future: sexual awakening, first love, and restless attempts live up to his father's ideals. Just when Leo reaches a crossroads between potential self-destruction and new freedom, Mack invites him on a road trip from Los Angeles to Cleveland. As the brothers make their way east, and towards understanding, their battles and reconciliations illuminate the power of family to both destroy and empower-and the price and rewards of independence. Part family saga, part coming-of-age story, In the Land of the Living is a kinetic, fresh, bawdy yet earnest shot to the heart of a novel about coping with death, and figuring out how and why to live.
Living in the Land of Limbo is the first anthology of short stories and poems about family caregivers. These men and women find themselves in "limbo," as they struggle to take care of a family member or friend in the uncertain world of chronic illness. The authors explore caregivers' experiences as they deal with family conflicts, the complexities of the health care system, and the impact of their choices on their lives and the lives of others. The book includes selections devoted to caregivers of aging parents; husbands and wives; ill children; and relatives, lovers, and friends. A final section is devoted to paid caregivers and their clients. Among the conditions that form the background of the selections are dementia, HIV/AIDS, mental illness, multiple sclerosis, and pediatric cancer. Many of the authors are well-known poets and writers, but others have not been published in mainstream media. They represent a range of cultural backgrounds. Although their works approach caregiving in very different ways, the authors share a commitment to emotional truth, unvarnished by societal ideals of what caregivers should feel and do. These stories and poems paint profoundly moving and revealing portraits of family caregivers.
After Abbie Devereaux escapes a kidnapper, no one seems to believe her. Even worse, Abbie can't remember anything prior to her abduction. Determined to prove she was kidnapped, Abbie sets out to retrace her steps--and comes face-to-face with a very real psycho-killer. Only this time, she refuses to be his victim.
The journey of Jeanine Kitchel and her husband as they traveled to the Yucatan in 1985 and a decade later, left their Silicon Valley jobs to pursue a relaxed lifestyle in Puerto Morelos, a small fishing village on the Quintana Roo Coast south of Cancun.
This book presents a visionary concept for future development of space travel. It describes the enabling technology for future propulsion concepts and demonstrates how mankind will ‘live off the land in space’ in migration from Earth. For the next few millennia at least (barring breakthroughs), the human frontier will include the solar system and the nearest stars. Will it be better to settle the Moon, Mars, or a nearby asteroid and what environments can we expect to find in the vicinity of nearby stars? These are questions that need to be answered if mankind is to migrate into space.
When he first envisioned becoming a farmer, author Emmet Van Driesche never imagined his main crop would be Christmas trees, nor that such a tree farm could be more of a managed forest than the conventional grid of perfectly sheared trees. Carving Out a Living on the Land tells the story of how Van Driesche navigated changing life circumstances, took advantage of unexpected opportunities, and leveraged new and old skills to piece together an economically viable living, while at the same time respecting the land's complex ecological relationships. From spoon carving to scything, coppicing to wreath-making, Carving Out a Living on the Land proves that you don't need acres of expensive bottomland to start your land-based venture, but rather the creativity and vision to see what might be done with that rocky section or ditch or patch of trees too small to log. You can lease instead of buy; build flexible, temporary structures rather than sink money into permanent ones; and take over an existing operation rather than start from scratch. What matters are your unique circumstances, talents, and interests, which when combined with what the land is capable of producing, can create a fulfilling and meaningful farming life.
In this gripping and provocative “ethnography of death,” anthropologist and MacArthur "Genius" Fellow Jason De León sheds light on one of the most pressing political issues of our time—the human consequences of US immigration and border policy. The Land of Open Graves reveals the suffering and deaths that occur daily in the Sonoran Desert of Arizona as thousands of undocumented migrants attempt to cross the border from Mexico into the United States. Drawing on the four major fields of anthropology, De León uses an innovative combination of ethnography, archaeology, linguistics, and forensic science to produce a scathing critique of “Prevention through Deterrence,” the federal border enforcement policy that encourages migrants to cross in areas characterized by extreme environmental conditions and high risk of death. For two decades, systematic violence has failed to deter border crossers while successfully turning the rugged terrain of southern Arizona into a killing field. Featuring stark photography by Michael Wells, this book examines the weaponization of natural terrain as a border wall: first-person stories from survivors underscore this fundamental threat to human rights, and the very lives, of non-citizens as they are subjected to the most insidious and intangible form of American policing as institutional violence. In harrowing detail, De León chronicles the journeys of people who have made dozens of attempts to cross the border and uncovers the stories of the objects and bodies left behind in the desert. The Land of Open Graves will spark debate and controversy.