Download Free In The Jingle Jangle Jungle Keeping Time With The Brian Jonestown Massacre Book in PDF and EPUB Free Download. You can read online In The Jingle Jangle Jungle Keeping Time With The Brian Jonestown Massacre and write the review.

“They hated us and started throwing cups, bottles, change, chairs, and anything that wasn’t nailed down.” —Dean Ween This hilarious, sometimes horrifying, collection spans four decades and chronicles the craziest, druggiest, and most embarrassing concert moments in music history—direct from the artists who survived them. “In the midst of my insanity, I thought it would be a very romantic gesture to go into Fiona Apple’s dressing room and write a message on her wall in my own blood.” —Dave Navarro From wardrobe malfunctions to equipment failures, from bad decisions to even worse choices, this is a riveting look into what happens when things go wrong onstage and off. “Ozzy had a sixty-inch teleprompter with the song lyrics, and that got stolen, along with microphones, snare drums and cymbals. Our drummer at the time was stabbing people in the neck with his drumstick.” —Zakk Wylde No Encore! is an unflinchingly honest account of the shows that tested the dedication to a dream—from Alice Cooper’s python having a violent, gastric malfunction on stage to Lou Barlow’s disastrous attempt to sober up at Glastonbury, from Shirley Manson’s desperate search for a bathroom to the extraordinary effort made to awaken Al Jourgenson as Ministry was taking the stage. As Hunter S. Thompson famously wrote, “Buy the ticket, take the ride.” “I go to exit the venue, and there’s 25 people marching towards us. It’s about 3:00 AM, and they weren’t there to be nice. They were carrying bats, boards, chains, hammers, and they were coming for us.” —Dee Snider
The Brian Jonestown Massacre are probably best known for their leader Anton Newcombe’s incendiary persona, as captured in the controversial 2004 rockumentary Dig! - which won the Grand Jury Prize at Sundance - but what isn’t known is the truth behind the making of the film, or the true story of the band since their formation in early 1990s San Francisco. Until now. Writer, actor, and musician Jesse Valencia spent ten years uncovering the mysteries of the band and the film, during which time he has traveled from San Francisco to Denver, Portland to Tucson, and beyond, gathering pieces of the band’s history and putting them together, clue by clue, until he found it. Presented as a personal narrative and compiled from hundreds of sources and interviews with key members of The Brian Jonestown Massacre - including Joel Gion, Rick Maymi, Frankie Emerson, Jeff Davies, Dean Taylor, Miranda Lee Richards, and Peter Hayes - as well as members of The Dandy Warhols, Dig! director Ondi Timoner, and countless other figures from both the film and from the band’s greater history, Keep Music Evil is the definitive work on the band and their enigmatic leader. Keep Music Evil also tells the stories of the creation of every album the band have released during their three-decade career, offering insight in Anton and his collaborators’ working methods, and provides an in-depth look at the making of Dig!, giving deeper context to the events as portrayed, correcting misinformation, and deconstructing the film as a whole. It also features rare, candid, and never-before-seen photographs of the band from throughout their career.
“Fans of live music will get a kick out of” this Texas Country Music Hall of Famer’s “fond but brutally honest memories, playing gigs with Willie Nelson” (Publishers Weekly). When it comes to Texas honky-tonk, nobody knows the music or the scene better than Johnny Bush. Author of Willie Nelson’s classic concert anthem “Whiskey River,” and singer of hits such as “You Gave Me a Mountain” and “I’ll Be There,” Johnny Bush is a legend in country music, a singer-songwriter who has lived the cheatin’, hurtin’, hard-drinkin’ life and recorded some of the most heart-wrenching songs about it. He has one of the purest honky-tonk voices ever to come out of Texas. And Bush’s career has been just as dramatic as his songs—on the verge of achieving superstardom in the early 1970s, he was sidelined by a rare vocal disorder. But survivor that he is, Bush is once again filling dance halls across Texas and inspiring a new generation of musicians. In Whiskey River (Take My Mind), Johnny Bush tells the twin stories of his life and of Texas honky-tonk music. He recalls growing up poor and learning his chops in honky-tonks around Houston and San Antonio. Bush vividly describes life on the road in the 1960s as a band member for Ray Price and Willie Nelson. Woven throughout Bush's autobiography is the never-before-told story of Texas honky-tonk music, from Bob Wills and Floyd Tillman to Junior Brown and Pat Green. For everyone who loves genuine country music, Johnny Bush, Willie Nelson, and stories of triumph against all odds, Whiskey River (Take My Mind) is a must-read.
I can confirm that should you ever find yourself on stage playing the bass guitar with tree left hands, it is usually the one in the middle that is the real one. The other two are probably phantoms. Playing the Bass with Three Left Hands tells the story of one of the most influential, revered and ultimately demented British bands of the 1980s, Spacemen 3. In classic rock n roll style they split up on the brink of their major breakthrough. As the decade turned sour and acid house hit the news, Rugby's finest imploded spectacularly, with Jason Pierce (aka Jason Spaceman) and Pete Kember (aka Sonic Boom) going their separate ways. Here, Will Carruthers tells the whole sorry story and the segue into Spirtualised in one of the funniest and most memorable memoirs committed to the page.
Describes the experience of a young boy whose chronic ear infections are affecting his hearing, until he goes to the hospital for a simple operation.
From cult comedy icon and beloved radio host Tom Scharpling, an inspiring, funny, and thoughtful memoir It Never Ends is Tom Scharpling’s harrowing memoir of his coming of age, a story he has never told before. It’s the heartbreaking account of his attempt at suicide, two stays in a mental hospital, and the memory-wiping electroshock therapy that saved his life. After his rehabilitation, Scharpling committed himself to reinvention through the world of comedy. In this book he will lift the curtain on the turmoil that still follows him, despite all of his accolades and achievements. In the vein of candid memoirs from comedians like Mike Birbiglia's Sleepwalk with Me and Norm Macdonald's Based on a True Story, It Never Ends is a revealing book by a beloved comedy icon.
Sonny Rollins is arguably the most influential tenor saxophonist that jazz has produced. He began his musical career at the tender age of eleven, and within five short years he was playing with the legendary Thelonius Monk. In the late forties (before his twenty-first birthday), Rollins was in full swing, recording with jazz luminaries such as Charlie Parker, Bud Powell, Max Roach, Art Blakey, Miles Davis, and Fats Navarro. He was hailed as the best jazz tenor saxophonist alive during the years 1955 to 1959, when he was credited with pioneering the use of 3/4-time in bop music.Today, forty years later, Rollins's onstage appearances are eagerly anticipated events, where his compelling sound reaches a whole new generation of listeners. Renowned jazz writer Eric Nisenson has penned a long-overdue look at one of jazz music's brightest and most enduring stars.
Hard Rain ranges over thirty years of Bob Dylan's recordings, films, and concerts to deliver astute insights into—and sometimes heretical judgements of—his prodigious corpus of work. This updated edition includes a new epilogue that examines Dylan's thirtieth anniversary celebration in 1992; his albums Good As I Been to You, World Gone Wrong, and Time Out of Mind; his 1997 performance before the Pope; and his 1998 Grammy Award comeback. The result is unparalleled rock criticism.
Many today are familiar with the Broadway musical The Music Man, but few could name one prominent band director active in their own region during the early years of the twentieth century, when community bands were as important to mid-sized towns as professional sports teams are to large cities today. Among the most renowned in the Midwest in those days was G. Oliver Riggs, who was employed at one time or another by Crookson, Bemidji, Grand Forks, St. Cloud, and other cities, eventually building a reputation as one of the most successful directors of youth bands in the United States. But after his death in 1946, few people outside of St. Cloud, Minnesota, remembered his name or his reputation for building highly disciplined ensembles that provided an extra spark to many civic celebrations, while also instilling a love for music in several generations of young performers. Six decades later, in Crackerjack Bands and Hometown Boosters, journalist Joy Riggs set out to learn more about the life and achievements of G. Oliver-her great-grandfather. Riggs follows the career of G. Oliver, his talented wife Isla, and their children, through times of war, peace, economic hardship, and personal tragedy. She tracked down and interviews those who performed in G. Oliver's ensembles and scoured the daily newspapers of many small towns for information regarding his movements, contracts, performances, and rivalries. In so doing, she opens a window onto an aspect of American culture that cannot be adequately conveyed by listening to one or two John Phillip Sousa marches. Ultimately, this is a story about civic pride, community participation, and the power of music to transform lives and connect people across generations AUTHOR BIOGRAPHY: Joy Riggs grew up in Alexandria, Minnesota, and graduated from Drake University in Des Moines, Iowa, in 1990 with a bachelor's degree in news-editorial journalism. She specializes in writing about history, travel, and parenting. Her award-winning columns, essays, and articles have appeared in numerous publications, including the Star Tribune, Minnesota Parent, Minnesota Monthly, and the Des Moines Register. She lives in Northfield, Minnesota, where she serves on the boards of the Vintage Band Festival and the Northfield Historical Society. For more of her writing, visit joyriggs.com.