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“Here is Lincoln in the Bardo—for real. You couldn’t make it up—necromancers, mad actors, frauds, true believers, and, in the middle, the greatest President.” —Sidney Blumenthal, author of The Political Life of Abraham Lincoln The story of Abraham Lincoln as it has never been told before: through the strange, even otherworldly, points of contact between his family and that of the man who killed him, John Wilkes Booth. In the 1820s, two families, unknown to each other, worked on farms in the American wilderness. It seemed unlikely that the families would ever meet—and yet, they did. The son of one family, the famed actor John Wilkes Booth, killed the son of the other, President Abraham Lincoln, in the most significant assassination in American history. The murder, however, did not come without warning—in fact, it had been foretold. In the Houses of Their Dead is the first book of the many thousands written about Lincoln to focus on the president’s fascination with Spiritualism, and to demonstrate how it linked him, uncannily, to the man who would kill him. Abraham Lincoln is usually seen as a rational, empirically-minded man, yet as acclaimed scholar and biographer Terry Alford reveals, he was also deeply superstitious and drawn to the irrational. Like millions of other Americans, including the Booths, Lincoln and his wife, Mary, suffered repeated personal tragedies, and turned for solace to Spiritualism, a new practice sweeping the nation that held that the dead were nearby and could be contacted by the living. Remarkably, the Lincolns and the Booths even used the same mediums, including Charles Colchester, a specialist in “blood writing” whom Mary first brought to her husband, and who warned the president after listening to the ravings of another of his clients, John Wilkes Booth. Alford’s expansive, richly-textured chronicle follows the two families across the nineteenth century, uncovering new facts and stories about Abraham and Mary while drawing indelible portraits of the Booths—from patriarch Julius, a famous actor in his own right, to brother Edwin, the most talented member of the family and a man who feared peacock feathers, to their confidant Adam Badeau, who would become, strangely, the ghostwriter for President Ulysses S. Grant. At every turn, Alford shows that despite the progress of the age—the glass hypodermic syringe, electromagnetic induction, and much more—death remained ever-present, and thus it was only rational for millions of Americans, from the president on down, to cling to beliefs that seem anything but. A novelistic narrative of two exceptional American families set against the convulsions their times, In the Houses of Their Dead ultimately leads us to consider how ghost stories helped shape the nation.
In the 1820s, two families, unknown to each other, worked on farms in the American wilderness. It seemed unlikely that the families would ever meet—and yet, they did. The son of one family, the famed actor John Wilkes Booth, killed the son of the other, President Abraham Lincoln, in the most significant assassination in American history. The murder, however, did not come without warning—in fact, it had been foretold. In the Houses of Their Dead is the first book of the many thousands written about Lincoln to focus on the president’s fascination with Spiritualism, and to demonstrate how it linked him, uncannily, to the man who would kill him. Abraham Lincoln is usually seen as a rational, empirically-minded man, yet as acclaimed scholar and biographer Terry Alford reveals, he was also deeply superstitious and drawn to the irrational. Like millions of other Americans, including the Booths, Lincoln and his wife, Mary, suffered repeated personal tragedies, and turned for solace to Spiritualism, a new practice sweeping the nation that held that the dead were nearby and could be contacted by the living. Remarkably, the Lincolns and the Booths even used the same mediums, including Charles Colchester, a specialist in “blood writing” whom Mary first brought to her husband, and who warned the president after listening to the ravings of another of his clients, John Wilkes Booth. Alford’s expansive, richly-textured chronicle follows the two families across the nineteenth century, uncovering new facts and stories about Abraham and Mary while drawing indelible portraits of the Booths—from patriarch Julius, a famous actor in his own right, to brother Edwin, the most talented member of the family and a man who feared peacock feathers, to their confidant Adam Badeau, who would become, strangely, the ghostwriter for President Ulysses S. Grant. At every turn, Alford shows that despite the progress of the age—the glass hypodermic syringe, electromagnetic induction, and much more—death remained ever-present, and thus it was only rational for millions of Americans, from the president on down, to cling to beliefs that seem anything but. A novelistic narrative of two exceptional American families set against the convulsions their times, In the Houses of Their Dead ultimately leads us to consider how ghost stories helped shape the nation.
Please note: This is a companion version & not the original book. Sample Book Insights: #1 The minister found indifference, worldliness, and bigotry in Louisville. He thought that this was some practical joke being played on the greenest Yankee in the slaveholding city. But, no. Booth was deeply affected. #2 Junius Brutus Booth, an actor, immigrated to the United States in 1821 with his companion Mary Ann Holmes. They had ten children, including Edwin and John Wilkes. Their lives were destroyed by their father’s alcoholism and mental illness. #3 After the death of his children, Junius became extremely depressed. He blamed his manager, Thomas Hamblin, for eating pork, and he challenged him to a duel. #4 Edwin was born on the night of November 13, 1833. The Leonid Meteor Shower of 1833 occurred over his head, and some thought that those born with it were divinely favored.
There are many ways to show our devotion to an author besides reading his or her works. Graves make for popular pilgrimage sites, but far more popular are writers' house museums. What is it we hope to accomplish by trekking to the home of a dead author? We may go in search of the point of inspiration, eager to stand on the very spot where our favorite literary characters first came to life—and find ourselves instead in the house where the author himself was conceived, or where she drew her last breath. Perhaps it is a place through which our writer passed only briefly, or maybe it really was a longtime home—now thoroughly remade as a decorator's show-house. In A Skeptic's Guide to Writers' Houses Anne Trubek takes a vexed, often funny, and always thoughtful tour of a goodly number of house museums across the nation. In Key West she visits the shamelessly ersatz shrine to a hard-living Ernest Hemingway, while meditating on his lost Cuban farm and the sterile Idaho house in which he committed suicide. In Hannibal, Missouri, she walks the fuzzy line between fact and fiction, as she visits the home of the young Samuel Clemens—and the purported haunts of Tom Sawyer, Becky Thatcher, and Injun' Joe. She hits literary pay-dirt in Concord, Massachusetts, the nineteenth-century mecca that gave home to Hawthorne, Emerson, and Thoreau—and yet could not accommodate a surprisingly complex Louisa May Alcott. She takes us along the trail of residences that Edgar Allan Poe left behind in the wake of his many failures and to the burned-out shell of a California house with which Jack London staked his claim on posterity. In Dayton, Ohio, a charismatic guide brings Paul Laurence Dunbar to compelling life for those few visitors willing to listen; in Cleveland, Trubek finds a moving remembrance of Charles Chesnutt in a house that no longer stands. Why is it that we visit writers' houses? Although admittedly skeptical about the stories these buildings tell us about their former inhabitants, Anne Trubek carries us along as she falls at least a little bit in love with each stop on her itinerary and finds in each some truth about literature, history, and contemporary America.
Combining poetic language and the traditions of magic realism to paint a vivid portrait of her family, Pat Mora’s House of Houses is an unconventional memoir that reads as if every member, death notwithstanding, is in one room talking, laughing, and crying. In a salute to the Day of the Dead, the story begins with a visit to the cemetery in which all of her deceased relatives come alive to share stories of the family, literally bringing the food to their own funerals. From there the book covers a year in the life of her clan, revealing the personalities and events that Mora herself so desperately yearns to know and understand.
Features a biographical sketch of the American actor John Wilkes Booth (1838-1865). Notes that Booth shot and killed the U.S. President Abraham Lincoln on April 14, 1865.
#1 NEW YORK TIMES BESTSELLER More than ONE MILLION copies sold A TODAY Show Read with Jenna Book Club Pick A New York Times Notable Book, and Chosen by Oprah Daily, Time, NPR, The Washington Post, Bill Gates and Barack Obama as a Best Book of the Year “Wise and wildly entertaining . . . permeated with light, wit, youth.” —The New York Times Book Review “A classic that we will read for years to come.” —Jenna Bush Hager, Read with Jenna book club “Fantastic. Set in 1954, Towles uses the story of two brothers to show that our personal journeys are never as linear or predictable as we might hope.” —Bill Gates “A real joyride . . . elegantly constructed and compulsively readable.” —NPR The bestselling author of A Gentleman in Moscow and Rules of Civility and master of absorbing, sophisticated fiction returns with a stylish and propulsive novel set in 1950s America In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car. Together, they have hatched an altogether different plan for Emmett's future, one that will take them all on a fateful journey in the opposite direction—to the City of New York. Spanning just ten days and told from multiple points of view, Towles's third novel will satisfy fans of his multi-layered literary styling while providing them an array of new and richly imagined settings, characters, and themes. “Once again, I was wowed by Towles’s writing—especially because The Lincoln Highway is so different from A Gentleman in Moscow in terms of setting, plot, and themes. Towles is not a one-trick pony. Like all the best storytellers, he has range. He takes inspiration from famous hero’s journeys, including The Iliad, The Odyssey, Hamlet, Huckleberry Finn, and Of Mice and Men. He seems to be saying that our personal journeys are never as linear or predictable as an interstate highway. But, he suggests, when something (or someone) tries to steer us off course, it is possible to take the wheel.” – Bill Gates
A historian examines how everyday people reacted to the president’s assassination in this “highly original, lucidly written book” (James M. McPherson, author of Battle Cry of Freedom). The news of Abraham Lincoln’s assassination on April 15, 1865, just days after Confederate surrender, astounded a war-weary nation. Massive crowds turned out for services and ceremonies. Countless expressions of grief and dismay were printed in newspapers and preached in sermons. Public responses to the assassination have been well chronicled, but this book is the first to delve into the personal and intimate responses of everyday people—northerners and southerners, soldiers and civilians, black people and white, men and women, rich and poor. Exploring diaries, letters, and other personal writings penned during the spring and summer of 1865, historian Martha Hodes captures the full range of reactions to the president’s death—far more diverse than public expressions would suggest. She tells a story of shock, glee, sorrow, anger, blame, and fear. “’Tis the saddest day in our history,” wrote a mournful man. It was “an electric shock to my soul,” wrote a woman who had escaped from slavery. “Glorious News!” a Lincoln enemy exulted, while for the black soldiers of the Fifty-Fourth Massachusetts, it was all “too overwhelming, too lamentable, too distressing” to absorb. Longlisted for the National Book Award, Mourning Lincoln brings to life a key moment of national uncertainty and confusion, when competing visions of America’s future proved irreconcilable and hopes for racial justice in the aftermath of the Civil War slipped from the nation’s grasp. Hodes masterfully explores the tragedy of Lincoln’s assassination in human terms—terms that continue to stagger and rivet us today.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
The underworld was once ruled over by the death god Hades, but he sleeps in his immortal tomb, weakened by centuries of neglect. What is to be done with his realm now? Who will refurbish its sepulchral halls, sweep away the corpse dust that coat its tenebrous terraces, and revitalise the dead that once walked its cheerless cloisters? Who else but you? And what is to be found in the underworld? Bone chilling winds sweep across desolate plains, carrying the despairing moans of lost souls to every corner of the realm of the dead. Swamps fester in the pale nacreous glow that rises up from the decaying earth, tombs litter the landscape like broken teeth, shadows walk the land, muttering in the darkness. Here lie the houses of the dead, home to the shades of the deceased - and other things. As you explore the Vulcanverse you will forge friendships, meet companions, make enemies - all of whom have long memories and will help or hinder you throughout your adventures. In this vast open world you will find hundreds of amazing quests, make choices with lasting consequences, win glory, cheat death, and face challenges at every turn. Every decision is in your hands. Start in any book, be whoever you choose, go anywhere you please, and do anything you want. The only limit is your imagination.