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Lady Windermere's Fan, A Play About a Good Woman is a four-act comedy by Oscar Wilde, first produced 22 February 1892 at the St James's Theatre in London. The play was first published in 1893. Like many of Wilde's comedies, it bitingly satirizes the morals of society.The story concerns Lady Windermere, who suspects that her husband is having an affair with another woman. She confronts him with it but although he denies it, he invites the other woman, Mrs Erlynne, to his wife's birthday ball. Angered by her husband's supposed unfaithfulness, Lady Windermere decides to leave her husband for another lover. After discovering what has transpired, Mrs Erlynne follows Lady Windermere and attempts to persuade her to return to her husband and in the course of this, Mrs Erlynne is discovered in a compromising position. It is then revealed Mrs Erlynne is Lady Windermere's mother, who abandoned her family twenty years before the time the play is set. Mrs Erlynne sacrifices herself and her reputation to save her daughter's marriage. The best known line of the play sums up the central theme.
Beautiful, aristocratic, an adored wife and young mother, Lady Windermere is 'a fascinating puritan' whose severe moral code leads her to the brink of social suicide. The only one who can save her is the mysterious Mrs Erlynne whose scandalous relationship with Lord Windermere has prompted her fatal impulse. And Mrs Erlynne has a secret - a secret Lady Windermere must never know if she is to retain her peace of mind.
Every great city in the world has its famous red light district - they are practically household names, synonymous with vice, sex and sin; Reeperbahn, Forty Second Street, Soho, Pigalle - and Sydney's very own Kings Cross is no exception. But, like those other famous red light districts, if brothels and cheap restaurants could afford the rent, so could artists, writers and poets. Since the 1890s, the Cross has nurtured Sydney's literati at its ample, bared bosom, either housing them or providing a racy - or even dignified - setting for their work. From Patrick White, Sumner Locke Elliott, and Kenneth Slessor in the early days, through Kate Grenville, David Marr, Frank Moorhouse and John Tranter, to Luke Davies, Justine Ettler, and of course Mandy Sayer and Louis Nowra themselves, writers have lived in, loved and looked at the Cross. Sure, she's untidy and a little rough around the edges, and maybe a little frumpy these days, but she's still the Cross, and she looms large in our collective imagination, provocative and pouting on the doorstep of the city. This collection will surprise readers with its breadth and range - Kings Cross wasn't always the bad part of town, as Patrick White and M. Barbard Eldershaw reveal. But there are also plenty of stories of vice and sleaze in there as well. LIST OF CONTRIBUTORS White, Patrick, Voss, Deamer, Dulcie, The Queen of Bohemia, Lindsay, Jack, The Roaring Twenties Gill, Lydia, My Town: Sydney in the 1930s, Slessor, Kenneth, My Kings Cross and poetry Cusack, Dymphna and F. James, Come in Spinner M. Barnard Eldershaw, "Tomorrow and Tomorrow and Tomorrow" Herbert. Bob No Names...No Pack Drill Johnston, George Clean Straw for Nothing Mackenzie, Kenneth Seaforth "The Refuge" Roland, Betty, Kings Cross Rose, Jon, At the Cross Baranay, Inez., Pagan John Clare, Bodgie Dada and The Cult of Cool Grenville, Kate, Lilian's Story Lennox, Gina and Rush, Frances, People of the Cross-True Stories from People Who Live and Work in Kings Cross Locke Elliott, Sumner, Fairyland Beaver, Bruce, poetry Doyle, Peter, Get Rich Quick Humphries, Barry More Please Smith, Vivian, poetry Sykes, Roberta, Snake Dancing Komunyakaa, Yusef, poetry Moorhouse, Frank, The Americans, Baby Tranter, John, poetry Aitken, Graeme, Vanity Fierce Bobis, Merlinda, White Turtle Davies, Luke, Candy Ettler, Justine, The River Ophelia Lord, Gabrielle, Whipping Boy Nowra, Louis, Red Nights Sayer, Mandy, The Cross McCuaig, Ronald, poetry
Explore the known Universe and consider its mind-boggling scale in this crisply illustrated, well-researched picture book from Caldecott Medalist Jason Chin. Winner of the Cook Prize! Most eight-year-olds are about five times as tall as this book . . . but only half as tall as an ostrich, which is half as tall as a giraffe . . . twenty times smaller than a California Redwood! How do they compare to the tallest buildings? To Mt. Everest? To stars, galaxy clusters, and . . . the universe? Jason Chin, the award-winning author and illustrator of Grand Canyon has once again found a way to make a complex subject--size, scale and almost unimaginable distance--accessible and understandable to readers of all ages. Meticulously researched and featuring the highly detailed artwork for which he is renowned, this is How Much is a Million for the new millenium, sure to be an immediate hit with kids looking for an engaging way to delve into perspective, astronomy, and astrophysics. Curious readers will love the extensive supplementary material included in the back of the back of the book An American Library Association Notable Children’s Book A New England Book Award Finalist A Kirkus Reviews Best Book of the Year A School Library Journal Best Book of the Year A Junior Library Guild Gold Standard Selection A Horn Book Fanfare Best Book of the Year A Bank Street Best Children's Book of the Year!
This impressive debut novel, longlisted for the 2020 Booker Prize, takes its premise and inspiration from ten of the best-known thought experiments in philosophy—the what-ifs of philosophical investigation—and uses them to talk about love in a wholly unique way. Married couple Rachel and Eliza are considering having a child. Rachel wants one desperately, and Eliza thinks she does, too, but she can't quite seem to wrap her head around the idea. When Rachel wakes up screaming one night and tells Eliza that an ant has crawled into her eye and is stuck there, Eliza initially sees it as a cry for attention. But Rachel is adamant. She knows it sounds crazy—but she also knows it's true. As a scientist, Eliza is skeptical. Suddenly their entire relationship is called into question. What follows is a uniquely imaginative sequence of ten interconnecting episodes—each from a different character's perspective—inspired by some of the best-known thought experiments in philosophy. Together they form a sparkling philosophical tale of love lost and found across the universe.
The true story of the Edelweiss Pirates, working-class teenagers who fought the Nazis by whatever means they could. Fritz, Gertrud, and Jean were classic outsiders: their clothes were different, their music was rebellious, and they weren’t afraid to fight. But they were also Germans living under Hitler, and any nonconformity could get them arrested or worse. As children in 1933, they saw their world change. Their earliest memories were of the Nazi rise to power and of their parents fighting Brownshirts in the streets, being sent to prison, or just disappearing. As Hitler’s grip tightened, these three found themselves trapped in a nation whose government contradicted everything they believed in. And by the time they were teenagers, the Nazis expected them to be part of the war machine. Fritz, Gertrud, and Jean and hundreds like them said no. They grew bolder, painting anti-Nazi graffiti, distributing anti-war leaflets, and helping those persecuted by the Nazis. Their actions were always dangerous. The Gestapo pursued and arrested hundreds of Edelweiss Pirates. In World War II’s desperate final year, some Pirates joined in sabotage and armed resistance, risking the Third Reich’s ultimate punishment. This is their story.
________________'Emer O'Sullivan has made an indispensable contribution to Wildean literature ... Compelling, informative and fascinating' - Stephen Fry 'Vivid and meticulously researched ... The name of Wilde stands for "what is singular, independent-minded, and fearless". Words that also describe this splendid book *****' - Frances Wilson, Mail on Sunday'O'Sullivan vividly evokes the cultural vitalities Oscar inherited from the house he was born into ... Hugely readable' - John Sutherland, The Times________________Oscar Wilde's father - scientist, surgeon, archaeologist, writer - was one of the most eminent men of his generation. His mother - poet, journalist, translator - hosted an influential salon at 1 Merrion Square. Together they were one of Victorian Ireland's most dazzling and enlightened couples. When, in 1864, Sir William Wilde was accused of sexually assaulting a female patient, it sent shock waves through Dublin society. After his death some ten years later, Jane attempted to re-establish the family in London, where Oscar burst irrepressibly upon the scene, only to fall in a trial as public as his father's. A remarkable and perceptive account, The Fall of the House of Wilde is a major repositioning of our first modern celebrity, a man whose fall from grace marked the end of fin de siècle decadence.
For the first time, the best work of a distinctive master of American noir is available in authoritative e-book editions from The Library of America. The Moon in the Gutter (1953) is one of David Goodis’s many tours of the down-and-out neighborhoods of his native city of Philadelphia. William Kerrigan’s pursuit of the riddle of his sister’s death in an obscure alleyway provides the starting point for a tortuous journey into “the darkness of all lost dreams.” Other David Goodis novels available as Library of America E-Book Classics include: Nightfall, Dark Passage, The Burglar, and Street of No Return.
An ancient Greek vase is a difficult object for the non-expert to come to terms with. Faced with rows of apparently undifferentiated black, red and buff pots, he or she is at a loss as to where to begin. Greek vases are treated as objets d'art in the modern world, but how much were they worth in the ancient? They are often used to demonstrate 'the Greek genius' and aspects of ancient Greek society, but why do many of them carry Eastern motifs, and why do so many turn up in Italy? Why were the Greeks not content with simple patterns on their pottery? What did the pictures on the pots mean to them? Why should a vase depict a scene from a play? These are the sorts of questions that this book, first published in 1991, attempts to answer. As the title implies, it is a series of 'looks' at Greek vases, offering suggestions on how to read the often complex images they present.