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Poetry. Latino/Latina Studies. Translated from the Spanish by Bret Alan Sanders. Dazzling, insightful, and direct, AWAITING THE GREEN MORNING takes the reader on a voyage to an unexpected world. Its four distinct sections offer reflections on mythical creatures, the delights of domesticity, the pain of exile, and the forgotten lands of the dispossessed. In Maria Rosa Lojo's richly evocative prose poems, space and time are compressed, and the exotic and the familiar become one: vampires are as delicate as spiders' webs, and everyday objects become a source of wonder and surprise. Maria Rosa Lojo was born in 1954 in Buenos Aires, the daughter of exiled Spaniards. She holds a PhD from the University of Buenos Aires, and has been a lecturer and visiting professor at a number of universities in Argentina and around the world. She does literary research for CONICET, the National Council for Scientific and Technical Research, and acts as a juror on both national and international writing competitions. Her published work in Spanish includes the novels La pasion de los nomades (1994), Las Libres del Sur (2004), and Finisterre (2005), and the collections of short narratives Historias ocultas en la Recoleta (2000) and Amores insolitos de nuestra historia (2001).
The tranquility of Mars is disrupted by humans who want to conquer space, colonize the planet, and escape a doomed Earth.
Winner of the Philip K Dick Award “Filled with wondrous language, marvelous events.” —Science Fiction Chronicle In Ireland, three generations of young women fight to control the powers coursing through their blood: the power to bring the mystical Otherworld into our world, and change it. Emily, Jessica and Enye must each face their dark side of human mythoconsciousness–and their own personal histories. But the forces of faerie are ever treacherous... Filled with vivid, passionate characters you will never forget, King of Morning, Queen of Day is a spellbinding fantasy of the real Ireland. “McDonald’s power as a storyteller lies in his stylistic versatility and intensity of language as well as in his capacity to create vivid and memorable characters. Highly recommended.” —Library Journal “A brilliant book.” —Charles de Lint
"Every point of view, every kind of knowledge and every kind of experience is limited and ignorant: nevertheless so far as l know, this volume seems to me to be as representative as it could be.---Delmore Schwartz
This is a textual, bibliographical and cultural study of 60 years of Bradbury's fiction. The authors draw upon correspondence with his publishers, agents and friends, as well as archival manuscripts, to examine the story of Bradbury's authorship over more than half a century.
In graphic novel format, presents 4,000 years of Jewish history culminating in the modern state of Israel.
Reviewers and critics have not always agreed on how well the science fiction label fit Ray Bradbury, but the immense popularity of works like The Martian Chronicles and The Illustrated Man leaves no doubt as to the enduring status of this important writer. This Critical Companion examines, in a Literary Heritage chapter, the situation of Bradbury's works within the science fiction genre and explores thematic concerns that set works like Fahrenheit 451 and Dandelion Wine apart from conventional popular SF writings. This introduction to Bradbury, written especially for students, traces Bradbury's interesting life, examining his early literary efforts, his forays into Hollywood, and his recent writing projects. Eight of Bradbury's major works are discussed at length, each in its own chapter, including two works published within the last ten years: A Graveyard for Lunatics (1990) and Green Shadows, White Whale (1992). Clear, thoughtful analysis is also given for The Martian Chronicles, The Illustrated Man, Something Wicked This Way Comes, and Death Is a Lonely Business. In each chapter, analysis of the important literary components is given: plot, setting, characters, and themes. In addition, the genesis, critical reception, and an alternate reading of each work is also discussed in clear terms for students and general readers. Suggestions for further reading on Bradbury and his writings are also provided in a select yet extensive bibliography. This volume is ideal both for students reading Bradbury for the first time and for dedicated Bradbury fans who wish to appreciate his work with a deeper critical perspective.
More than 1,200 activities that engage every type of learner by one of Gryphon House's best-selling authors.
The first complete collection of the poetry of Delmore Schwartz, “the most underrated poet of the twentieth century" (John Berryman). When Delmore Schwartz published his first short story, “In Dreams Begin Responsibilities,” in Partisan Review in 1937, he became an instant literary celebrity. After the appearance of his first book (by the same name), he was inundated with praise. The famed poet Allen Tate wrote to him, “Your poetic style is beyond any doubt the first real innovation that we’ve had since Eliot and Pound,” and T. S. Eliot himself wrote Schwartz a letter asking him to compose more poetry. The brilliant start of his career is matched perhaps only by its tragic end, a lonely death after an extended period of alcoholism, depression, and derangement. Today, more than fifty years after his death in 1966, Schwartz is often remembered for the tragedy of his life rather than for the innovation and sad brilliance of his greatest work. This book brings together all of Schwartz’s poetry for the very first time, from his groundbreaking debut collection to his unpublished late work, which he kept writing until his death. Accompanied by Ben Mazer’s illustrative notes and introduction, The Collected Poems of Delmore Schwartz offers readers the long-awaited opportunity to rediscover one of the most influential and original poets of the twentieth century. As Mazer writes in his introduction, “It is the poems that count now. And it is the glory of the poems that survives here, awaiting new life.”