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How perceptual technologies have shaped the history of war from the Renaissance to the present From ubiquitous surveillance to drone strikes that put “warheads onto foreheads,” we live in a world of globalized, individualized targeting. The perils are great. In The Eye of War, Antoine Bousquet provides both a sweeping historical overview of military perception technologies and a disquieting lens on a world that is, increasingly, one in which anything or anyone that can be perceived can be destroyed—in which to see is to destroy. Arguing that modern-day global targeting is dissolving the conventionally bounded spaces of armed conflict, Bousquet shows that over several centuries, a logistical order of militarized perception has come into ascendancy, bringing perception and annihilation into ever-closer alignment. The efforts deployed to evade this deadly visibility have correspondingly intensified, yielding practices of radical concealment that presage a wholesale disappearance of the customary space of the battlefield. Beginning with the Renaissance’s fateful discovery of linear perspective, The Eye of War discloses the entanglement of the sciences and techniques of perception, representation, and localization in the modern era amid the perpetual quest for military superiority. In a survey that ranges from the telescope, aerial photograph, and gridded map to radar, digital imaging, and the geographic information system, Bousquet shows how successive technological systems have profoundly shaped the history of warfare and the experience of soldiering. A work of grand historical sweep and remarkable analytical power, The Eye of War explores the implications of militarized perception for the character of war in the twenty-first century and the place of human subjects within its increasingly technical armature.
During the final days of the Japanese occupation of China, Shao-shao celebrates his tenth birthday, observes traditional holidays with his family, and befriends the daughter of a traitor.
An exceptional photographic history of the changing face of war and combat photo journalism through the last 150 years fully illustrated with over 200 photographs
The true story of nineteen-year-old Jordana Lebowitz’s time at the trial of Oskar Groening, known as the "bookkeeper of Auschwitz", a man charged with being complicit in the deaths of more than 300,000 Jews. A granddaughter of Holocaust survivors, Jordana was still not prepared for what she would see and hear. Listening to Groening’s testimony and to the Holocaust survivors who came to testify against him, Jordana felt the weight of being witness to history – a history that we need to remember now more than ever.
In this investigation of the treatment of battle trauma in antiquity, 'treatment' is used in a double sense, both as actual medical treatment and literary 'treatment' in non-medical sources. Part I deals with the practical, medical aspects of the topic: the types of wounds likely to result from a battle, their surgical and pharmacological treatment, the question of medical services in ancient armies, medical terminology and the availability of medical knowledge. Part II discusses the use of scenes of wounding and wound treatment in literature, and Part III is a survey of the archaeological evidence. This is the first monograph to examine the topic in all its different aspects; it should be of interest to classicists, medical historians and military historians.
"Collection of incunabula and early medical prints in the library of the Surgeon-general's office, U.S. Army": Ser. 3, v. 10, p. 1415-1436.