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This selection combines Selected Poems (1966) and New Poems (1968). The German originals face the translations. Translated by Michael Hamburger and Christopher Middleton. A Helen and Kurt Wolff Book
Hard-Boiled Bugs for Breakfast is guaranteed to make readers laugh, imagine, write, and dream. “A quick-witted delight.”—Kirkus Reviews (starred review) “Perfectly in pitch.”—Publishers Weekly (starred review) “A well-written, must-have collection of poems.”—School Library Journal (starred review) A collection from the celebrated inaugural Young People’s Poet Laureate and bestselling poet Jack Prelutsky, featuring more than one hundred original poems! From a lizard playing a mandolin (although not very well) to the surprised guest of honor (at a birthday party he threw for himself), there’s something for everyone in Jack Prelutsky’s Hard-Boiled Bugs for Breakfast. Illustrator Ruth Chan’s lively and hilarious black-and-white art jumps off the page and illuminates a wide array of poetic forms, from haiku to concrete poems and everything in between. This collection is full of the wit, humor, and imagination that has made Jack Prelutsky a household name and one of the most beloved poets for children. His poetry books for kids include such favorites as A Pizza the Size of the Sun and The New Kid on the Block. Includes black-and-white line art on every page, plus an index.
A Finalist for the Kingsley Tufts Award for Poetry A New York Times Notable Book of the Year From the Winner of the Whiting Award, an American Book Award, and finalist for a Lambda, Tommy Pico's Feed is the final book in the Teebs Cycle. Feed is the fourth book in the Teebs tetralogy. It's an epistolary recipe for the main character, a poem of nourishment, and a jaunty walk through New York's High Line park, with the lines, stanzas, paragraphs, dialogue, and registers approximating the park's cultivated gardens of wildness. Among its questions, Feed asks what's the difference between being alone and being lonely? Can you ever really be friends with an ex? How do you make perfect mac & cheese? Feed is an ode of reconciliation to the wild inconsistencies of a northeast spring, a frustrating season of back-and-forth, of thaw and blizzard, but with a faith that even amidst the mess, it knows where it's going.
Family was a whitewashed, / milk-toothed word / that couldn’t account for the mother / who wept and burnt / the roast if the floor was dirty– / or if it was Tuesday, or there were clouds. Written in an eloquent and searingly honest voice, these poems address the pain and pleasure of growing up. Courtney Queeney tells intense emotional truths in poetry that is at once personal and universal. She exposes the rawness of a complicated relationship with her mother–She mothered the disorder in me, / this difficulty getting out of bed / and dressing like a real human adult, / trying not to be her daughter–and her attitude toward love expresses both profound longing and erotic dissonance: I translate love from the hush of a hung-up phone / before a body comes to engage me for an hour. And Queeney writes with humor and self-doubt of the conflict between desire and the quest to remain true to oneself–I will fly around the world on an airplane until I arrive at calm. / I will spend my days suspended in air, manufacturing a closure. Filibuster to Delay a Kiss sounds a new and distinctive note in the symphony of young American poets.
Twenty-two poems reflect Frances' observations on the events in her life.
A literary cookbook that celebrates food and poetry, two of life's essential ingredients. In the same way that salt seasons ingredients to bring out their flavors, poetry seasons our lives; when celebrated together, our everyday moments and meals are richer and more meaningful. The twenty-five inspiring poems in this book—from such poets as Marge Piercy, Louise Glück, Mark Strand, Mary Oliver, Billy Collins, Jane Hirshfield—are accompanied by seventy-five recipes that bring the richness of words to life in our kitchen, on our plate, and through our palate. Eat This Poem opens us up to fresh ways of accessing poetry and lends new meaning to the foods we cook.
A Kirkus Reviews Best Book An NCTE Notable Poetry Book This beautiful poetry collection introduces readers to the art of found poetry as the poet writes a 37-line poem, "Nest," then finds 160 smaller poems within it. What can you find in a poem about a robin's nest? Irene Latham masterfully discovers "nestlings" or smaller poems about an astonishing variety of subjects--emotions, wild animals, natural landmarks on all seven continents, even planets and constellations. Each poem is a glorious spark of wonder that will prompt readers to look at the world afresh. The book includes an introduction detailing the principles of found poetry and blackout poetry, and a section of tips at the end. The joyous creativity in this volume is certain to inspire budding poets.
WINNER OF THE NOBEL PRIZE IN LITERATURE A haunting book by a poet whose voice speaks of all our lifetimes Louise Glück’s thirteenth book is among her most haunting. Here as in the Wild Iris there is a chorus, but the speakers are entirely human, simultaneously spectral and ancient. Winter Recipes from the Collective is chamber music, an invitation into that privileged realm small enough for the individual instrument to make itself heard, dolente, its line sustained, carried, and then taken up by the next instrument, spirited, animoso, while at the same time being large enough to contain a whole lifetime, the inconceivable gifts and losses of old age, the little princesses rattling in the back of a car, an abandoned passport, the ingredients of an invigorating winter sandwich, a sister’s death, the joyful presence of the sun, its brightness measured by the darkness it casts. “Some of you will know what I mean,” the poet says, by which she means, some of you will follow me. Hers is the sustaining presence, the voice containing all our lifetimes, “all the worlds, each more beautiful than the last.” This magnificent book couldn’t have been written by anyone else, nor could it have been written by the poet at any other time in her life.
Poetry. "The poems in Sunni Wilkinson's THE MARRIAGE OF THE MOON AND THE FIELD show us history, affection, private struggle, and the common life with a kind of grave, irony-tinged happiness that is rare in the poetry of our time. Her poems turn away from complaint, as though she had set out to reveal instead the domestic life of intelligence in all its color, warmth, and depth. This is a very fine debut volume, worth treasuring; and more are sure to follow."�Christopher Howell "There is much of wonder in a first book of poems: a new voice, a freshness, other ways of being and believing. And so it is with Sunni Brown Wilkinson's THE MARRIAGE OF THE MOON AND THE FIELD. There are marvelous poems here, poems that range through the world: Vienna, Juarez, Andalusia, Mozambique, Venice. The poet tells us 'I've looked into the world and found / my own life reassembled and given back to me / with broken glass and a birdsong.' There are poems of family (parents, children, grandparents), our primal world, and there are poems of immigrants, asylum seekers, the displaced. And weaving through all of them there is a sweet charity, a belief in grace, and a tenderness toward existence. There is as well a recognition that tragedy and loss make up a part of our lives, but in Wilkinson's vision these can be redeemed since 'we're verses with a space in between / for our own small hallelujah.' These are poems that 'you can ride...into tomorrow.' Sunni Wilkinson is a welcome new poet for our times."�Joseph Stroud "Sunni Brown Wilkinson's poems sustain a compelling tension between the macro and micro worlds. Scientific facts of the physical realm collide with intimate interiorities. She turns a steely eye and a tender heart toward the experience of living fully in the rush of the NOW and the flickering echoes of what came before. These are lushly rendered poems to savor and/or to devour."�Nance Van Winckel