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In the Course of Performance is the first book in decades to illustrate and explain the practices and processes of musical improvisation. Improvisation, by its very nature, seems to resist interpretation or elucidation. This difficulty may account for the very few attempts scholars have made to provide a general guide to this elusive subject. With contributions by seventeen scholars and improvisers, In the Course of Performance offers a history of research on improvisation and an overview of the different approaches to the topic that can be used, ranging from cognitive study to detailed musical analysis. Such diverse genres as Italian lyrical singing, modal jazz, Indian classical music, Javanese gamelan, and African-American girls' singing games are examined. The most comprehensive guide to the understanding of musical improvisation available, In the Course of Performance will be indispensable to anyone attracted to this fascinating art. Contributors are Stephen Blum, Sau Y. Chan, Jody Cormack, Valerie Woodring Goertzen, Lawrence Gushee, Eve Harwood, Tullia Magrini, Peter Manuel, Ingrid Monson, Bruno Nettl, Jeff Pressing, Ali Jihad Racy, Ronald Riddle, Stephen Slawek, Chris Smith, R. Anderson Sutton, and T. Viswanathan.
In this book, Erika Fischer-Lichte traces the emergence of performance as 'an art event' in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics. The peculiar mode of experience that a performance provokes – blurring distinctions between artist and audience, body and mind, art and life – is here framed as the breeding ground for a new way of understanding performing arts, and through them even wider social and cultural processes. With an introduction by Marvin Carlson, this translation of the original Ästhetik des Performativen addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a new appreciation of the artistic event.
The Routledge Dictionary of Contemporary Theatre and Performance provides the first authoritative alphabetical guide to the theatre and performance of the last 30 years. Conceived and written by one of the foremost scholars and critics of theatre in the world, it literally takes us from Activism to Zapping, analysing everything along the way from Body Art and the Flashmob to Multimedia and the Postdramatic. What we think of as 'performance' and 'drama' has undergone a transformation in recent decades. Similarly how these terms are defined, used and critiqued has also changed, thanks to interventions from a panoply of theorists from Derrida to Ranciere. Patrice Pavis's Dictionary provides an indispensible roadmap for this complex and fascinating terrain; a volume no theatre bookshelf can afford to be without.
In considering the role of practical music in education this book explores the art of performance in Germany during the Baroque period. The author examines the large number of surviving treatises and instruction manuals used in the Lutheran schools during the period 1530-1800 and builds up a picture of the function and status of music in both school and church. This understanding of music as a functional art--musica practica--in turn gives us insight into contemporary performance of the sacred work of Praetorius, SchÜtz, Buxtehude or Bach.
TOPICS IN THE BOOK Influence of ISO 9001:2015 Procurement Quality Management on Performance of Manufacturing Firms in Kenya Influence of Strategic Procurement Management on the Performance of State Corporations in Kenya Effect of Logistics Management Practices on Supply Chain Performance of Manufacturing Firms in Kenya Influence of Contract Administration on Performance of Parastatals in Kenya
A comprehensive guide to the issues that can arise at every stage of a coverage dispute, from the initial inquiry to complex questions of law, evidence, procedure and strategy.
This resource serves to educate lawyers and business professionals on how to draft the many types of "boilerplate" provisions, a legal term that refers to the standardized, one-size-fits-all provisions of a contract. Each chapter tackles one of 20 provisions and analyzes why it is important, the key legal and business issues raised, and how to draft the provision to suit a particular transaction. Such analysis not only helps readers better understand how to draft these provisions in their contracts, but also helps them better understand the other party's process.
This book provides an unprecedented analysis on the place of performance. The central theme is that the place of performance is of considerable significance as a connecting factor in international commercial contracts. This book challenges and questions the approach of the European legislator for not explicitly giving special significance to the place of performance in determining the applicable law in the absence of choice for commercial contracts. It also contains, inter alia, an analogy to matters of foreign country mandatory rules, and the coherence between jurisdiction and choice of law. It concludes by proposing a revised Article 4 of Rome I Regulation, which could be used as an international solution by legislators, judges, arbitrators and other stakeholders who wish to reform their choice of law rules.
Contracts: Cases and Doctrine features a mix of lightly-edited classic and contemporary cases that stress current contract doctrine along with the essential lawyering skill of case analysis—how to sift through the facts of the case to discern the prevailing rules and theory. Randy Barnett and Nate Oman’s innovative text introduces each case and provides the historical background of the iconic cases that make the study of contract law engaging. Study Guide questions help students identify salient issues as they read each case. Judicial biographies of each judge provide additional context. The 8th Edition has been streamlined and edited to delete materials that are rarely covered in a 1L class. This edition includes new cases that have been chosen for their topicality, facts, or pedagogical usefulness. Areas covered include so-called “smart contracts” and the relationship between restitution and contract. As always, the authors focus on cases with facts that will be easier to teach. New cases in this edition include litigation between Ukraine and Russia over Russia’s invasion of its neighbor, a plea bargaining deal gone wrong, what happens when an employee signs a boilerplate arbitration contract “No Rejected,” and a dispute over whether spiders are insects. New to the 8th Edition: In order to keep the size of the book manageable, the authors have simplified its structure by condensing some of the more theoretical material on enforceability. The chapters on Principles of Enforceability and Intention to be Legally Bound have been deleted entirely, and highly truncated portions of the materials from these chapters have been added to the chapters on The Doctrine of Consideration and The Doctrine of Promissory Estoppel. New cases include: • In re IBP Inc. Shareholders Litigation (specific performance of a merger agreement involving personal services) • Bjorkman v. Arctic Cat, Inc. (modern application of the rule in Dickinson v. Dodds) • Ragland v. IEC US Holdings, Inc. (a new employee signed a boilerplate arbitration contract “No Rejected”) • Rios v. State of Maryland (confused bargaining over a plea bargaining agreement) • Robinson v. Liberty Mutual Insurance Co. (What is a spider? An example of neo-textualist interpretation) • Law Debenture Trust Corp. Plc. v. Ukraine (litigation between two countries – Russia and Ukraine – in the courts of a third country, England) • Martinez-Gonzalez v. Elkhorn Packing Co. LLC (duress in an employment contract involving a migrant worker) Professors and student will benefit from: • Case-based approach gives students ample doctrinal materials to sift through for facts and analyze for prevailing rules and theory. • Cases are lightly edited, or presented as whole as possible, to give first-year students the opportunity to develop case-analysis skills. • Restatement and UCC sections are integrated to encourage students to consult them as they read the cases. • Iconic and contemporary cases are combined to show how the classic cases are still relevant. • Each chapter begins with a brief, accessible textual introduction. • Study Guide questions before each case help focus student attention on salient issues. • Flexible organization begins with Remedies, but chapters can be taught in any order.
MBE Bootcamp: Contracts will cover all the substantive rules of law the MBE examiners test in the various subject areas. This outline removes the topics and rules of law that may have been important in your law school course but are not tested on the MBE and is specifically written for bar exam preparation. Each outline also includes 33 or 34 multiple choice questions extracted from the 200-Question Self-Assessment test with model answers.