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Presents the story of Eliza Scidmore, a world traveler, writer, photographer, and peace advocate who, after years of persistence, planted cherry trees all across Washington, D.C.
Rakesh plants a cherry seedling in his garden and watches it grow. As seasons go by, the small tree survives heavy monsoon showers, a hungry goat that eats most of the leaves and a grass cutter who splits it into two with one sweep. At last, on his ninth birthday, Rakesh is rewarded with a miraculous sight—the first pink blossoms of his precious cherry tree! This beautifully illustrated edition brings alive the magical charm of one of Ruskin Bond’s most unforgettable tales.
Jean E. Pendziwol’s newest picture book is a lyrical meditation on nature and hope. The child in this story observes the sun by playing with her shadow, though sometimes it disappears. She listens to the wind tell stories, even when it howls like wolves. She tastes snowflakes — sometimes sweet and delicate; other times sharp on her cheeks. And finally, she finds hope in the buds on a cherry tree that survive through the winter to blossom in spring. Jean E. Pendziwol has written a layered, lyrical exploration of the hardships and beauties of nature. Her poem, beautifully illustrated by Nathalie Dion, is a study in contrasts and a message of the hope that carries us through the year and through our lives. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.2 Retell stories, including key details, and demonstrate understanding of their central message or lesson. CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses.
After a war destroys their Japanese village and kills their father, Taichi and Yumiko find hope by nursing a cherry tree through a harsh winter and seeing it blossom into new life.
There were eggs in every bird’s nest, the air buzzed with honeybees, and cherry trees blossomed all at once. The poor villagers forgot their cares and gathered in the meadow to sing and dance their time away. But their miserly landlord refused to be happy. Mumbling and grumbling, he sat all alone eating a bowl of cherries and glaring at the merry villagers. Then, quite by accident, he swallowed a cherry pit. The pit began to sprout, and soon the landlord was the wonder of the village—a cherry tree was growing out of the top of his head! What happened to the cherry tree and to the wicked landlord is a favorite joke in Japan. Allen Say tells the story with wit and vitality, and his beautiful drawings complement this classic Japanese tale.
Noted historian pens biography of Ferry Farm—George Washington's boyhood home—and its three centuries of American history In 2002, Philip Levy arrived on the banks of Rappahannock River in Virginia to begin an archeological excavation of Ferry Farm, the eight hundred acre plot of land that George Washington called home from age six until early adulthood. Six years later, Levy and his team announced their remarkable findings to the world: They had found more than Washington family objects like wig curlers, wine bottles and a tea set. They found objects that told deeper stories about family life: a pipe with Masonic markings, a carefully placed set of oyster shells suggesting that someone in the household was practicing folk magic. More importantly, they had identified Washington's home itself—a modest structure in line with lower gentry taste that was neither as grand as some had believed nor as rustic as nineteenth century art depicted it. Levy now tells the farm's story in Where the Cherry Tree Grew. The land, a farmstead before Washington lived there, gave him an education in the fragility of life as death came to Ferry Farm repeatedly. Levy then chronicles the farm's role as a Civil War battleground, the heated later battles over its preservation and, finally, an unsuccessful attempt by Wal-Mart to transform the last vestiges Ferry Farm into a vast shopping plaza.
A heartwarming look at love, loss, and memorable objects through the eyes of a child After her grandfather's death, a young girl wanders through his house. As she tours each room, the objects she discovers stir memories of her grandfather--her baba bozorg. His closet full of clothes reminds her of the mints he kept in his pockets. His favorite teacup conjures thoughts of the fig cookies he would offer her. The curtains in the living room bring up memories of hide-and-seek games and the special relationship that she and her baba bozorg shared, even though they spoke different languages. The Sour Cherry Tree is an authentic look at death and loss centred on the experiences of a child, both strikingly whimsical and matter-of-fact. Drawing on the Iranian-Canadian author's childhood memories, this tender meditation on grief, love, and memory is at once culturally specific and universally relatable.
"It's a damp and dull day, but in the kitchen it's warm and cosy. David and his mother are baking, and the delicious smells bring a greedy witch to their garden. Witches love to steal freshly baked cakes! She is going to use every magic trick she knows to steal their scrumptious treats, but can David outsmart her?"--Publisher information.
Each year, the flowering of cherry blossoms marks the beginning of spring. But if it weren’t for the pioneering work of an English eccentric, Collingwood “Cherry” Ingram, Japan’s beloved cherry blossoms could have gone extinct. Ingram first fell in love with the sakura, or cherry tree, when he visited Japan on his honeymoon in 1907 and was so taken with the plant that he brought back hundreds of cuttings with him to England. Years later, upon learning that the Great White Cherry had virtually disappeared from Japan, he buried a living cutting from his own collection in a potato and repatriated it via the Trans-Siberian Express. In the years that followed, Ingram sent more than 100 varieties of cherry tree to new homes around the globe. As much a history of the cherry blossom in Japan as it is the story of one remarkable man, The Sakura Obsession follows the flower from its significance as a symbol of the imperial court, through the dark days of the Second World War, and up to the present-day worldwide fascination with this iconic blossom.
"We're off to Cherry-Tree Farm! We're going to go wild!" the children shout as their train pulls out of London. So of course when Uncle Tim tells them about Tammylan, the wild man who lives out of doors and knows all about the animals and birds, they decide to look for him. Once they meet him all sorts of wonderful things start to happen, for Tammylan introduces the children to his animal friends, and soon the ways of badgers and squirrels, rabbits and frogs, moles, otters and snakes are familiar to them, and London seems far away and unreal.