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NYRB Classics Original Winner of the Nobel Prize in Literature In the Café of Lost Youth is vintage Patrick Modiano, an absorbing evocation of a particular Paris of the 1950s, shadowy and shady, a secret world of writers, criminals, drinkers, and drifters. The novel, inspired in part by the circle (depicted in the photographs of Ed van der Elsken) of the notorious and charismatic Guy Debord, centers on the enigmatic, waiflike figure of Louki, who catches everyone’s attention even as she eludes possession or comprehension. Through the eyes of four very different narrators, including Louki herself, we contemplate her character and her fate, while Modiano explores the themes of identity, memory, time, and forgetting that are at the heart of his spellbinding and deeply moving art.
A writer discovers a set of notes in his notebook and sets off on a journey through the Paris of his past, in search of the woman he loved forty years previously. Set in the Montparnasse district of Paris, the author, Jean, retraces his nocturnal footsteps around the left bank during France's period of decolonisation during the 1960's. He tries to remember what brought him into contact with a gang that frequented the hotel Unic in the area. His quest through seedy cafés and cheap hotels becomes an enquiry into a woman, Dannie, whom Jean loved and who once tried to admit to a terrible crime. Over the course of several voyages between past and present, we meet various shady characters, and discover that Dannie may have killed "someone". As his memories overlap with the discovery of an old vice squad dossier, Jean reinvestigates the closed case of a crime where he could well be the last remaining witness. Translated from the French by Mark Polizzotti
From beloved storyteller and Nobel Prize winner Patrick Modiano, a masterful and gripping crime novel set in picturesque Nice on the French Riviera Stolen jewels, black markets, hired guns, crossed lovers, unregistered addresses, people gone missing, shadowy figures disappearing in crowds, newspaper stories uncomfortably close and getting closer . . . this ominous novel is Patrick Modiano’s most noirish work to date. Set in Nice—a departure from the author’s more familiar Paris—this novel evokes the bright sun and dark shadow of the Riviera. Modiano’s trademark ability to create a haunting atmosphere is here on full display: readers descend precipitously into a world of mystery, uneasiness, inevitability. A young couple in hiding keeps close watch over a notorious diamond necklace known as the Southern Cross. Its provenance is murky, its whereabouts known only to our hero and heroine, who find themselves trapped by its potential value—and its ultimate cost. Deftly Modiano reaches further and further into the past, revealing the secret histories of the two even as the pressurized present threatens to overwhelm them.
AN NYRB CLASSICS ORIGINAL Winner of the Nobel Prize in Literature Young Once is a crucial book in the career of Nobel laureate Patrick Modiano. It was his breakthrough novel, in which he stripped away the difficulties of his earlier work and found a clear, mysteriously moving voice for his haunting stories of love, nostalgia, and grief. It has also been called “the most gripping Modiano book of all” (Der Spiegel). Odile and Louis are leading a happy, bucolic life with their two children in the French countryside near the Swiss mountains. It is Odile’s thirty-fifth birthday, and Louis’s thirty-fifth birthday is a few weeks away. Then the story shifts back to their early years: Louis, just freed from his military service and at loose ends, is taken up by a shady character who brings him to Paris to do some work for a friend who manages a garage; Odile, an aspiring singer, is at the mercy of the kindness and unkindness of strangers. In a Paris that is steeped in crime and full of secrets, they find each other and struggle together to create what, looking back, will have been their youth.
2014 Winner of the Nobel Prize in Literature Patrick Modiano opens Dora Bruder by telling how in 1988 he stumbled across an ad in the personal columns of the New Year's Eve 1941 edition of Paris Soir. Placed by the parents of a 15-year-old Jewish girl, Dora Bruder, who had run away from her Catholic boarding school, the ad sets Modiano off on a quest to find out everything he can about Dora and why, at the height of German reprisals, she ran away on a bitterly cold day from the people hiding her. He finds only one other official mention of her name on a list of Jews deported from Paris to Auschwitz in September 1942. With no knowledge of Dora Bruder aside from these two records, Modiano continues to dig for fragments from Dora's past. What little he discovers in official records and through remaining family members, becomes a meditation on the immense losses of the peroid—lost people, lost stories, and lost history. Modiano delivers a moving account of the ten-year investigation that took him back to the sights and sounds of Paris under the Nazi Occupation and the paranoia of the Pétain regime as he tries to find connections to Dora. In his efforts to exhume her from the past, Modiano realizes that he must come to terms with the specters of his own troubled adolescence. The result, a montage of creative and historical material, is Modiano's personal rumination on loss, both memoir and memorial.
In this essential trilogy of novellas by the winner of the 2014 Nobel Prize in Literature, French author Patrick Modiano reaches back in time, opening the corridors of memory and exploring the mysteries to be encountered there. Each novella in the volume--Afterimage, Suspended Sentences, and Flowers of Ruin—represents a sterling example of the author’s originality and appeal, while Mark Polizzotti’s superb English-language translations capture not only Modiano’s distinctive narrative voice but also the matchless grace and spare beauty of his prose. Although originally published separately, Modiano’s three novellas form a single, compelling whole, haunted by the same gauzy sense of place and characters. Modiano draws on his own experiences, blended with the real or invented stories of others, to present a dreamlike autobiography that is also the biography of a place. Orphaned children, mysterious parents, forgotten friends, enigmatic strangers—each appears in this three-part love song to a Paris that no longer exists. Shadowed by the dark period of the Nazi Occupation, these novellas reveal Modiano’s fascination with the lost, obscure, or mysterious: a young person’s confusion over adult behavior; the repercussions of a chance encounter; the search for a missing father; the aftershock of a fatal affair. To read Modiano’s trilogy is to enter his world of uncertainties and the almost accidental way in which people find their fates.
Photographs by Ed Van der Elsken A new edition of one of the classics of photography by one of the greatest photographers of the twentieth century. Originally published in 1954, and long out of print, this is a facsimile edition of the original and has been printed from the negatives held by the Netherlands Photo Archive. The work focuses on the Left Bank of Paris at the time when the area was recognised as a centre of creative ferment which would determine the cultural agenda of a generation. 200 plates.
Nobel Prize winner Patrick Modiano's first three novels, about Paris under Nazi occupation, now in a single volume; the earliest--La Place de l'Étoile--in English for the first time. Born at the close of World War II, 2014 Nobel Prize winner Patrick Modiano was a young man in his twenties when he burst onto the Parisian literary scene with these three brilliant, angry novels about the wartime Occupation of Paris. The epigraph to his first novel, among the first to seriously question Nazi collaboration in France, reads: "In June 1942 a German officer goes up to a young man and says: 'Excuse me, monsieur, where is La Place de l'Étoile?' The young man points to the star on his chest." The second novel, The Night Watch, tells the story of a young man caught between his work for the French Gestapo, his work for a Resistance cell, and the black marketeers whose milieu he shares. Ring Roads recounts a son's search for his Jewish father who disappeared ten years earlier, whom he finds trying to weather the war in service to unsavory characters. Together these three brilliant, almost hallucinatory evocations of the Occupation attempt to exorcise the past by exploring the morally ambiguous worlds of collaboration and resistance. Award-winning translator Frank Wynne has revised the translations of The Night Watch and Ring Roads--long out of print--for our current day, and brings La Place de l'Étoile into English for the first time. The Occupation Trilogy provides the perfect introduction to one of the world's greatest writers.
Patrick Modiano explores the boundaries of recollection in a "mesmerizing, enigmatic novel" (Publishers Weekly) "Nobel Prize winner Modiano's title smartly ties together the theme, plot, and ambience of his latest book . . . The past overlaps and memories half-emerge in classic Modiano fashion, just as a message in invisible ink tentatively reveals itself in the right light."--Library Journal "An enchanting read."--Ploughshares The latest work from Nobel laureate Patrick Modiano, Invisible Ink is a spellbinding tale of memory and its illusions. Private detective Jean Eyben receives an assignment to locate a missing woman, the mysterious Noëlle Lefebvre. While the case proves fruitless, the clues Jean discovers along the way continue to haunt him. Three decades later, he resumes the investigation for himself, revisiting old sites and tracking down witnesses, compelled by reasons he can't explain to follow the cold trail and discover the shocking truth once and for all. A number one best seller in France, hailed by critics as "breathtakingly beautiful" (Les Inrockuptibles) and "refined and dazzling" (Le Journal du Dimanche), Invisible Ink is Modiano's most thrilling and revelatory work to date.
NYRB Classics Original Winner of the Nobel Prize in Literature In the Café of Lost Youth is vintage Patrick Modiano, an absorbing evocation of a particular Paris of the 1950s, shadowy and shady, a secret world of writers, criminals, drinkers, and drifters. The novel, inspired in part by the circle (depicted in the photographs of Ed van der Elsken) of the notorious and charismatic Guy Debord, centers on the enigmatic, waiflike figure of Louki, who catches everyone’s attention even as she eludes possession or comprehension. Through the eyes of four very different narrators, including Louki herself, we contemplate her character and her fate, while Modiano explores the themes of identity, memory, time, and forgetting that are at the heart of his spellbinding and deeply moving art.