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In this gripping follow-up to Love Lies Beneath, #1 New York Times bestselling author Ellen Hopkins’s “fabulous, sex-filled masterpiece of mystery and romance” (Library Journal, starred review), beautiful, wealthy Tara Lattimore's story continues when her sinful past threatens to derail her current marriage—and her sanity. Tara thought she was finally settling down when she married the handsome Dr. Cavin Lattimore. Just as she was willing to overlook his gambling habits, she discovers his secret meetings with Sophia, his gorgeous ex-girlfriend and his son Eli’s occasional girlfriend. Life gets even more complicated when Tara’s niece, Kayla, starts hooking up with Eli. In a matter of weeks, Tara has reluctantly gone from rich, single San Francisco professional to Lake Tahoe housewife managing her niece’s whiplash moods, while resisting her stepson’s tantalizing sexual advances. Adding to the family drama is her younger sister, Melody, who’s having a serious marital breakdown, which means she might know something about her husband Graham and Tara’s brief dalliance years ago. As Tara’s fragile trust in her family teeters, timed with the arrival of certain people from her past, she also can’t shake the feeling that someone’s watching her. Baiting her. Tara has always considered herself a tough, self-made woman after surviving a childhood defined by poverty, abuse, and neglect. For years, she suffered from the sins of others. She committed a few of her own. Now she wonders if the misdeeds of her past are about to catch up with her—and if she can ever outrun them.
A journalist uncovers financial irregularities in Celtic Tiger Ireland.
“For the first time in six years, I’ll be coming home…to witness your marriage to the duke.” The long-awaited letter that young Evelyn received from Sam didn’t contain the answer she was hoping for. When she was fifteen, Sam was her first kiss and her first love. But she can only assume it was a goodbye gesture before he left to study medicine overseas. Suppressing her lingering passion, Evelyn decides to try her best to form a new loving relationship with the duke. However, Sam, now a skilled and handsome doctor, struggles with his developing feelings for Eve as he hides a dark secret that will change their relationship forever…
Guggenheim Fellow Robert Wrigley is winner of the San Francisco Poetry Center Book Award. Here two of Wrigley's finest collections of poems are now together in one volume. "An acute eye for authentic detail and a subtle ear for the rhythms and cadences of real speech, and what he has to say is worth hearing".--BOOKLIST.
A timely, gripping novel about a girl who must speak out, stand up, and break free--perfect for teen fans of The Handmaid's Tale and Matched by Ally Condie, and perfect for this moment. As a girl, Miriam is forced to quiet her tongue and hold back her thoughts. That is the way of things in her desert haven, far away from the outside world. But Miriam knows that within the compound's gates and under the eye of its leader, Daniel, she is safe, and that makes her life far better than any alternative. But when a Matrimony ceremony goes wrong and Miriam winds up with someone other than the boy she loves--the boy she'd thought she was destined to marry--she can no longer keep quiet. For the first time, Miriam begins to question not only the rules that have guided her throughout her entire life, but also who she is at her very core. Alongside unexpected allies, Miriam fights to learn the truth and live the life she knows she's meant to have. In this compelling debut novel, one girl learns that the greatest power she has is her own voice. Now available in paperback, this book includes a discussion guide--perfect for your next book club pick Praise for The Virtue of Sin: "Shannon Schuren weaves a complex tale of love, faith, and lies in her thought-provoking debut The Virtue of Sin. As important as it is entertaining, this is a must-read for anyone who knows that independent thought trumps fitting in. One of my favorite reads of the year." --Christina Dalcher, bestselling author of Vox "Schuren beautifully captures the breathlessness of both first love, and first rebellion, in this engrossing, timely book. Part page-turning drama, part romance, the novel is above all an exploration of the ways repression can damage the soul--and what it takes to rise above it." --Jennifer Donaldson, critically acclaimed author of Lies You Never Told Me "Compulsively readable." --BCCB "Well written." --SLJ
A masterful collection about intimacy, loneliness, and time, each inspired by different works of art, spanning the entirety of the great Italian writer's career. In Stories with Pictures, Antonio Tabucchi responds to photographs, drawings, and paintings from his dual homelands of Italy and Portugal, among other European countries. The stories in this collection spring forth from the shadows of Tabucchi's imagination, as he steps into worlds just hidden from view. From inscrutable masks of pre-Columbian gods, stamps of bright parrots and postcars of yellow cities, portraits of devilish Portuguese nuns, the way to these remote landscapes appear like a "train emerging from a thick curtain of heat." As we peer through the curtain, what we find on the other side rings distinctly human, a world charged with melancholic longing for time gone by. "Sight, hearing, voice, word" Tabucchi writes, "this flow isn't in one direction, the current is back and forth." Reading these stories, one feels the pendulum current, and the desire in this remarkable author to hold the real in the surreal.
A powerful new collection from an acclaimed, award-winning poet With nine previously published collections of poetry, Robert Wrigley has become one of his generation's most accomplished poets, renowned for his irony, power, and lucid style and for his ability to fuse narrative and lyrical impulses. Wrigley's tenth collection, Box, is a book of poems obsessed with human containment, with the way people are contained or confined—by time, mortality, technology, identity, culture, and history—in almost everything they are and everything they do. Even the body, even the poem itself, is in this regard a kind of self-containing crate, in which the human being, perhaps the human spirit, is shipped into the world at large. But Box is also a book obsessed with escape from containment, and escape comes from dreams, from deep awareness, from contemplation, from love, and above all, as Wallace Stevens insisted, from "the imagination pressing back against the pressure of reality." The poems in Box aim to do nothing less than "help people live their lives," as Stevens put it.
The questions surrounding how the Irish economy was brought to the brink - who was to blame, and who should pay for these mistakes - have been rightly debated at length. But beyond this very legitimate exercise, there are deeper questions that need to be answered. These questions relate to why we made the decisions we did, not just in the last ten years, but over the last eighty. How did certain industries become more prominent at the expense of others, banking as opposed to fisheries, international markets as opposed to indigenous industry and job creation? Are our problems structural in nature, and most importantly, what do we need to know to make sure that this crisis does not happen again? These are the questions set by this book. It will look at the development of the Irish economy over the past eight decades, and will argue that the 2008 financial crisis, up to and including the IMF bailout of 2010 and the subsequent change of government, cannot be explained simply by the moral failings of those in banking or property development alone. The problems are deeper, more intricate, and more dangerous if we remain unaware of them, but also potentially avoidable in the future if we break the cycle.
From the monk who sets himself on fire in a crowded intersection of Saigon (“the familiar corded tendons of his hands, become / a bracken of ashes, a carbon twine of burnt”), to the salmon run in British Columbia (“The salmon word / for home is glacierdust and once-tall trees unlimbed, / a taste, no matter where, they know”), Johnson writes of topics varied and eclectic, unified by a focus on moments both declining and revenant. Startling and haunting, the poems delve into the ways in which these moments are transformative, beautiful and unexpected. Being eaten by a lion is a gift rather than a loss, an opportunity for grace: “Instead, focus on your life, / its crimson liquor he grows drunk on. / Notice the way the red highlights his face, / how the snub nose is softened, the lips made / fuller; notice his deft musculature, his rapture.” Lyrical and rich with visceral imagery, How to Be Eaten by a Lion lingers, exploring the world with an eye for detail and an ear for music.