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When alien beings armed with devastatingly superior military technology and bent on conquest invaded earth, Allied and Axis forces were already engaged in a bloody conflict - the Second World War - that spanned the whole globe. Suddenly, humans had to stop fighting each other and unite against this deadly new enemy from beyond the Solar System. From China to North Africa, from hit-and-run cavalry raids in the American West to tank clashes in Eastern Europe, the worldwide conflict raged. Now battlefield defeats, supply shortages, guerrilla warfare in their occupied territories, rebellion within their own ranks and atomic attacks forced the alien leaders to rethink drastically their strategy and tactics. Was it going to be necessary to destroy Earth in order to save it . . . ?
In mid-1940, the British Expeditionary Force desperately attempted to flee the small French port of Dunkirk and reach British shores. France was falling, and the men were well aware that the German army had already conquered Poland, Denmark, Norway, Holland, and Belgium. Only Britain remained. Churchill then proclaimed to the House of Commons, "Hitler will have to break us in this island or lose the war." There were, perhaps, no more telling words spoken in World War II. For the following five months, Great Britain waged a heroic, and clandestine, struggle with Nazi Germany--one both psychological and diplomatic--over the fate of the world. World in the Balance recounts these pivotal months. Rallying after Churchill's speeches, destroying the French fleet so it would not fall to the Germans, fending off Nazi agents from former King Edward VIII, weakening England's defenses to build up those of Egypt, establishing a dedication to secret radar, and engaging in deft diplomacy--notably saving Gibraltar by keeping Spain neutral and successfully courting favor in the United States--set all the pieces in place for eventual victory over Axis fascism.
World War I has just exploded in Europe. The peace of the entire world is in danger. How will you help? Will you: Join the Belgian resistance movement? Fight as a British Army soldier? Serve as a volunteer with the American Field Service?
After the unprecedented destruction of the Great War, the world longed for a lasting peace. The victors, however, valued vengeance even more than stability and demanded a massive indemnity from Germany in order to keep it from rearming. The results, as eminent historian Norman Stone describes in this authoritative history, were disastrous. In World War Two, Stone provides a remarkably concise account of the deadliest war of human history, showing how the conflict roared to life from the ashes of World War One. Adolf Hitler rode a tide of popular desperation and resentment to power in Germany, promptly making good on his promise to return the nation to its former economic and military strength. He bullied Europe into giving him his way, and in so doing backed the victors of the Great War into a corner. Following the invasion of Poland in 1939, Britain and France declared war on Germany -- a decision that, Stone argues, was utterly irrational. Yet Hitler had driven the world mad, and the rekindling of European hostilities soon grew to a conflagration that spread across the globe, fanned by political and racial ideologies more poisonous -- and weaponry more destructive -- than the world had ever seen. With commanding expertise, Stone leads readers through the escalation, climax, and mournful denouement of this sprawling conflict. World War Two is an invaluable contribution to our understanding of the twentieth century and its defining struggle.
The Right Fight, the new management guide from noted business strategists Saj-nicole Joni and Damon Beyer, turns management thinking on its head and shows why, in the fast-moving, hyper-competitive marketplaces of the 21st century, leaders need to both foster alignment and orchestrate thoughtful controversy in their organizations to get the best out of them. The authors’ groundbreaking research—including examples as diverse as Unilever, Microsoft, Coca-Cola, Dell, the Clinton Administration, and the Houston Independent School System—shows that happy workers can become bored or complacent and thus less productive than workers who are subjected to a little properly managed tension. Readers of Good to Great and Winning, as well as the Harvard Business Review and Strategy + Business, will find much to ponder in The Right Fight.
The purpose of Weinberg's text is to suggest a way in which the dramatic events of World War II may be seen. Weinberg argues that the war must be seen as a whole, and that the presentation of it in discrete segments covering the European and Pacific portions separately distorts reality and obscures important aspects of the war on both sides of the world. In addition, any understanding of the great struggle requires a mental self-liberation from the certain knowledge of its outcome. In desperate struggles millions fought and died, hopeful or fearful--or both--but without awareness of the end.
Much of how World War I is understood today is rooted in the artistic depictions of the brutal violence and considerable destruction that marked the conflict. Nothing but the Clouds Unchanged examines how the physical and psychological devastation of the war altered the course of twentieth-century artistic Modernism. Following the lives and works of fourteen artists before, during, and after the war, this book demonstrates how the conflict and the resulting trauma actively shaped artistic production. Featured artists include Georges Braque, Carlo Carrà, Otto Dix, Max Ernst, George Grosz, Ernst Ludwig Kirchner, Oskar Kokoschka, Käthe Kollwitz, Fernand Léger, Wyndham Lewis, André Masson, László Moholy-Nagy, Paul Nash, and Oskar Schlemmer. Materials from the Getty Research Institute’s special collections—including letters, popular journals, posters, sketches, propaganda, books, and photographs—situate the works of the artists within the historical context, both personal and cultural, in which they were created. The volume accompanies a related exhibition on view at the Getty Research Institute Gallery from November 25, 2014, to April 19, 2015.
James Joll's study is not simply another narrative, retracing the powder trail that was finally ignited at Sarajevo. It is an ambitious and wide-ranging analysis of the historical forces at work in the Europe of 1914, and the very different ways in which historians have subsequently attempted to understand them. The importance of the theme, the breadth and sympathy of James Joll's scholarship, and the clarity of his exposition, have all contributed to the spectacular success of the book since its first appearance in 1984. Revised by Gordon Martel, this new 3rd edition accommodates recent research and an expanded further reading section.
Ten-year-old Johnny eagerly plays at war with the army of nutcracker soldiers his toymaker father whittles for him. He demolishes imaginary foes. But in 1914 Germany looms as the real enemy of Europe, and all too soon Johnny’s father is swept up in the war to end all wars. He proudly enlists with his British countrymen to fight at the front in France. The war, though, is nothing like what any soldier or person at home expected. The letters that arrive from Johnny’s dad reveal the ugly realities of combat — and the soldiers he carves and encloses begin to bear its scars. Still, Johnny adds these soldiers to his armies of Huns, Tommies, and Frenchmen, engaging them in furious fights. But when these games seem to foretell his dad’s real battles, Johnny thinks he possesses godlike powers over his wooden men. He fears he controls his father’s fate, the lives of all the soldiers in no-man’s land, and the outcome of the war itself.