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Flame Dancer Kelva of Arukan seeks the missing elements--Stone and Sea, Wind and Soul--that must join to preserve their world from destruction. Seeing that the Stone Dance, the master of Earth magic, would be found in the icy north, she and her dragon companion fly to a country mired in an unnaturally long winter. When at last they find Jareth, the Stone Dancer's own anger and pain make him reluctant to accept his destiny. His need for vengeance against the old gods who betrayed his people is pwerful--powerful enough to lead the group farther into the snows, searching for the lengendary Ice Maiden, who may be responsible for the forced winter. But betrayal doesn't come only from the gods--and the forces against them are vast. Before their quest is over, Kelva must realize that while Flame can break through the chill of the winter, Stone can withstand anything...
Kevla of Arukan returns in the next book of four by Christie Golden.
Vols. for 1891-1897 include decisions of the United States Board of General Appraisers.
1890-1926 include also Decisions of the Board of U.S. General Appraisers no. 1-9135.
Aims to assess the spiritual state of England under Catholicism, before the onslaught of the Reformation. It covers the Latin and the Wycliffite bibles, the way Catholicism was disseminated, the mass, parish celebrations, pilgrimage, indulgences, security for the dead and more.
Diane Whiting presents the idea that convertibility isn’t just about using pieces in multiple ways; it is also about using skills and creativity in multiple ways. Using ever-popular sparkling crystals, Diane showcases design elements through various techniques for fun, easy, fashionable jewelry. With 25 projects, the reader can choose from bracelets, necklaces, and earrings that match any outfit or style.
Runic and Mediterranean Epigraphy examines the past 100 years of runic scholarship to show that previous investigations on the origin of the runes have been hampered by a series of ad hoc postulates, the greatest being that the runes cannot have come into existence before the birth of Christ. If one examines the runic, Greek, and Latin alphabets on the basis of letter shapes, graphic-phonological correspondences, direction of writing, the orthographic treatment of nasals, the use of ligatures, interpuncts, and double letters, without any regard to time, striking similiarities appear. These similarities occur between the runes on the one hand and the archaic, pre-classical Greek and Latin writing systems, but not the Latin and Greek writing systems after the birth of Christ. While comparison yields a definite relationship between the runes and the archaic Greek and Latin writing systems, the runes seem to have more in common with the Greek than with the Latin. Runic and Mediterranean Epigraphy demonstrates that the question, 'Where did the runes come from?' has not yet been answered.