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"In Spite of teh Dark Silence," presents a biographical perspective on the tragic life of the poet and chemist Jorge Cuesta. Cuesta was one of the founders of Los Contemporáneos, an influential twentieth-century literary movement. The poetic voice of Cuesta's verses can be heard throughout, offering insights into the creative and destructive forces and impulses in his work that eventually led to a mental ward?and a shocking suicide at thirty-eight.
It’s Silence, Soundly, It’s Nothing, Seriously and It’s Absence, Presently, continue The ‘It’ Series published by Matador since The Book of It (2010). They constitute another stage in an artistic journey exploring the visual and audial dialectic of mark, word and image that began over 25 years ago. In their aesthetic form the books are a decentred trilogy united together in a new concept of The Bibliograph. All three present this new aesthetic object, which transcends the narrow limits of the academic bibliography. The alphabetical works also share a tripartite structure and identical length. The Bibliograph itself is characterised by its strategic place within each book as a whole as well as by the complex variations in meaning of the dominant motifs – nothing/ness, absence and silence – which recur throughout the alphabetical entries that constitute the elements of each text. It’s Nothing, Seriously, for example, addresses the amusing paradox that so much continues to be written today about – nothing! The aleatory character of the entries in the texts encourage the modern reader to reflect on each theme and to read them in a new way. The reader is invited as well to examine their various inter-textual relations across given conventional boundaries in the arts and sciences at several levels of physical, psychical & social reproduction.
Anxieties of Experience offers a new interpretation of US and Latin American literature. Rereading a range of canonical works from Walt Whitman's Leaves of Grass to Roberto Bolaño's 2666, it traces the development and interaction of two distinct literary strains in the Americas: the "US literature of experience" and the "Latin American literature of the reader."
The Contemporary Spanish-American Novel provides an accessible introduction to an important World literature. While many of the authors covered—Aira, Bolaño, Castellanos Moya, Vásquez—are gaining an increasing readership in English and are frequently taught, there is sparse criticism in English beyond book reviews. This book provides the guidance necessary for a more sophisticated and contextualized understanding of these authors and their works. Underestimated or unfamiliar Spanish American novels and novelists are introduced through conceptually rigorous essays. Sections on each writer include: *the author's reception in their native country, Spanish America, and Spain *biographical history *a critical examination of their work, including key themes and conceptual concerns *translation history *scholarly reception The Contemporary Spanish-American Novel offers an authoritative guide to a rich and varied novelistic tradition. It covers all demographic areas, including United States Latino authors, in exploring the diversity of this literature and its major themes, such as exile, migration, and gender representation.
Traumatic brain injury can interrupt without warning the life story that any one of us is in the midst of creating. When the author's fifteen-year-old son survives a terrible car crash in spite of massive trauma to his brain, she and her family know only that his story has not ended. Their efforts, Erik's own efforts, and those of everyone who helps bring him from deep coma to new life make up a moving and inspiring story for us all, one that invites us to reconsider the very nature of "self" and selfhood. Ruthann Knechel Johansen, who teaches literature and narrative theory, is a particularly eloquent witness to the silent space in which her son, confronted with life-shattering injury and surrounded by conflicting narratives about his viability, is somehow reborn. She describes the time of crisis and medical intervention as an hour-by-hour struggle to communicate with the medical world on the one hand and the everyday world of family and friends on the other. None of them knows how much, or even whether, they can communicate with the wounded child who is lost from himself and everything he knew. Through this experience of utter disintegration, Johansen comes to realize that self-identity is molded and sustained by stories. As Erik regains movement and consciousness, his parents, younger sister, doctors, therapists, educators, and friends all contribute to a web of language and narrative that gradually enables his body, mind, and feelings to make sense of their reacquired functions. Like those who know and love him, the young man feels intense grief and anger for the loss of the self he was before the accident, yet he is the first to see continuity where they see only change. The story is breathtaking, because we become involved in the pain and suspense and faith that accompany every birth. Medical and rehabilitation professionals, social workers, psychotherapists, students of narrative, and anyone who has faced life's trauma will find hope in this meditation on selfhood: out of the shambles of profound brain injury and coma can arise fruitful lives and deepened relationships. Keywords: narrative; selfhood; therapy; traumatic brain injury; healing; spirituality; family crisis; children
Taking place in Norway, Maine, Samantha is a typical high school loner. Although she prefers to be left alone she finds herself as the object of admiration for Henry, an often harassed fellow student, and even though she tries to maintain a distance, they are brought together by the one thing they have in common, an interest in the paranormal. Together, they team up to investigate a notorious host of ghostly activity, only to discover how dangerous the paranormal can be. At first, Samantha is the strong one, while Henry struggles to overcome his fear and prove himself as the person he believes Samantha wants. But their decision to explore a former ambulance station with a traumatic past acts as the catalyst for something that changes them both, and at the same time, brings tragedy to the town of Norway. This is the story of two teenagers caught up in the changes brought on by youth. At the same time, the two are dangerously consumed by their shared curiosity of all things unearthly, pushing them together, then driving them apart.
Whether your dog was born blind and deaf due to being a double merle, lethal white, or homozygous merle; or your dog is losing its sight and hearing due to age, disease, or progressive disability, you will find helpful information in this book! If you are a trainer, foster home, rescue, or shelter, this book will offer you information on working with the blind and deaf dogs in your care, and will provide a necessary resource for potential adopters. An authority on living with and training blind and deaf dogs, Debbie Bauer has made an impact in dogs' lives around the world. She works as a consultant and mentor to families, shelters, rescues, trainers, foster homes, and others who find themselves working with blind and deaf dogs. Now, she brings you this first-of-its-kind, exclusive book to help you learn to communicate with and enjoy your blind and deaf dog to the fullest! Full of important tips, ideas, games and fun for you and your dog! This book is a must-have for anyone who lives with, works with, or is thinking of adopting, a dog that is both blind and deaf.
Reproduction of the original.
A determined FBI agent hunts a sadistic serial killer in this “steamy” (Kirkus Review) Romantic Thriller with a “masterful plot” (The BookLife Prize) by New York Times bestselling author Toni Anderson. FBI Hostage Rescue Team member Shane Livingstone is frustrated when an injury sidelines him during an operation to catch a sadistic killer. A killer who auctions off vicious ways to torture his victims and screens the events for money on the dark web. When a teammate dies during the op, a devastated Shane vows to track down the monster responsible—but to do so he’ll need access to specialized skills he doesn’t possess. A bloody game of cat and mouse… As a white-hat hacker at Alex Parker’s security firm, Yael Brooks knows how to track predators through the darkest recesses of cyberspace. She can’t say no to Shane’s request…even though she fears her own secrets may put her at risk. With a serial killer who makes it personal… Shane and Yael must work together as a team if they hope to stop this psychopath. As they begin to grow closer, Shane demands Yael’s complete trust, but trust is the one thing Yael is reluctant to give. As the chase intensifies and more people die, it becomes obvious that the killer knows exactly who Yael is and plans to make both her and Shane pay the ultimate price for getting in his way. COLD SILENCE won the overall Daphne du Maurier Award for Excellence in Mystery/Suspense, and was shortlisted for The Jackie Collins Award for Romantic Thrillers in the Romantic Novel Awards. Cold Silence is the first book in the Cold Justice - Most Wanted series, featuring agents from FBI’s HRT. All the books in the Cold Justice® world can be read as standalone novels. Hot romantic stories with thrilling plots and guaranteed happily ever afters, they do contain strong language and sexy times. For fans of A.J. Rivers, L.T. Ryan, Janie Crouch, L.T. Vargus and Debra Webb.
Listening to Noise and Silence engages with the emerging practice of sound art and the concurrent development of a discourse and theory of sound. In this original and challenging work, Salomé Voegelin immerses the reader in concepts of listening to sound artwork and the everyday acoustic environment, establishing an aesthetics and philosophy of sound and promoting the notion of a sonic sensibility. A multitude of sound works are discussed, by lesser known contemporary artists and composers (for example Curgenven, Gasson and Federer), historical figures in the field (Artaud, Feldman and Cage), and that of contemporary canonic artists such as Janet Cardiff, Bill Fontana, Bernard Parmegiani, and Merzbow. Informed by the ideas of Adorno, Merleau-Ponty and others, the book aims to come to a critique of sound art from its soundings rather than in relation to abstracted themes and pre-existing categories. Listening to Noise and Silence broadens the discussion surrounding sound art and opens up the field for others to follow.