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Kotoko's nemesis Rikka is back, and it's a battle between artificial intelligence and the Goddess of Wisdom. Rikka develops Mecha Kotoko: an advanced technological machine programmed to mimic yokai supernatural powers. The doppelganger outrages Kotoko, but fools the real yokai. Up against a seemingly all-knowing artificial version of herself, can Kotoko still emerge as the superior sleuth? A plethora of mysteries awaits in this collection of suspenseful short stories!
Johnny Sorrow accomplished the unthinkable: he's unleashed the dreaded King of Tears. With Sentinel in critical condition and Dr. Fate missing, how will the JSA prevail? 'Injustice Be Done' part 4.
Contains opinions and comment on other currently published newspapers and magazines, a selection of poetry, essays, historical events, voyages, news (foreign and domestic) including news of North America, a register of the month's new publications, a calendar of forthcoming trade fairs, a summary of monthly events, vital statistics (births, deaths, marriages), preferments, commodity prices. Samuel Johnson contributed parliamentary reports as "Debates of the Senate of Magna Lilliputia."
The "Gentleman's magazine" section is a digest of selections from the weekly press; the "(Trader's) monthly intelligencer" section consists of news (foreign and domestic), vital statistics, a register of the month's new publications, and a calendar of forthcoming trade fairs.
How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetry In his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from “the troublesome and modern bondage of Riming.” Despite his claim to be a pioneer, Milton was not initiating a new line of thought—English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth’s reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse’s complexities. Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser’s sonnet rhymes stood as emblems of voluntary confinement, how John Donne’s revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson’s verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme’s allures. Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading.
Unsettling the Bildungsroman combines genre and cultural theory and offers a cross-ethnic comparative approach to the tradition of the female novel of development and the American coming-of-age narrative. Examines the work of Jamaica Kincaid, Sandra Cisneros, Maxine Hong Kingston, and Audre Lorde.
A BATTLE OF WITS Even the mysterious Kotoko Iwanaga was a high school student once, but could a girl like her ever fit in with regular teenagers? There is one student who thinks she would be a great addition to his club, but can he possibly convince the lone wolf to become a member of an organization? Learn how Manabu Amachi manipulated Kotoko into joining the mystery appreciation club!
" Socialism was man’s most ambitious attempt to supplant religion with a doctrine claiming to ground itself in “science.” Indeed, no religion ever spread so far so fast. Yet while socialism had established itself as a fact of life by the beginning of the 20th century, it did not create societies of abundance or give birth to “the New Man.” Each failure inspired new searches for the path to the promised land: revolution, communes, social democracy, Communism, Fascism, Third World socialism. None worked, and some exacted staggering human tolls. Then, after two hundred years of wishful thinking and fitful governance, socialism suddenly imploded in a fin du siecle drama of falling walls and collapsing regimes. In Heaven on Earth, Joshua Muravchik traces this fiery trajectory through sketches of the thinkers and leaders who developed the theory, led it to power, and presided over its collapse. We see such dreamers and doers as the French revolutionary Gracchus Babeuf, whose “Conspiracy of Equals” were the first to try to outlaw private property; Robert Owen, who hoped to plant a model socialist utopia in the United States; Friedrich Engels, who created the cult of Karl Marx and “scientific” socialism; Benito Mussolini, self proclaimed socialist heretic and inventor of Fascism; Clement Attlee, who rejected the fanatics and set out to build socialism democratically in Britain; Julius Nyerere, who merged social democracy and communism in the hope of making Tanzania a model for the developing world; and Mikhail Gorbachev, Deng Xiaoping and Tony Blair, who became socialism’s inadvertent undertakers. Muravchik’s accomplishment in Heaven on Earth is to tell a story filled with character and event while at the same time giving us an epic chronicle of a movement that tried to turn the world upside down—and for a time succeeded. "