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The United Nations' presence in Sierra Leone has made that country a subject of international attention to an unprecedented degree. Once identified as a source of `the New Barbarism', it has also become a proving ground for Western interventions in the war against terrorism. The conventional diplomatic approach to Sierra Leone's civil war is that it has been a contest between two clearly defined sides. Keen demonstrates this is not the case: the various armed groups were fractured throughout the 1990s, often colluded with one another, and had little interest in bringing the war to an end. This book is not only a comprehensive description and novel interpretation of events in Sierra Leone, it represents a new and innovative approach to the study of war and Third World development and politics generally.
A new political history of the former British colony in West Africa, best known for its diamonds and recent violent civil war, this covers 225 years of history and fills a gap in African studies.
The armed conflict in Sierra Leone and the extreme violence of the main rebel faction - the Revolutionary United Front (RUF) - have challenged scholars and members of the international community to come up with explanations. Up to this point, though, conclusions about the nature of the war are mainly drawn from accounts of civilian victims and commentators who had access to only one side of the war. The present study addresses this currently incomplete understanding of the conflict by focusing on the direct experiences and interpretations of protagonists, paying special attention to the hitherto neglected, and often underage, cadres of the RUF. The data presented challenges the widely canvassed notion of the Sierra Leone conflict as a war motivated by 'greed, not grievance'. Rather, it points to a rural crisis expressed in terms of unresolved tensions between landowners and marginalized rural youth, further reinforced and triggered by a collapsing patrimonial state.
A history of colonial Africa and of the African diaspora examining the experiences and identities of 'liberated' Africans in Sierra Leone.
In 2002, as Sierra Leone prepared to announce the end of its brutal civil war, the distinguished anthropologist, poet, and novelist Michael Jackson returned to the country where he had intermittently lived and worked as an ethnographer since 1969. While his initial concern was to help his old friend Sewa Bockarie (S. B.) Marah—a prominent figure in Sierra Leonean politics—write his autobiography, Jackson’s experiences during his stay led him to create a more complex work: In Sierra Leone, a beautifully rendered mosaic integrating S. B.’s moving stories with personal reflections, ethnographic digressions, and meditations on history and violence. Though the Revolutionary United Front (R.U.F.) ostensibly fought its war (1991–2002) against corrupt government, the people of Sierra Leone were its victims. By the time the war was over, more than fifty thousand were dead, thousands more had been maimed, and over one million were displaced. Jackson relates the stories of political leaders and ordinary people trying to salvage their lives and livelihoods in the aftermath of cataclysmic violence. Combining these with his own knowledge of African folklore, history, and politics and with S. B.’s bittersweet memories—of his family’s rich heritage, his imprisonment as a political detainee, and his position in several of Sierra Leone’s post-independence governments—Jackson has created a work of elegiac, literary, and philosophical power.
Scholars with knowledge of Sierra Leonean culture generally agree that the vibrancy of drama from Sierra Leone has not been recognised outside the country and is scarcely engaged by the intellectual community. However, the growing corpus of published Sierra Leonean literature would not be complete without the inclusion of plays. The five plays in this volume are from some of the most recognisable dramatists in the country: Dele Charley, John Kolosa Kargbo, Julius Spencer, Tonie French and Mohamed Sheriff. Includes critical analysis by the editor.
“Ethnographically rich, these accounts come to life in beautiful prose. These are inspiring and at times heartbreaking stories of how people living in such difficult and dangerous circumstances find ways to survive, love and take care of each other. This will be a valuable contribution as well as a welcome counter to the more popular images of warzones as places of total immorality.”—Catherine Besteman, author of Transforming Cape Town
This scholarly narrative focuses on the evolution of the Creole community of Sierra Leone and relates it to the surrounding peoples. Since it first appeared in 1962, the work has been acknowledged as one of the outstanding contributions to the history of West Africa.
Bronwen Everill offers a new perspective on African global history, applying a comparative approach to freed slave settlers in Sierra Leone and Liberia to understand their role in the anti-slavery colonization movements of Britain and America.