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Words and music for 16 songs from The Ritchie Family of Kentucky. How to tune and play and recollections of the dulcimer's local history. Illustrations and drawings.
“A thoughtful, entertaining history of obsessed music collectors and their quest for rare early 78 rpm records” (Los Angeles Times), Do Not Sell at Any Price is a fascinating, complex story of preservation, loss, obsession, and art. Before MP3s, CDs, and cassette tapes, even before LPs or 45s, the world listened to music on fragile, 10-inch shellac discs that spun at 78 revolutions per minute. While vinyl has enjoyed a renaissance in recent years, rare and noteworthy 78rpm records are exponentially harder to come by. The most sought-after sides now command tens of thousands of dollars, when they’re found at all. Do Not Sell at Any Price is the untold story of a fixated coterie of record collectors working to ensure those songs aren’t lost forever. Music critic and author Amanda Petrusich considers the particular world of the 78—from its heyday to its near extinction—and examines how a cabal of competitive, quirky individuals have been frantically lining their shelves with some of the rarest records in the world. Besides the mania of collecting, Petrusich also explores the history of the lost backwoods blues artists from the 1920s and 30s whose work has barely survived and introduces the oddball fraternity of men—including Joe Bussard, Chris King, John Tefteller, and others—who are helping to save and digitize the blues, country, jazz, and gospel records that ultimately gave seed to the rock, pop, and hip-hop we hear today. From Thomas Edison to Jack White, Do Not Sell at Any Price is an untold, intriguing story of the evolution of the recording formats that have changed the ways we listen to (and create) music. “Whether you’re already a 78 aficionado, a casual record collector, a crate-digger, or just someone…who enjoys listening to music, you’re going to love this book” (Slate).
Madeline MacNeil's performances are characterized by her effortless vocals and impeccable mountain and hammered dulcimer playing. In this book she reveals some of the secrets of her success with the mountain dulcimer. Early on, she reminds the reader that the dulcimer is not a toy or a stringed kazoo but a serious, expressive musical instrument capable of stretching as far as the imagination. She endorses both playing by ear and learning to read standard notation. In easily-understood language she manages to explore some very complex, even esoteric concepts, making this a particularly valuable book for the beginning instrumentalists. You Can Teach Yourself Dulcimer is simply a great fundamental book. Twelve intensive lessons in 95 pages. Standard notation and tablature. Illustrated with photographs and drawings.
Dulcimer experiences, news, memories, snapshots, playing styles, tuning and tablature methods, favourite songs, opinions, advice and information on the Appalachian dulcimer.
Spiced with humor, Anne Dodson’s Field Guide to the Mountain Dulcimer, Book 1 is a beautifully structured and organized guide, taking the beginning student step-by-step through a well-planned sequence of lessons. Friendly and encouraging, Book 1 covers tips on buying and maintaining the instrument, left and right hand techniques, chords, and accompaniment. Exercises, lots of fun tunes to play, and downloadable audio files to support the written instruction all make Field Guide to the Mountain Dulcimer, Book I a lasting resource.
The mountain dulcimer has a long and interesting history in the southern Appalachian mountains, and it's an instrument that so many of us enjoy playing. The book begins with the basics of tuning, strumming and finding notes on the dulcimer. The songs and tunes include favorites of dulcimer players, such as Boil That Cabbage Down, Old Joe Clark, Waterbound, Amazing Grace, Aura Lee and Are You Sleeping. The tracks in the accompanying online audio include count-ins and are played at easy-to-follow moderate tempos. Includes access to online audio.
(Ashley Publications). Easy instructions plus 139 selections by Albert Gamse for all 3 and 4 string dulcimers.