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This ground-breaking work documents Russian efforts to appropriate Western solutions to the problem of economic backwardness since the time of Catherine the Great. Entangled then as now with issues of cultural borrowing, educated Russians searched for Western nations, ideas, and social groups that embodied universal economic truths applicable to their own country. Esther Kingston-Mann describes Russian Westernization--which emphasized German as well as Anglo-U.S. economics--while she raises important questions about core values of Western culture and how cultural values and priorities are determined. This is the first historical account of the significant role played by Russian social scientists in nineteenth-century Western economic and social thought. In an era of rapid Western colonial expansion, the Russian quest for the "right" Western economic model became more urgent: Was Russia condemned to the fate of India if it did not become an England? In the 1900s, Russian liberal economists emphasized cultural difference and historical context, while Marxists and prerevolutionary government reformers declared that inexorable economic laws doomed peasants and their "medieval" communities. On the eve of 1917, both the tsarist regime and its leading critics agreed that Russia must choose between Western-style progress or "feudal" stagnation. And when peasants and communes survived until Stalin's time, he mercilessly destroyed them in the name of progress. Today Russia's painful modernizing traditions shape the policies of contemporary reformers, who seem as certain as their predecessors that economic progress requires wholesale obliteration of the past.
In no other region of the United States has the notion of authenticity played such an important yet elusive role as it has in the West. Though pervasive in literature,øpopular culture, and history, assumptions about western authenticity have not received adequate critical attention. Given the ongoing economic and social transformations in this vast region, the persistent nostalgia and desire for the ?real? authentic West suggest regional and national identities at odds with themselves. True West explores the concept of authenticity as it is used to invent, test, advertise, and read the West. The fifteen essays collected here apply contemporary critical and cultural theory to western literary history, Native American literature and identities, the visual West, and the imagining of place. Ranging geographically from the Canadian Prairies to Buena Park?s Entertainment Corridor in Southern California, and chronologically from early tourist narratives to contemporary environmental writing, True West challenges many assumptions we make about western writing and opens the door to an important new chapter in western literary history and cultural criticism.
For 65 years, True West magazine has inspired travelers to take the road less traveled and explore the historic sites and towns of the American West. Now, in honor of its 65th anniversary, the publishers of True West have compiled the essential Old West guidebook, which takes the traveler to where Old West history happened in 22 Western states.
Much has been written about the west—most of it clouded by exaggeration and fabrication. Since 1953, True West magazine has been devoted to celebrating the West’s true colors, giving the men and women who settled there accurate voices, exploring every triumph and tragedy of their time—and exposing every vice and virtue. True Tales and Amazing Legends of the Old West commemorates these unforgettable cowboys, Indians, and city slickers through a mix of classic histories and brand-new narratives, all illustrated with photographs—many reproduced here for the first time—of the people and places that gave rise to America’s Western mythology. With twenty-six stories that blend fact with folklore, this collection abounds with accounts of the famous and the infamous, including Sacagawea, Wild Bill Hickok, Pancho Villa, Butch Cassidy and the Sundance Kid, Davy Crockett, and Wyatt Earp. Also here are lesser-known figures whose stories were pivotal to shaping the culture of the era, such as European conquistador Francisco Coronado, rancher “Black Billy” Hill, and fearless lawman Orlando “Rube” Robbins. Other tales recount the wide open plains, lawlessness, drama, mayhem, and promise embodied in the Old West. Whether you’re a history buff, an Old West devotee, or simply someone who is fascinated by the characters of America’s early years, these timeless tales and photographs epitomize the legendary spirit of what it meant to settle the West.
Looks at the contested place of the provinces in twenty-first-century Russia, surveying cultural discourse in journalism, literature, and film to analyze changing notions of nationalism, authenticity, and postimperial identity.
NEW YORK TIMES EDITORS’ CHOICE • A revelatory biography of the world-famous playwright and actor Sam Shepard, whose work was matched by his equally dramatic life, including collaborations with the Rolling Stones and Bob Dylan as well as tumultuous relationships with Patti Smith, Joni Mitchell, and Jessica Lange “What [True West] achieves in its finest pages is placing the artist in his time. . . . I was filled with excitement, envy and reverence for the New York City that embraced the young Shepard in the 1960s and early ’70s.”—Ethan Hawke, The Washington Post True West: Sam Shepard’s Life, Work, and Times is the story of an American icon, a lasting portrait of Sam Shepard as he really was, revealed by those who knew him best. This sweeping biography charts Shepard’s long and complicated journey from a small town in Southern California to become an internationally known playwright and movie star. The only son of an alcoholic father, Shepard crafted a public persona as an authentic American archetype: the loner, the cowboy, the drifter, the stranger in a strange land. Despite his great critical and financial success, he seemed, like so many of his characters, to remain perpetually dispossessed. Much like Robert Greenfield’s biographies of Jerry Garcia and Timothy Leary, this book delves deeply into Shepard’s life as well as the ways in which his work illuminates it. True West takes readers through the world of downtown theater in Lower Manhattan in the early sixties; the jazz scene at New York’s Village Gate; fringe theater in London in the seventies; Bob Dylan’s legendary Rolling Thunder tour; the making of classic films like Zabriskie Point, Days of Heaven, and The Right Stuff; and Broadway productions of Buried Child, True West, and Fool for Love. For this definitive biography, Greenfield interviewed dozens of people who knew Shepard well, many of whom had never before spoken on the record about him. While exploring his relationships with Patti Smith, Bob Dylan, Joni Mitchell, and Jessica Lange across the long arc of his brilliant career, Greenfield makes the case for Shepard as not just a great American writer but a unique figure who first brought the sensibility of rock ’n’ roll to theater.
Wyatt Earp is one of the most legendary figures of the nineteenth-century American West, notable for his role in the gunfight at the O.K. Corral in Tombstone, Arizona. Some see him as a hero lawman of the Wild West, whereas others see him as yet another outlaw, a pimp, and failed lawman. Roy B. Young, Gary L. Roberts, and Casey Tefertiller, all notable experts on Earp and the Wild West, present in A Wyatt Earp Anthology an authoritative account of his life, successes, and failures. The editors have curated an anthology of the very best work on Earp—more than sixty articles and excerpts from books—from a wide array of authors, selecting only the best written and factually documented pieces and omitting those full of suppositions or false material. Earp’s life is presented in chronological fashion, from his early years to Dodge City, Kansas; triumph and tragedy in Tombstone; and his later years throughout the West. Important figures in Earp’s life, such as Bat Masterson, the Clantons, the McLaurys, Doc Holliday, and John Ringo, are also covered. Wyatt Earp’s image in film and the myths surrounding his life, as well as controversies over interpretations and presentations of his life by various writers, also receive their due. Finally, an extensive epilogue by Gary L. Roberts explores Earp and frontier violence.
Dorn's high-spirited, crazy-quilt, complex anti-epic is a masterful critique of late twentieth-century capitalism and is one of the great comic poems of American literature. Dorn is one of the few political poets in America; this fantasy about a demigod cowboy, a saloon madam, and a talking horse named Claude Levi-Strauss, who travel the Southwest in search of Howard Hughes, as become a minor classic.
Tells the story of a dysfunctional family living in a farmhouse they are planning to sell in the hopes of moving on to bigger and better things.