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When the Romans came north to what is now modern Scotland they encountered the fierce and proud warrior society known as the Picts, who despite their lack of discipline and arms, managed to prevent the undefeated Roman Army from conquering the northern part of Britain, just as they later repulsed the Angles and the Vikings.A New History of the Picts is an accessible true history of the Picts, who are so often misunderstood. New historical analysis, recently discovered evidence and an innovative Scottish perspective will expose long held assumptions about the native people.This controversial text contests that Scottish history has long since been dominated and distorted by misleading perspectives. A New History of the Picts discredits the idea that the Picts were a strange historical anomaly and shows them to be the descendants of the original inhabitants of the land, living in a series of loose tribal confederations gradually brought together by external forces to create one of the earliest states in Europe: a people, who after repulsing all invaders, merged with their cousins, the Scots of Argyll, to create modern Scotland. All of Scotland descends from the fierce Picts.
The Picts were an ancient nation who ruled most of northern and eastern Scotland during the Dark Ages. Despite their historical importance, they remain shrouded in myth and misconception. Absorbed by the kingdom of the Scots in the ninth century, they lost their unique identity, their language and their vibrant artistic culture. Amongst their few surviving traces are standing stones decorated with incredible skill and covered with enigmatic symbols - vivid memorials of a powerful and gifted people who bequeathed no chronicles to tell their story, no sagas to describe the deed of their kings and heroes. In this book Tim Clarkson pieces together the evidence to tell the story of this mysterious people from their emergence in Roman times to their eventual disappearance.
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Early historic Scotland - from the fifth to the tenth century AD - was home to a variety of diverse peoples and cultures, all competing for land and supremacy. Yet by the eleventh century it had become a single, unified kingdom, known as Alba, under a stable and successful monarchy. How did this happen, and when? At the heart of this mystery lies the extraordinary influence of the Picts and of their neighbours, the Gaels - originally immigrants from Ireland. In this new and revised edition of her acclaimed book, Sally M. Foster establishes the nature of their contribution and, drawing on the latest archaeological evidence and research, highlights a huge number of themes, including the following: the origins of the Picts and Gaels; the significance of the remarkable Pictish symbols and other early historic sculpture; the art of war and the role of kingship in tribal society; settlement, agriculture, industry and trade; religious beliefs and the impact of Christianity; how the Picts and Gaels became Scots.
The Picts is a survey of the historical and cultural developments in northern Britain between AD 300 and AD 900. Discarding the popular view of the Picts as savages, they are revealed to have been politically successful and culturally adaptive members of the medieval European world. Re-interprets our definition of ‘Pict’ and provides a vivid depiction of their political and military organization Offers an up-to-date overview of Pictish life within the environment of northern Britain Explains how art such as the ‘symbol stones’ are historical records as well as evidence of creative inspiration. Draws on a range of transnational and comparative scholarship to place the Picts in their European context
Some years ago a revolution took place in Early Medieval history in Scotland. The Pictish heartland of Fortriu, previously thought to be centred on Perthshire and the Tay found itself relocated through the forensic work of Alex Woolf to the shores of the Moray Firth. The implications for our understanding of this period and for the formation of Scotland are unprecedented and still being worked through. This is the first account of this northern heartland of Pictavia for a more general audience to take in the full implications of this and of the substantial recent archaeological work that has been undertaken in recent years. Part of the The Northern Picts project at Aberdeen University, this book represents an exciting cross disciplinary approach to the study of this still too little understood yet formative period in Scotland's history.
A British historian explores the mysterious Scottish culture of the Iron Age and Early Middle Ages whose enigmatic symbols adorn standing stones. The Picts were an ancient nation who ruled most of northern and eastern Scotland during the Dark Ages. Despite their historical importance, they remain shrouded in myth and misconception. Absorbed by the kingdom of the Scots in the ninth century, they lost their unique identity, their language and their vibrant artistic culture. Among their few surviving traces are standing stones decorated with incredible skill and covered with enigmatic symbols. The Pictish Stones offer some of the few remaining clues to the powerful and gifted people who bequeathed no chronicles to tell the sagas of their kings and heroes. In this book, Medieval historian Tim Clarkson pieces together the evidence to tell the story of this mysterious people from their emergence in Roman times to their eventual disappearance.
When the Romans withdrew from Britain, the north of the country was ruled by the most mysterious of the ancient British races, the Picts. Much of what is known about these “painted” warriors, comes from the remains of the fortifications that they left scattered around Scotland. Although the Picts are famous as sea raiders, they were also subjected to attacks from a number of opponents. To their south, the Romano-British reoccupied the abandoned Roman fortifications and hired Saxon mercenaries to strike against the Picts. Meanwhile, from the west a new group, the Scoti, attacked from Ireland. This book covers the fortification of the ancient Picts in all their conflicts and discusses the importance of these sites as religious centres and seats of power, while using the latest archeological evidence to help unravel the mystery of this ancient race.
Once the dominant culture in the northern reaches of the British Isles, the Picts, renowned for the blue tattoos that gave them their name, were known as a formidable enemy by the armies of Roman Emperor Severus. Their prominence rose as early as 350 BC and continued until at least AD 900. Then, 1,100 years ago, they vanished from history. Although many consider them the predecessors of modern Scots, little is known about them outside of limited archaeological artefacts and mentions of them left by the Romans. In this thorough and compelling exploration of extant historical sources, we finally have a clearer picture of this enigmatic people. Clayton N. Donoghue argues that much of what we consider culturally Scottish actually has its roots in the Picts, and that they had a more dynamic and rich culture than previously thought. This book fills in the gaps and helps to paint a clearer picture of a people that the Romans considered ferocious savages living in a desolate and frozen waste land. As we now know, this couldn’t be further from the truth.