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In the company of Peter Brook and his group, Carrière crisscrossed India in search of the Mahabharata looking for all possible theatrical forms of the great poem. He collected a series of impressions, anecdotes, conversations and sketches made on the ru
“Narayan makes this treasury of Indian folklore and mythology readily accessible to the general reader . . . he captures the spirit of the narrative.”—Library Journal The Mahabharata tells a story of such violence and tragedy that many people in India refuse to keep the full text in their homes, fearing that doing so would invite a disastrous fate upon their house. Covering everything from creation to destruction, this ancient poem remains an indelible part of Hindu culture and a landmark in ancient literature. Centuries of listeners and readers have been drawn to The Mahabharata, which began as disparate oral ballads and grew into a sprawling epic. The modern version is famously long, and at more than 1.8 million words—seven times the combined lengths of the Iliad and Odyssey—it can be incredibly daunting. But contemporary readers have a much more accessible entry point to this important work, thanks to R. K. Narayan’s masterful, elegant translation and abridgement of the poem. Now with a new foreword by Wendy Doniger, as well as a concise character and place guide and a family tree, The Mahabharata is ready for a new generation of readers. Narayan ably distills a tale that is both traditional and constantly changing. He draws from both scholarly analysis and creative interpretation and vividly fuses the spiritual with the secular. Through this balance he has produced a translation that is not only clear, but graceful, one that stands as its own story as much as an adaptation of a larger work.
334 B.C.Alexander the Great begins his conquest of the Persian Empire. But his plans for everlasting glory do not end there and the young kind marches towards the Ends of the Earth - the lands of the Indus - on a secret quest. It will lead him to an ancient secret. It will lead him to an ancient secret concealed in the myths of the Mahabharata; a secret that is powerful enough to transform him into a god.. PRESENT DAY In Greece, the ancient tomb of a queen is discovered, a tomb that has been an enigma for over 2000 years.
"5 B.C. and 54 B.C. - Julius Caesar invades Britain twice, only to leave empty handed... A.D. 60 - The Romans single-mindedly target the extermination of the Druids and the destruction of their sacred sites. What fear drives them to do so?... Present day - Who were the Druids? Were they priests or astronomers? Scientists or sorcerers? What is the ancient and terrifying secret from the Mahabharata that links the megalithic sites of Britain to the Druids, Julius Caesar and a mysterious queen who lived 4,000 years ago? These are the riddles that Vijay Singh and the task force must answer if they are to save the world from a fate worse than death. But time is running out.... Explore the science behind the Mahabharata in this explosive thriller packed with action, puzzles and mysteries from the past."--Publisher description.
William Buck's stirring retelling of a classic Indian epic--in its original Sanskrit, probably the largest epic ever composed.
First published in 1991, Peter Brook and the Mahabharata is a collection of essays which contextualizes the production of Peter Brook’s The Mahabharata. Written by both scholars and collaborators on Brook’s production, these essays seek not only to discuss such issues as the politics of theatre interculturalism, but to describe the nature of the working process, and detail the technical problems engendered by touring a production of this size and complexity. Furnished with a new preface by the editor, the book continues to be crucial research work devoted to unravelling the mesmerising as well as the polarising enigma known as Peter Brook’s The Mahabharata. Thoroughly heterogenous and controversially irreverent, this book will be of interest to students of theatre, performance art, literature, South Asian studies and media studies.
Sanskrit classical epic translated into English.
The Mahabharata is one of the greatest stories ever told. Though the basic plot is widely known, there is much more to the epic than the dispute between Kouravas and Pandavas that led to the battle in Kurukshetra. It has innumerable sub-plots that accommodate fascinating meanderings and digressions, and it has rarely been translated in full, given its formidable length of 80,000 shlokas or couplets. This magnificent 10-volume unabridged translation of the epic is based on the Critical Edition compiled at the Bhandarkar Oriental Research Institute. * The final volume ends the instructions of the Anushasana Parva. The horse sacrifice is held, and Dhritarashtra, Gandhari, Kunti, Vidura and Sanjaya leave for the forest. Krishna and Balarama die as the Yadavas fight among themselves. The Pandavas leave on the great journey with the famous companion—Dharma disguised as a dog. Refusing to abandon the dog, Yudhishthira goes to heaven in his physical body and sees all the Kurus and the Pandavas are already there. * Every conceivable human emotion figures in the Mahabharata, the reason why the epic continues to hold sway over our imagination. In this lucid, nuanced and confident translation, Bibek Debroy makes the Mahabharata marvellously accessible to contemporary readers.
Eleven year old Samhita Arni s beautifully illustrated version of the Mahabharatha is a bold and fresh re-telling of the great epic.
A unique dramatization of India's greatest epic poem, fifteen times longer than the Bible, The Mahabharata has played to enthralled audiences throughout Europe, the Far East and America. Regarded as the culmination of Peter Brook's extraordinary research into the possibilities of theatre, the production has been hailed as the 'theatrical event of this century' (Sunday Times). British audiences encountered The Mahabharata, on stage and television, in the late eighties. This volume contains the complete script of Carriere's adaptation in Peter Brook's translation, with introductions by each of them.