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In Search of the Lost Eros is a meditation on love and its challenges in our modern times. This book pairs literary and philosophical quotations from many renowned authors with the author’s own reflections trying to create a framework for contemplation on the predicament of love today. What is love, really? What is the cosmic Eros that ‘moves the sun and the other stars’? Is this the same love that forms the essence of our deepest being? Is falling in love a form of madness? Is love blind or visionary? Does it inevitably cause suffering? And what about marriage – must we stay together at all costs until death do us part? What are the challenges of sexuality today? What distinguishes erotic art from pornography? These are some of the questions this essay seeks to explore, offering answers that are necessarily incomplete, while hoping to inspire readers to gain their own insights into these inexhaustible topics. Mystics of the major spiritual traditions have always maintained that our spiritual essence is love and that we ultimately cannot lose it. Yet, many modern individuals feel that genuine love is missing from their lives. This book aims to make a modest contribution to rediscovering some of the lost Eros that we all so ardently long for.
"Love is not my motivation; it is my state of being. You cannot tempt me with the promise of your scraps when I feed myself." If aromantic people primarily desire friendship or nonromantic partnerships over romance, then how can they practice any recognized form of non-monogamy? And polyamory the practice of having multiple intimate, loving relationships is just for romantic people, right? The truth is, being aromantic or asexual usually means there's an emphasis on friendship, which is inherently non-monogamous. Being aromantic means loving a bit differently, but in ways that matter just as much. Knowledge about these experiences and identities can help with clarifying relationship needs, bringing up new possibilities and better choices for relationship format ion, and for turning friendship into something more than a simple throwaway stand in for some potential romantic partner. Communities built on friendship rather than competition (and let s face it, competitiveness is usually encouraged when it comes to romance) would be more cohesive, less prone to the power dynamics that lead to systemic abuse, and can actually cultivate true agency. There are plenty of books out there already for straight, white, romantic folks. This is the book Black queer aros never got.
"In Eros, the subtle and profound nuances of the erotic nature of relationships between men and women are explored through a collection of black-and-white photographs that are coupled with inspired, passionate words. Among the photographers whose visions comprise this volume are some of the great masters - Brassai, Imogen Cunningham, Horst, Man Ray, Minor White, Edward Weston - as well as many celebrated contemporary artists - Manuel Alvarez Bravo, Hiro, Annie Leibovitz, Robert Mapplethorpe, Duane Michals, Helmut Newton, and Albert Watson, among others. Deeply involved as they are with the relationship between seeing and feeling, their images take us on a rich visual journey ranging from the eloquent beauty of the human form to the complexity of body language motivated by desire." "This compendium of expressive photographs is accented with a variety of literary selections drawn from the work of writers such as Margaret Atwood, Siv Cedering, John Cleland, E. E. Cummings, Michael Fried, Robert Graves, Erica Jong, D. H. Lawrence, Henry Miller, Anais Nin, Carson Reed, Dylan Thomas, and Walt Whitman. Embracing the spectrum of the erotic experience - from quiet intimacy and meditation to frank lust and reckless abandon - their words highlight the power of Eros not only to thrill and delight but also to uplift and transform."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Using her personal experiences, the author seeks to help women find a Christian spirituality that takes their womanhood into account. -- Back cover.
Here, for the first time, an author weaves together threads that explain the mysterious disappearance of ancient cultures in which women and the environment were at the center, a loss that has dramatically influenced 3,500 years of Western history.
Can you approach love in a way that opens your eyes rather than blinds you? Can you love passionately, compassionately, and dispassionately all at once? Can you love non-possessively but with commitment? Can you love inquiringly, bringing benefit to your beloveds? What is the relationship between your spiritual life and embodied love? How are we each to engage this great life adventure, in spite of our unique wounds? In this book filled with passion, compassion, and dispassion, Hilary Bradbury and Bill Torbert go way, way out on a limb. Sharing their erotic autobiographies with us - the beautiful and the ugly - starting with the history of their relationship with one another as professor and student, they invite exploration of the secret places where true love gets lived (and gets crushed). They ask us to reflect on our own stories of love and loss as a way to re-imagine the whole world of erotic friendship in more life affirming ways, at home, at play and at work. Coaxing love under the sign of inquiry they suggest that we already know that passionate love can enchant us, exerting a power over us that can feel like the most liberating feeling in the world. Yet it can also lead us into torturous agony. They discuss the exercise of power to love rather than imprison self and other. These pages invite you to invite yourself and your friends further into this living inquiry, inviting love with inquiry, joining Eros with Power.
'Erotikon' brings together leading contemporary intellectuals from a variety of fields for an expansive debate on the full meaning of eros. Restricted neither by historical period nor by genre, these contributions explore manifestations or eros throughout Western culture.
It is a widespread prejudice of modern, scientific society that "magic" is merely a ludicrous amalgam of recipes and methods derived from primitive and erroneous notions about nature. Eros and Magic in the Renaissance challenges this view, providing an in-depth scholarly explanation of the workings of magic and showing that magic continues to exist in an altered form even today. Renaissance magic, according to Ioan Couliano, was a scientifically plausible attempt to manipulate individuals and groups based on a knowledge of motivations, particularly erotic motivations. Its key principle was that everyone (and in a sense everything) could be influenced by appeal to sexual desire. In addition, the magician relied on a profound knowledge of the art of memory to manipulate the imaginations of his subjects. In these respects, Couliano suggests, magic is the precursor of the modern psychological and sociological sciences, and the magician is the distant ancestor of the psychoanalyst and the advertising and publicity agent. In the course of his study, Couliano examines in detail the ideas of such writers as Giordano Bruno, Marsilio Ficino, and Pico della Mirandola and illuminates many aspects of Renaissance culture, including heresy, medicine, astrology, alchemy, courtly love, the influence of classical mythology, and even the role of fashion in clothing. Just as science gives the present age its ruling myth, so magic gave a ruling myth to the Renaissance. Because magic relied upon the use of images, and images were repressed and banned in the Reformation and subsequent history, magic was replaced by exact science and modern technology and eventually forgotten. Couliano's remarkable scholarship helps us to recover much of its original significance and will interest a wide audience in the humanities and social sciences.
Araki's career in full, from the portraits of the early 1960s to city scenes and tender tributes to his wife Araki is known the world over for his controversial erotic portraits of Japanese women, often bound using the kinbaku (Japanese bondage) technique. A unique figure in contemporary photography, he has always found creative inspiration in his daily existence, without making any distinction between his personal life and public and professional practice. The Araki Effect offers a broad overview of his career: from the first series from 1963-65, Satchin and His Brother Mabo, to Subway of Love, a large collection of images taken in the Tokyo subway between 1963 and 1972, the year he also made Autumn in Tokyo, which recounts the autumn he spent wandering through the city in the twilight hours. These are followed by Sentimental Night in Kyoto, less known than the famous Sentimental Journey, both tributes to his wife, Yoko; Balcony of Love, Death Reality, Tokyo Diary from 2017, and one of his latest collections, Araki's Paradise from 2019. Born in Tokyo in 1940, Nobuyoshi Araki worked at an advertising agency in the 1960s, where he met his future wife, Yoko Araki, the subject of his now classic volume Sentimental Journey. Araki's oeuvre spans erotic portraits of women, still lifes, images of plants, scenes of everyday life and architectural photography. He has published around 400 books, shown in many international exhibitions and his work is part of important collections worldwide. Araki lives and works in Tokyo.
Julie, an eleven-year-old Irish Catholic, had no inkling that the mysterious yet undeniable bond formed in a fleeting encounter with a priest would later transform her life. This memoir, in part told through actual letters, is the inspiring story of how two souls, grounded in faith and destined to be together, escape violence to move confidently from darkness to light and from fear to love.