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In search of new public domain is a report of an intensive quest to establish the preconditions for the design of new public spaces. On the basis of an analysis of the cultural geography of the network city, the authors develop a new perspective of cultural exchange as a typical urban quality. They are critical of the laments about the decline of the city and public space, as much as of a naive faith in architecture and urbanism as saving graces. A critical investigation of the new collective spaces that are popping up across the whole of the urban field offers an insight into the factors that facilitate the development of new public domain. Through their clarification of the theoretical background and analysis of topical issues such as public safety and social segregation, the authors offer insights and instruments for policy-makers and designers who are confronted with the new task of the design of public domain in the network city.
The Western town of roughly 1860-90 exists in an ephemeral moment of American history ... these towns vanished entirely from the prairie by the end of the nineteenth century. Yet even today, everyone has visited these towns, since they survive in their abstract and distilled form through the plot-generating sets of Western movies ... a clichéd but consistent host of characteristics and characters ... 22 towns in the Wild West are the protagonists in this book, including famous places like El Paso, Rio Bravo, and Lahood - not as clichés, but as constructed reality. Detailed maps offer a previously non-existent overview of spatial contexts and form the basis for an intensive exploration of architecture and urban planning. The culture of the "city without a future" in the American West between 1860 and 1900 has been maintained in the films out of which it arises. This architectural analysis does not attempt to nostalgically reactivate the Western town, but uses it instead as a vehicle to critique contemporary phenomena in terms of infrastructure, the link between architecture and city, and the role of urban planning - after the Stranger persuaded the residents of Lago to paint the whole town red, he declared himself ready to protect it from the approaching gunmen. With maps of the towns from the following films (selected): 'A Fistful of Dollars' (1964), 'Buchanan Rides Alone' (1958), 'For a Few Dollars More' (1965), 'Fort Apache' (1948).
Explains how to find and use creative works without permission or fees, describing how to recognize whether or not a work is in the public domain.
John Friedmann addresses a central question of Western political theory: how, and to what extent, history can be guided by reason. In this comprehensive treatment of the relation of knowledge to action, which he calls planning, he traces the major intellectual traditions of planning thought and practice. Three of these--social reform, policy analysis, and social learning--are primarily concerned with public management. The fourth, social mobilization, draws on utopianism, anarchism, historical materialism, and other radical thought and looks to the structural transformation of society "from below." After developing a basic vocabulary in Part One, the author proceeds in Part Two to a critical history of each of the four planning traditions. The story begins with the prophetic visions of Saint-Simon and assesses the contributions of such diverse thinkers as Comte, Marx, Dewey, Mannheim, Tugwell, Mumford, Simon, and Habermas. It is carried forward in Part Three by Friedmann's own nontechnocratic, dialectical approach to planning as a method for recovering political community.
Digital technology has made culture more accessible than ever before. Texts, audio, pictures and video can easily be produced, disseminated, used and remixed using devices that are increasingly user-friendly and affordable. However, along with this technological democratization comes a paradoxical flipside: the norms regulating culture's use - copyright and related rights - have become increasingly restrictive. This book brings together essays by academics, librarians, entrepreneurs, activists and policy makers, who were all part of the EU-funded Communia project. Together the authors argue that the Public Domain - that is, the informational works owned by all of us, be that literature, music, the output of scientific research, educational material or public sector information - is fundamental to a healthy society. The essays range from more theoretical papers on the history of copyright and the Public Domain, to practical examples and case studies of recent projects that have engaged with the principles of Open Access and Creative Commons licensing. The book is essential reading for anyone interested in the current debate about copyright and the Internet. It opens up discussion and offers practical solutions to the difficult question of the regulation of culture at the digital age.
The Companion to Public Space draws together an outstanding multidisciplinary collection of specially commissioned chapters that offer the state of the art in the intellectual discourse, scholarship, research, and principles of understanding in the construction of public space. Thematically, the volume crosses disciplinary boundaries and traverses territories to address the philosophical, political, legal, planning, design, and management issues in the social construction of public space. The Companion uniquely assembles important voices from diverse fields of philosophy, political science, geography, anthropology, sociology, urban design and planning, architecture, art, and many more, under one cover. It addresses the complete ecology of the topic to expose the interrelated issues, challenges, and opportunities of public space in the twenty-first century. The book is primarily intended for scholars and graduate students for whom it will provide an invaluable and up-to-date guide to current thinking across the range of disciplines that converge in the study of public space. The Companion will also be of use to practitioners and public officials who deal with the planning, design, and management of public spaces.
Copyright is meant to do something-several things-to accomplish socially desirable ends. One of those ends is to create a space for a free exchange of ideas that allows us to build upon a universe of expression that came before. How can I tell if something is in the public domain? This is the central question addressed daily by the Copyright Review Management System (CRMS) project. It is a special question and one essential to the social bargain that society has struck with authors and rights holders. It is also a deceptively simple question. There should be a straightforward answer, especially for books. It should be easy to know when something is-or is not-subject to copyright. And yet, in an age of absolute fluidity of media and medium, even plain old books can be highly complex embodiments of copyright. We need to make it easier to ascertain whether a work is in the public domain. If the rights of copyright holders are to be respected and valued as part of the social bargain, the public domain as a matter of copyright law should be ascertainable and enjoyed. Given this complexity, consider the determination of the copyright status of a given creative work as a design problem. How do we move the copyright status of works in the collections of our libraries, museums, and archives from confusion and uncertainty to clarity and opportunity? Working over a span of nearly eight years, the University of Michigan Library received three grants from the Institute of Museum and Library Services (IMLS) to generously fund CRMS, a cooperative effort by partner research libraries to identify books in the public domain in HathiTrust. The Toolkit is a resource that aims to allow others to understand and replicate the work done by CRMS.
"A tale of law and music that leads through the gates of time!"
In this insightful book you will discover the range wars of the new information age, which is today's battles dealing with intellectual property. Intellectual property rights marks the ground rules for information in today's society, including today's policies that are unbalanced and unspupported by any evidence. The public domain is vital to innovation as well as culture in the realm of material that is protected by property rights.
Poetry. Latino/Latina Studies. "PUBLIC DOMAIN is First Rate, worthy of Rerereading and Full-Tilt Gesamkunstwerke Treatment, and, rest assured, will never rest. Which is to say: the interplay of text/orality, theory/playfulness, concrete/lyric appearing in every form imaginable/heretofore unimagined, adds up to the most adventurous Conceptual Mystery Poem I have ever read/performed. I cannot imagine poetry without her" Bob Holman."